Christian Spirituality: The Classics is a unique and comprehensive guide to thirty key Christian spirituality texts. Ranging from Origen and Augustine to Jonathan Edwards, Thérèse of Lisieux and Thomas Merton, it offers a view of the texts which is founded in scholarship, but which also presents them as living documents that invite- even compel -contemplative reflection and existential response. Each chapter briefly describes the classic text’s author and audience, gives a synopsis of its contents, suggests some of its influence in history, and then explores aspects of the text’s meaning for readers today. Key themes include: What is the meaning of life? How can human beings find truth? How can they discover who they really are? How can they live together in peace? How can they live more fully in God’s presence in this world and be united with God in the world to come? The scholars who have written these chapters are all experts on their respective topics, but they wear their learning lightly. Anyone wishing to discover the riches of Christian spirituality will find this the ideal introduction and should be able to progress to a deeper understanding of the texts themselves.

Includes music.

How indigenous was the Evangelical Free Church movement in Tsarist Russia? Was it simply a foreign import? To what extent did it threaten the political stability of the nation and encroach upon the existing Russian and German churches? On the Edge examines the efforts of the regimes to suppress the movement and how the movement not only survived but also expanded. To what extent did the movement bring upon itself unnecessary opposition because of aggressiveness and tactics? Albert Wardin describes the contributions the movement made to the religious life of Russia and examines its numerical success.

Seven Russian Archetypes is a description of seven seminal Russian figures: the Victim (zhertva), the Fool (iurodivyi), the Rebel or the Bandit (buntar’ ili razboinik), the Wanderer (strannik), the Mother (mat’), the Peasant (muzhik), and the Intellectual (intelligent). Drawing from Russian history, folklore, literature, visual arts, and religion, these seven profiles are analyzed and presented in vivid and evocative detail. The seven portraits help to explain the Russian character and especially the groundedness of Russian culture in Orthodox Christianity. Many experts on Russian politics, business and culture, as well as admirers of Russian spirituality are aware of different features, both favorable and condescending, which display Russian mentality and temperament such as paternalism, messianism, collectivism, poor ability for self-organization, dogmatism, tendency toward asceticism and the penchant to bear suffering, radicalism, and inclination to extremes. From an external point of view, this is all accurate to a certain extent; nevertheless, these features explain neither the origin nor motivation behind the most evident behavioral manifestations. The more profound characteristics can be found only on the level of internal representations, which can best be revealed in symbols and archetypal characters. Seven Russian Archetypes explains these fundamental Russian symbols.

Focusing on the period between the revolutions of 1848-1849 and the First Vatican Council (1869-1870), The Public Image of Eastern Orthodoxy explores the circumstances under which westerners, concerned about the fate of the papacy, the Ottoman Empire, Poland, and Russian imperial power, began to conflate the Russian Orthodox Church with the state and to portray the Church as the political tool of despotic tsars. As Heather L. Bailey demonstrates, in response to this reductionist view, Russian Orthodox publicists launched a public relations campaign in the West, especially in France, in the 1850s and 1860s. The linchpin of their campaign was the building of the impressive Saint Alexander Nevsky Church in Paris, consecrated in 1861. Bailey posits that, as the embodiment of the belief that Russia had a great historical purpose inextricably tied to Orthodoxy, the Paris church both reflected and contributed to the rise of religious nationalism in Russia that followed the Crimean War. At the same time, the confrontation with westerners' negative ideas about the Eastern Church fueled a reformist spirit in Russia while contributing to a better understanding of Eastern Orthodoxy in the West.

A look into the life of the so-called “Mad Monk” of Imperial Russia, his murder, and the effects of his death on a dynasty, a people, and a country. Written in three parts, Killing Rasputin begins with a biography that describes how a simple unkempt “holy man” from the wilds of Siberia became a friend of Emperor Nicholas II and his empress, Alexandra, at the most crucial moment in Russian history. Part Two examines the infamous murder of Rasputin through the lens of a “cold case” homicide investigation. And lastly, the book considers the connection between a cold-blooded assassination and the revolution that followed; a revolution that led to civil war and the rise of the Soviet Union. Unique about this book on Rasputin, is that the author combines Russian heritage (her parents were forced out of Russia during World War II and arrived as refugees in Australia in 1948) with medical science and legal training. Nelipa relied on Russian-language sources that she translated rather than depend on the interpretations of others. Her primary sources include police documents and witness testimonies, an autopsy report, diaries, letters and memoirs written in their native language by the participants in these historic events. Secondary sources include Russian-languages newspapers and other publications from that era. The narrative is copiously referenced and augmented with photographs (including graphic forensic photographs) and other documents, some of them published here for the first time. Step into the imperial court of a 300-year-old dynasty in its final days with one of the most fascinating characters ever to grab our imaginations, judge whether Margarita Nelipa makes her case regarding his death, and if you agree that it was “the murder that ended the Russian empire.” Praise for Killing Rasputin “You can almost hear the whispering conspiracies and intrigues in the court of Nicholas and Alexandra. . . . A dramatic history with a touch of true crime.” —Steve Jackson, New York Times–bestselling author of Bogeyman