Winner of the Theodore Saloutos Memorial Book Award Winner of the Association for Asian American Studies Book Award for History A Times Literary Supplement Book of the Year A Saveur “Essential Food Books That Define New York City” Selection In the final years of the nineteenth century, small groups of Muslim peddlers arrived at Ellis Island every summer, bags heavy with embroidered silks from their home villages in Bengal. The American demand for “Oriental goods” took these migrants on a curious path, from New Jersey’s beach boardwalks into the heart of the segregated South. Two decades later, hundreds of Indian Muslim seamen began jumping ship in New York and Baltimore, escaping the engine rooms of British steamers to find less brutal work onshore. As factory owners sought their labor and anti-Asian immigration laws closed in around them, these men built clandestine networks that stretched from the northeastern waterfront across the industrial Midwest. The stories of these early working-class migrants vividly contrast with our typical understanding of immigration. Vivek Bald’s meticulous reconstruction reveals a lost history of South Asian sojourning and life-making in the United States. At a time when Asian immigrants were vilified and criminalized, Bengali Muslims quietly became part of some of America’s most iconic neighborhoods of color, from Tremé in New Orleans to Detroit’s Black Bottom, from West Baltimore to Harlem. Many started families with Creole, Puerto Rican, and African American women. As steel and auto workers in the Midwest, as traders in the South, and as halal hot dog vendors on 125th Street, these immigrants created lives as remarkable as they are unknown. Their stories of ingenuity and intermixture challenge assumptions about assimilation and reveal cross-racial affinities beneath the surface of early twentieth-century America.

Selected and translated by renowned writer, editor and translator Arunava Sinha, the twenty-one stories in this anthology represent the finest example of the genre. Some of the world's finest short fiction has originated (and continues to flow) from) the cities, villages, rivers, forests and plains of Bengal. This selection features twenty-one of the very best stories from the region. Here, the reader will find one of Rabindranath Tagore's most revered stories 'The Kabuliwallah' in a glinting new translation, memorable studies of ordinary people from Tarashankar and Bibhutibhushan Bandyopadhyay, the iconic Sarat Chandra Chattopadhyay's wrenching study of Bengali society, 'Mahesh', as well as over a dozen other astounding stories by some of the greatest practitioners of the form-Buddha deva Bose, Ashapurna Debi, Premendra Mitra, Satyajit Ray, Ritwik Ghatak, Mahasweta Devi, Sunil Gangopadhyay and Nabarun Bhattacharya, among others. These are stories of anger, loss, grief, disillusionment, magic, politics, trickery, humour and the darkness of mind and heart. They reimagine life in ways that make them unforgettable.

Art, literature, music and other intellectual expressions of a particular society are together regarded as the culture of that society. Ideas, customs and social behaviour of a particular people or society are also its ‘culture’. Contrary to what we think, it is not easy to describe ‘culture’, nor is it easy to write the cultural history. Writing the history of Bengali culture is even more difficult because Bengali society is truly plural in its nature, made even more so by its political division. The two main religious communities that share this culture are often more aware of the differences between them than the similarities. Nonetheless, the people remain bound by history and a shared language and literature. Ghulam Murshid’s Bengali Culture over a Thousand Years is the first non-partisan and holistic discussion of Bengali culture. Written for the general reader, the language is simple and the style lucid. It shows how the individual ingredients of Bengali culture have evolved and found expression, in the context of political developments and how certain individuals have moulded culture. Above all, the book presents the identity and special qualities of Bengali culture. The book was originally published in Bengali in Dhaka in 2006. This is the first English translation.

Which is more meaningful for us to know: how we LOST our independence or how we WON it? Undoubtedly, the answer to the first question has priority. We must learn how only a handful of British could subjugate and rule zillions of us for nearly 200 years! This information will help us in taking care of the mistakes committed by our ancestors. It will also prepare us to meet similar challenges in future. Yet, our textbooks don’t enlighten our students much on the subject. Also, there are very few publications on this topic. Why? Since British rule started with their victory at the Battle of Plassey in Bengal, this story is based on that background. It uncovers some obscured chapters of our past, which are crucial for us to know. Notwithstanding its Bengali antecedents, the storyline has a direct bearing on the historical criminality of the entire Indian subcontinent. There are many unaddressed questions about socio-political history. Who had started the Hindu-Muslim discord, and how? Why, following partition, the displaced people from Pakistan received different treatments in different regions in India? For the book lovers in general and history buffs in particular, many such thought-provoking issues are there in this book.

