Street-Gang and Tribal-Warrior Autobiographies is a study of the autobiographies of tribal-warrior cultures in North America, the Amazon, the Orinoco Basin, the highlands of Luzon, the island of Alor — of headhunters, women, Apaches, New Guinea big men and a Yanomami captive. The book also discusses tribal-warrior autobiographies closer to home: Colton Simpson’s Inside the Crips, Mona Ruiz’s Two Badges, Nathan McCall’s Makes Me Wanna Holler and Sanyika Shakur’s Monster, autobiographies that remember gangbanging at a time when there were close to 500 gang-related homicides a year in Los Angeles—a time when gangbangers were so alienated from the larger society that they reinvented something very similar to the tribal-warrior cultures right in the asphalt heart of American cities. Grisly, probing and resonant with the voices of generations of fighters, Street-Gang and Tribal-Warrior Autobiographies is an unsettling work of cross-disciplinary scholarship.

Street-Gang and Tribal-Warrior Autobiographies is a study of the autobiographies of tribal-warrior cultures in North America, the Amazon, the Orinoco Basin, the highlands of Luzon, the island of Alor — of headhunters, women, Apaches, New Guinea big men and a Yanomami captive. The book also discusses tribal-warrior autobiographies closer to home: Colton Simpson’s Inside the Crips, Mona Ruiz’s Two Badges, Nathan McCall’s Makes Me Wanna Holler and Sanyika Shakur’s Monster, autobiographies that remember gangbanging at a time when there were close to 500 gang-related homicides a year in Los Angeles—a time when gangbangers were so alienated from the larger society that they reinvented something very similar to the tribal-warrior cultures right in the asphalt heart of American cities. Grisly, probing and resonant with the voices of generations of fighters, Street-Gang and Tribal-Warrior Autobiographies is an unsettling work of cross-disciplinary scholarship.

The publication of Sanyika Shakur's Monster: The Autobiography of an L.A. Gang Member in 1993 generated a huge amount of excitement in literary circles--New York Times book critic Michiko Kakutani deemed it a "shocking and galvanic book"--and set off a new publishing trend of gang memoirs in the 1990s. The memoirs showcased tales of violent confrontation and territorial belonging but also offered many of the first journalistic and autobiographical accounts of the much-mythologized gang subculture. In The Culture and Politics of Contemporary Street Gang Memoirs, Josephine Metcalf focuses on three of these memoirs--Shakur's Monster; Luis J. Rodriguez's Always Running: La Vida Loca: Gang Days in L.A.; and Stanley "Tookie" Williams's Blue Rage, Black Redemption--as key representatives of the gang autobiography. Metcalf examines the conflict among violence, thrilling sensationalism, and the authorial desire to instruct and warn competing within these works. The narrative arcs of the memoirs themselves rest on the process of conversion from brutal, young gang bangers to nonviolent, enlightened citizens. Metcalf analyzes the emergence, production, marketing, and reception of gang memoirs. Through interviews with Rodriguez, Shakur, and Barbara Cottman Becnel (Williams's editor), Metcalf reveals both the writing and publishing processes. This book analyzes key narrative conventions, specifically how diction, dialogue, and narrative arcs shape the works. The book also explores how the memoirs are consumed. This interdisciplinary study--fusing literary criticism, sociology, ethnography, reader-response study, and editorial theory--brings scholarly attention to a popular, much-discussed, but understudied modern expression.

