Some people have dresses for every occasion but Afiya needs only one. Her dress records the memories of her childhood, from roses in bloom to pigeons in flight, from tigers at the zoo to October leaves falling. A joyful celebration of a young girl’s childhood, written by the late Coretta Scott King Book Award-winning Jamaican poet James Berry.

A 2018 New York Times and New York Public Library Best Illustrated Picture Book When Mae's family moves to a new home, she wishes she could bring her garden with her. She'll miss the apple trees, the daffodils, and chasing butterflies in the wavy grass. But there's no room for a garden in the city. Or is there? Mae's story, gorgeously illustrated in watercolor, is a celebration of friendship, resilience in the face of change, and the magic of the natural world.

Some people have dresses for every occasion but Afiya needs only one. Her dress records the memories of her childhood, from roses in bloom to pigeons in flight, from tigers at the zoo to October leaves falling. A joyful celebration of a young girl's childhood, written by the late Coretta Scott King Book Award-winning Jamaican poet James Berry.

BY THE WINNER OF THE 2021 NOBEL PRIZE IN LITERATURE SHORTLISTED FOR THE 2021 ORWELL PRIZE FOR POLITICAL FICTION LONGLISTED FOR THE 2021 WALTER SCOTT PRIZE 'Riveting and heartbreaking ... A compelling novel, one that gathers close all those who were meant to be forgotten, and refuses their erasure' Maaza Mengiste, Guardian 'A brilliant and important book for our times, by a wondrous writer' Philippe Sands, New Statesman, Books of the Year _______________ While he was still a little boy, Ilyas was stolen from his parents by the German colonial troops. After years away, fighting in a war against his own people, he returns to his village to find his parents gone, and his sister Afiya given away. Another young man returns at the same time. Hamza was not stolen for the war, but sold into it; he has grown up at the right hand of an officer whose protection has marked him life. With nothing but the clothes on his back, he seeks only work and security – and the love of the beautiful Afiya. As fate knots these young people together, as they live and work and fall in love, the shadow of a new war on another continent lengthens and darkens, ready to snatch them up and carry them away... _______________ 'One of the world's most prominent postcolonial writers ... He has consistently and with great compassion penetrated the effects of colonialism in East Africa and its effects on the lives of uprooted and migrating individuals' Anders Olsson, chairman of the Nobel Committee 'In book after book, he guides us through seismic historic moments and devastating societal ruptures while gently outlining what it is that keeps those families, friendships and loving spaces intact, if not fully whole' Maaza Mengiste 'Rarely in a lifetime can you open a book and find that reading it encapsulates the enchanting qualities of a love affair ... One scarcely dares breathe while reading it for fear of breaking the enchantment' The Times

A whimsical celebration and meditation on the nature of childhood.

ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2022 A NEW YORKER “ESSENTIAL READ” A NATIONAL BESTSELLER NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES, THE WASHINGTON POST, TIME, THE NEW YORKER, BOOKPAGE, AND KIRKUS REVIEWS “Superb. . . . A celebration of a place and time when people held onto their own ways, and basked in ordinary joys even as outside forces conspired to take them away.” —New York Times From the winner of the 2021 Nobel Prize in Literature, a sweeping, multi-generational saga of displacement, loss, and love, set against the brutal colonization of east Africa. When he was just a boy, Ilyas was stolen from his parents on the coast of east Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back–until he meets the beautiful, undaunted Afiya. As these young people live and work and fall in love, their fates knotted ever more tightly together, the shadow of a new war on another continent falls over them, threatening once again to carry them away.

Passions ignite as an independent woman and an international playboy are thrown together in the search for a valuable jewel in this tale of international intrigue. Original.

A collection of empowering stories and captivating photos, My Beautiful Black Hair celebrates an aspect of Black femininity—natural hair—and embraces it as a central part of Black womanhood. "A powerful celebration of self-acceptance and sisterhood." – Kirkus Review My Beautiful Black Hair is a book about Black women embracing their natural hair. One hundred and one Black women share their stories of learning to love their natural hair and the immense power in that self-love. St. Clair Detrick-Jules was inspired to write the book when her little sister, Khloe, came home from preschool where a classmate had told her that her hair was ugly. St. Clair wanted to send a message to Khloe and young Black women everywhere that their hair is beautiful just the way it is. The stories she captured reveal both the depth of the physical and emotional damage done to many women by relaxing their hair and trying to make it look "acceptable," and the incredible resilience, self-love, and acceptance they gained by learning to embrace their hair and free themselves from Eurocentric beauty standards. Accompanied by beautiful and intimate photographs of each woman, the book is an encouraging voice for young Black women and the adults who remember their own journeys to self-acceptance. WRITTEN BY BLACK WOMEN, FOR BLACK WOMEN: With powerful interviews and vivid photographs, this book offers an uplifting message to empower any woman looking to love herself just the way she is. It is a love letter to Black women everywhere navigating their relationships to their own hair. TIMELY TOPIC: My Beautiful Black Hair celebrates Black women's ability to embrace their natural hair and let go of toxic thinking and processes around manipulating it. UNIQUE TAKE ON FEMINISM: This book offers an uplifting message to empower any woman looking to love herself just the way she is as well as a love letter to Black women everywhere navigating their relationships to their own hair. Perfect for: Black and Afro-Latinx women from their 20s to 40s, Black and Afro-Latinx parents with young children, fans of women's empowerment stories

History is constantly evolving, and the history of children’s literature is no exception. Since the original publication of Emer O’Sullivan’s Historical Dictionary of Children’s Literature in 2010, much has happened in the field of children’s literature. New authors have come into print, new books have won awards, and new ideas have entered the discourse within children’s literature studies. Historical Dictionary of Children's Literature, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries. This book will be an excellent resource for students, scholars, researchers, and anyone interested in the field of children’s literature studies.

When writing workshops first blossomed in classrooms, its hallmarks were genuine curiosity, individual choice, quality conversations, and engaging children's literature. A joyous hum of intention, creativity, and craft enlivened the school day. Today's teachers are often faced with a range of obstacles, as new initiatives are embraced, mandates handed down, and scripted programs are purchased. Sometimes teachers must sacrifice the original principles of the writing workshop and lose the creative venue they provide. Above and Beyond the Writing Workshop is filled with original writing challenges designed to bring back the spirit of the original writing workshop model and encourage teachers to enhance it with invention, innovation, and inspiration. Teaching creative writing is not only possible, but an important process in their instruction. Author Shelley Harwayne invites teachers to keep the workshop spirit alive by: Encouraging professional conversations on classroom ideas and methods between colleagues; Developing writing cues that allow young writers to be inquisitive, outspoken, and independent; Showing how high quality writing can make a difference; Offering an inspired and stimulating outlet for students to express their passions. Harwayne's book will help teachers encourage students to write the world around them, which can generate more critical thinking and make for a more well-rounded child.