This is a story of discovery. It describes how a Welsh choir perfected its music making by deepening the relationships between the members and healing any personal antagonism amongst them. In particular it follows the fortunes of the choir's conductor as, through parallel experiences leading the choir in various competitions and helping injured and dying miners in a horrifying mining disaster, he 'finds his soul' and deepens his understanding of the music his choir is able to make. It uses Henry Vaughan's Seventeenth Century poem 'My Soul' as the basis of the journeys of discovery made by the conductor, his choir and their local mining community.

“I intend to stand firm and let the peacocks multiply, for I am sure that, in the end, the last word will be theirs.” —Flannery O’Connor When she was young, the writer Flannery O’Connor was captivated by the chickens in her yard. She’d watch their wings flap, their beaks peck, and their eyes glint. At age six, her life was forever changed when she and a chicken she had been training to walk forwards and backwards were featured in the Pathé News, and she realized that people want to see what is odd and strange in life. But while she loved birds of all varieties and kept several species around the house, it was the peacocks that came to dominate her life. Written by Amy Alznauer with devotional attention to all things odd and illustrated in radiant paint by Ping Zhu, The Strange Birds of Flannery O’Connor explores the beginnings of one author’s lifelong obsession. Amy Alznauer lives in Chicago with her husband, two children, a dog, a parakeet, sometimes chicks, and a part-time fish, but, as of today, no elephants or peacocks. Ping Zhu is a freelance illustrator who has worked with clients big and small, won some awards based on the work she did for aforementioned clients, attracted new clients with shiny awards, and is hoping to maintain her livelihood in Brooklyn by repeating that cycle.

Two enemies find themselves trapped together in an abandoned church on the far edge of Sherwood. Robin of Loxley and the Sheriff of Nottingham are both wounded, and without weapons, in the care of a hedge-priest. Sanctuary is the second book in Spiteful Puppet’s Robin of Sherwood collection, based in the Robin Hood universe of the classic ITV series.

First published in 1995. This companion constitutes a virtual encyclopaedia of Nabokov, and occupies a unique niche in scholarship about him. Articles on individual works by Nabokov, including his short stories and poetry, provide a brief survey of critical reactions and detailed analyses from diverse vantage points. For anyone interested in Nabokov, from scholars to readers who love his works, this is an ideal guide. Its chronology of Nabokov's life and works, bibliographies of primary and secondary works, and a detailed index make it easy to find reliable information any aspect of Nabokov's rich legacy.

Too often the tensions and unanswerable questions of Scripture and the Christian life are seen as barriers to faith. In Paradox Lost, pastor and author Richard Hansen shows that they are exactly the opposite -- indeed, God’s mysteries are one of the places where we may encounter him most closely. In exchange for Enlightenment-based rationalism that can stunt spiritual imagination, Hansen invites readers to: Discern that there is a hiddenness to God that can be inviting rather than threatening Appreciate that God is far greater than we sometimes assume, and to adjust our mental maps to make more space for awe Realize that faith and reason are not enemies but rather dance partners that complement one another Hansen examines three kinds, or “orders” of biblical paradox, each at a deeper level than the last, demonstrating for readers that paradox is both endemic to modern life and also a natural part of the landscape of Christian faith. Paradox Lost doesn’t seek to solve or justify paradox; instead, it looks through paradox toward what it reveals--namely a holy, mysterious, and awesome God.

Enter the bazaar of the bizarre—where fate and fortunes are for sale just beneath Covent Garden—in this high-stakes historical fantasy debut set in 19th-century London, perfect for fans of Neverwhere and The Night Circus. Below Covent Garden lies the Untermarkt, where anything and everything has a price: a lover’s first blush, a month of honesty, a wisp of fortune. As a child, Deri was sold to one of the Market’s most powerful merchants. Now, after years of watchful servitude, Deri finally spots a chance to buy not only his freedom but also his place amongst the Market’s elite when he stumbles into the path of a runaway princess desperate to sell her royal destiny. But news of the missing princess and her wayward destiny spreads. Royal enforcers and Master Merchants alike are after it. Outmanoeuvring them all would all be hard enough had Deri not just also met the love of his life, a young man called Owain, whose employers are using the Market for their own nefarious schemes. Deri soon finds that the price of selling the royal destiny, making a name for himself, and saving the man he loves is dear. The cost of it all might just change the destiny of London forever..

This book provides a quantitative assessment of the advances in the area of catalysis and kinetics in microheterogeneous systems. It is an invaluable resource for chemists interested in catalysis and reaction kinetics, and physicists interested in semiconductors, metal clusters and catalysis.

These Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original.'Puccini's motto could be: "e;The maximum effect with the simplest means"e;,' suggests Bernard Keeffe. He analyses different aspects of the score, noting particularly Puccini's genius for orchestration, and the infinitely subtle effects that give the melodrama irresistible vitality. Stuart Woolfe's scholarly assessment of the significance of the historical themes for Puccini explains many of the motives of the protagonists. Tosca is a supreme example of music's power to enthral an audience and Bernard Williams discusses the particular quality of its appeal.

More than 10% of Hong Kong's defenders were killed in battle; a further 20% died in captivity. Those who survived seldom spoke of their experiences. Many died young. The little 'primary' material surviving – written in POW camps or years after the events – is contradictory and muddled. Yet with just 14,000 defending the Colony, it was possible to write from the individual's point of view rather than that of the Big Battalions so favoured by God (according to Napoleon) and most historians. The book assembles a phase-by-phase, day-by-day, hour-by-hour, and death-by-death account of the battle. It considers the individual actions that made up the fighting, as well as the strategies and plans and the many controversies that arose. Not the Slightest Chance will be of interest to military historians, Hong Kong residents and visitors, and those in the UK, Canada, and elsewhere whose family members fought, or were interned, in Hong Kong during the war years.