Land of Two Rivers chronicles the story of one of the most fascinating and influential regions in the Indian subcontinent. The confluence of two major river systems, Ganga and Brahmaputra, created the delta of Bengal--an ancient land known as a center of trade, learning and the arts from the days of the Mahabharata and through the ancient dynasties. During the medieval era, this eventful journey saw the rise of Muslim dynasties which brought into being a unique culture, quite distinct from that of northern India. The colonial conquest in the eighteenth century opened the modern chapter of Bengal's history and transformed the social and economic structure of the region. Nitish Sengupta traces the formation of Bengali identity through the Bengal Renaissance, the growth of nationalist politics and the complex web of events that eventually led to the partition of the region in 1947, analyzing why, despite centuries of shared history and culture, the Bengalis finally divided along communal lines. The struggle of East Pakistan to free itself from West Pakistan's dominance is vividly described, documenting the economic exploitation and cultural oppression of the Bengali people. Ultimately, under the leadership of Bangabandhu Mujibur Rahman, East Pakistan became the independent nation of Bangladesh in 1971. Land of Two Rivers is a scholarly yet extremely accessible account of the development of Bengal, sketching the eventful and turbulent history of this ancient civilization, rich in scope as well as in influence.

The Bengalis are the third largest ethno-linguistic group in the world, after the Han Chinese and the Arabs. A quarter of a billion strong and growing, the community has produced three Nobel laureates, world-class scientists, legendary political leaders and revolutionaries, iconic movie stars and directors, and an unending stream of writers, philosophers, painters, poets and musicians of the first rank. But, bald facts aside, just who are the Bengalis? What is the community all about, stereotypically and beyond stereotype? In order to find the answers to these and related questions, the author (a Bengali born and steeped in his own culture but objective enough to give us a balanced reckoning of his fellows) delves deep into the culture, literature, history and social mores of the Bengalis. He writes with acuity about the many strengths of the community but does not flinch from showing us its weaknesses and tormented history. He points out that Bengalis are among the most civilized and intellectually refined people on earth but have also been responsible for genocide and racism of the worst kind. Their cuisine is justly celebrated but few remember the cause and effect of millions of Bengalis dying of famine. Renowned for their liberal attitudes, they are also capable of virulent religious fundamentalism. Argumentative and meditative, pompous and grounded, hypocritical and wise, flippant and deep... Bengalis are all this and much, much more. With erudition, wit and empathy, this book manages to capture their very essence.

This series of narratives from the rich tradition of Bengali story-telling will draw from the substantial Bengal collections of the British Museum, which range from the courtly to the popular, and date from the 9th century to the present day. It will demonstrate the connections of history and myth, and will feature works from undivided Bengal - that is West Bengal in the Union of India, and the sovereign state of Bangladesh. The beginning of the book will focus on the powerful goddesses such as Durga, whose Puja is celebrated throughout the world wherever Bengalis are settled. Images of this event and of the goddess appear in paintings, prints and clay sculptures. Also well-known is Kali, after whom the city of Calcutta is probably named. Her legendary paradox of blood-thirst and tenderness is clear from the turbulent oil paintings of the 20th century recluse Sachidananda Sen. Poetry and prose descriptions of her story make lively reading. Other important female deities whose exotic stories fill scroll-paintings and popular prints include the snake goddess Manasa, and the goddesses of learning, Sarasvati, and of wealth, Laxmi.Story-telling scrolls which were used for recitation enable these dramatic stories to be told. Each are different in ambience, from heroic and the adventurous to exquisitely sensuous and erotic sensibility. Gods and goddesses aren't the whole story. Scrolls used by story-telling are filled with exciting myths that cross the Hindu-Muslim divide. The most important of all the scrolls in the British Museum collection, which tells the story of the Muslim saint, Gazi, illustrates the way in which Muslim pioneers penetrated the delta and settled in the swampy, jungle-filled lands.

History Of The Bengali Speaking People Is A History Of The People Who Speak Bengali In Bangladesh And The Indian State Of West Bengal And Other Bengali-Speaking Areas Of The Country - From The Earliest Recorded Times To 1947 When The Indian Subcontinent Was Partitioned Into India And Pakistan, And Nearly Two Thirds Of Undivided Bengal Went Out Of India. The Study Starts With The Origin Of The Bengalee Race And Traces The Growth Of Bengali Language, Which Is The One Great Motivating Force That Binds Together Racially Different People Who Converse In This Language. The Study Focuses On The Political History Of The Bengalees From The Earliest Times To The Time When The Two Bengals Stopped Sharing A Common Political History. It Delves Into The Cultural, Linguistic, Literary And Social Aspects Of Bengal'S Development Only In So Far As They Have A Direct Impact On The Political Developments Of The Time.

Saving the multiverse is no game in this New York Times bestseller! When the Demon Queen shows up in her bedroom, smelling of acid and surrounded by evil-looking bees, twelve-year-old Kiranmala is uninterested. After all, it's been weeks since she last heard from her friends in the Kingdom Beyond, the alternate dimension where she was born as an Indian princess. But after a call to action over an interdimensional television station and a visit with some all-seeing birds, Kiran decides that she has to once again return to her homeland, where society is fraying, a terrible game show reigns supreme, and friends and foes alike are in danger. Everyone is running scared or imprisoned following the enactment of sudden and unfair rules of law.However, things are a lot less clear than the last time she was in the Kingdom Beyond. Kiran must once again solve riddles and battle her evil Serpent King father -- all while figuring out who her true friends are, and what it really means to be a hero.