Poetry. Taking as his subject a series of historically significant inventions--from ancient mythologies to modern scientific wonders--Anthony Etherin explores the structure of language, combining various forms of verse with the most severe literary restrictions. Many of Anthony's poems experiment with palindromes and anagrams: Palindromic sonnets; triolets and sonnets composed of anagrammed lines; and, at the extremes of combinatorial constraint, palindromic poems that are perfect anagrams of each other. This book also introduces Anthony's "aelindromes"--an anagram-palindrome hybrid, in which letters are parsed and reordered according to premeditated numerical sequences. Complemented throughout with experiments in visual poetry, STRAY ARTS (AND OTHER INVENTIONS) presents a complex poetic formalism of previously untested intricacy. "I've seen people able to do perfect bottom deals at casino poker tables for 100 thousand dollar stakes, under heat. I've seen people able to do bottom deals at illegal mob games where everyone was carrying. This poetry is only a bit safer but way, way harder. And impresses me more. I love it."--Penn Jillette "Anthony Etherin renders all my own virtuoso ventures obsolete. I truly covet this book."--Christian B�k "Anthony Etherin is a hard taskmaster with language, making it jump through hoops, run long distances backwards, and then turn in on itself, in a strenuous series of contortions that leave it gleaming with word-sweat--but all this exercise is more than worth it, because the poems Anthony produces are dictionaries of possibilities, maps of linguistic futures that are well worth exploring if you want to find joy and delight and jaw-dropping skill."--Ian McMillan

A four-part collection that stretches the possibilities of the poetic form, from the traditional to the experimental; from the simple to the highly complex. Deftly exploring math and science alongside the arts, Knit Ink is a collection that showcases the bounds of formal poetry. The poems in Knit Ink study special or simplified cases of established literary restrictions, such as anagrams and palindromes, and poetic forms, such as triolets and sonnets. Anthony Etherin's own form, the aelindrome, creates its own constraint, while other invented forms represent structural indulgences—tests of technical complexity whose poetry lies as much in the grandeur of their architecture as in the content of their words. Containing four books whose composition took over a decade, Knit Ink (and Other Poems) sees the quintessential work of a formidable mind combined in a single edition for the first time.

We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.

Named a Best Book of the Year by The Advocate “Catherine Cusset’s book caught a lot of me. I could recognize myself.” —David Hockney With clear, vivid prose, this meticulously researched novel draws an intimate, moving portrait of the most famous living English painter. Born in 1937 in a small town in the north of England, David Hockney had to fight to become an artist. After leaving his home in Bradford for the Royal College of Art in London, his career flourished, but he continued to struggle with a sense of not belonging, because of his homosexuality, which had yet to be decriminalized, and his inclination for a figurative style of art not sufficiently “contemporary” to be valued. Trips to New York and California—where he would live for many years and paint his iconic swimming pools—introduced him to new scenes and new loves, beginning a journey that would take him through the fraught years of the AIDS epidemic. A compelling hybrid of novel and biography, Life of David Hockney offers an insightful overview of a painter whose art is as accessible as it is compelling, and whose passion to create has never been deterred by heartbreak or illness or loss.

A rich exploration of the importance of books and libraries in the ancient world that highlights how humanity’s obsession with the printed word has echoed throughout the ages • “Accessible and entertaining.” —The Wall Street Journal Long before books were mass-produced, scrolls hand copied on reeds pulled from the Nile were the treasures of the ancient world. Emperors and Pharaohs were so determined to possess them that they dispatched emissaries to the edges of earth to bring them back. When Mark Antony wanted to impress Cleopatra, he knew that gold and priceless jewels would mean nothing to her. So, what did her give her? Books for her library—two hundred thousand, in fact. The long and eventful history of the written word shows that books have always been and will always be a precious—and precarious—vehicle for civilization. Papyrus is the story of the book’s journey from oral tradition to scrolls to codices, and how that transition laid the very foundation of Western culture. Award-winning author Irene Vallejo evokes the great mosaic of literature in the ancient world from Greece’s itinerant bards to Rome’s multimillionaire philosophers, from opportunistic forgers to cruel teachers, erudite librarians to defiant women, all the while illuminating how ancient ideas about education, censorship, authority, and identity still resonate today. Crucially, Vallejo also draws connections to our own time, from the library in war-torn Sarajevo to Oxford’s underground labyrinth, underscoring how words have persisted as our most valuable creations. Through nimble interpretations of the classics, playful and moving anecdotes about her own encounters with the written word, and fascinating stories from history, Vallejo weaves a marvelous tapestry of Western culture’s foundations and identifies the humanist values that helped make us who we are today. At its heart a spirited love letter to language itself, Papyrus takes readers on a journey across the centuries to discover how a simple reed grown along the banks of the Nile would give birth to a rich and cherished culture.

Practically every member of the Peale family contributed to America's early art and culture and Sarah Peale was the first woman artist to have made a living from her work. Having learned to paint from her renowned father, she painted several famous people, including Lafayette, Andrew Jackson, Thomas Hart Benson, and Daniel Webster. Sarah was a passionate woman bent on being successful as an artist. She was also a woman of strong passion with a will to love and to be in love. Though unmarried, she nevertheless loved her men--fiercely! As a respected artist in Baltimore and in Washington, Sarah can truly be considered America's first woman professional artist, her art work continuously being in demand during her days and now hanging on the walls of prominent American museums.

Invention Analysis and Claiming presents a comprehensive approach to analyzing inventions and capturing them in a sophisticated set of patent claims. A central theme is the importance of using the problem-solution paradigm to identify the "inventive concept" before the claim-drafting begins. The book's teachings are grounded in "old school" principles of patent practice that, before now, have been learned only on the job from supervisors and mentors.