This collection of essays critically engages with factors relating to black urban life and cultural representation in the post-civil rights era, using Ice-T and his myriad roles as musician, actor, writer, celebrity, and industrialist as a vehicle through which to interpret and understand the African American experience. Over the past three decades, African Americans have faced a number of new challenges brought about by changes in the political, economic and social structure of America. Furthermore, this vastly changed social landscape has produced a number of resonant pop-cultural trends that have proved to be both innovative and admired on the one hand, and contentious and divisive on the other. Ice-T’s iconic and multifarious career maps these shifts. This is the first book that, taken as a whole, looks at a black cultural icon's manipulation of (or manipulation by?) so many different forms simultaneously. The result is a fascinating series of tensions arising from Ice-T’s ability to inhabit conflicting pop-cultural roles including: ’hardcore’ gangsta rapper and dedicated philanthropist; author of controversial song Cop Killer and network television cop; self-proclaimed ’pimp’ and reality television house husband. As the essays in this collection detail, Ice-T’s chameleonic public image consistently tests the accepted parameters of black cultural production, and in doing so illuminates the contradictions of a society erroneously dubbed ’post-racial’.

The Rise of a Street General provides a unique and fascinating look into a gang member's journey to rise to the top. Starting with his initiation into the gang in 1975, this story chronicles his wars with rival gangs and his years spent in the LA County Jail. It gives a look into the organized Crip movement within the California prison system during the 1980s. It witnesses the rise and fall of two Crip superpower organizations that dominated the system for a short period. The Rise of a Street General brings you to the present-day state of affairs within the Black/African gang culture and the effects of gang psychosis and self-imposed cretinism. It separates myths from reality and facts from propaganda and dispels misconception and stigmas. For the first time ever, here's a book written by a gang member from a military and political perspective. This book also provides a psychological look into a gang member's thought process as he pursues his gang career and his exit strategy from the gang, as well as his concept for peace and reducing gang violence. This is an extraordinary and remarkable book. No other gang member this far has written a book so vividly, insightfully, and informatively, sure to leave a lasting impression on its readers. This book is destined to be a classic. The Rise of a Street General is a must-read book.

Hearts and Hands deals with many of the difficult issues addressed in Luis Rodríguez’s memoir of gang life, Always Running, but with a focus on healing through community building. Empowered by his experiences as a peacemaker with gangs in Los Angeles and Chicago, Rodríguez offers a unique book of change. He makes concrete suggestions, shows how we can create nonviolent opportunities for youth today, and redirects kids into productive and satisfying lives. And he warns that we sacrifice community values for material gain when we incarcerate or marginalize people already on the edge of society. His interest in dissolving gang influence on black and latino kids is personal as well as societal; his son, to whom he dedicates Hearts and Hands, is currently serving a prison sentence for gang-related activity. With anecdotes, interviews, and time-tested guidelines, Hearts and Hands makes a powerful argument for building and supporting community life.

Written in solitary confinement, the author's memoir of 16 years as a gangbanger in Los Angeles makes palpable the despair and decay of America's inner cities and gives eloquent voice to one aspect of the black ghetto experience.

''Till we draw our last breath, till our bodies are cold in the ground... we stick together, brothers, warriors, hunters, friends for life.'' Exiled. Blinded. Lost. Maklan of the Deer Tribe of the North, journeys through the ancient landscape of Dartmoor in search of a real father, his true tribe and freedom. In his darkest hour he stumbles across a tribe of lost souls eking out a chaotic, violent existence. No one can contain them. Until they cross the line. That line is Serra of the River Tribe. With her, they seal their fate, forcing themselves on a collision course with Maklan and all tribes of moor, river and sea. Will Maklan survive this harrowing quest to find a land he can call home, a tribe he can call his own? Praise for Caspar Walsh Blood Road (5 Star Amazon reviews): "Pitch-perfect" - The Independent Criminal (5 Star Amazon reviews): "A fine, unsparing book" - Helen Dunmore "Deeply moving, fuelled by a quiet heroism." - Peter Florence, Director of the Hay Literary Festival "An extraordinary autobiography. Vibrantly written. A masterful portrayal." - Minette Walters 10% of all profits from Tribe Warrior go to the award winning youth mentoring charity, Write to Freedom. www.writetofreedom.org.uk

DigiCat Publishing presents to you this special edition of "Memoirs of an Infantry Officer" by Siegfried Sassoon. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.