&Lsquo;India, Once A Uniform Piece Of Territory To Administer, Was Now A Welter Of Separate, Sensitive Identities, Resurrected After Independence.&Rsquo; As The Quarrel Over Boundaries, Water And Electric Power Between Punjab And The Newly Created Haryana Intensifies, Gyan Singh, The Chief Minister Of Punjab, Threatens To Launch A Crippling Strike That Will Affect Both States. With The Chief Minister Of Haryana, Harpal Singh, Refusing To Concede Any Advantages, The Stage Is Set For A Confrontation. It Is At This Point That Vishal Dubey, The Centre&Rsquo;S Most Able Bureaucrat, Is Sent To Chandigarh To Alleviate The Situation. As He Tries To Resolve The Chaos In The Common Capital, Vishal Finds Himself Drawn Into The Lives Of Two Couples&Mdash;Jit And Mara And Inder And Saroj&Mdash;And The Small Dramas And Casual Betrayals That Are A Universal Feature Of Human Relationships. Storm In Chandigarh Demonstrates Nayantara Sahgal&Rsquo;S Keen Understanding Of Individual Relationships And Her Remarkable Ability To Tell Stories That Continue To Enthrall Readers Over The Years.

Contributed essays.

The Present Book Seeks To Bring Out The Contours Of The Indian Novel With A Social Purpose Which Has Stuck Deep Roots In The Indian Soil By Imaginatively Treating The Contemporary Problems And Artistically Exploring And Interpreting India In All Its Variegated Aspects. It Shows How The Indian English Novelists, Who Are Inspired By The Vision Of A Just Social Order Portray Powerfully The Real Grandeur Of The Poor And The Down-Trodden And Their Yearning For A Just, Humane Indian Polity.Divided Into Two Parts, The Book Covers Both The Indian Novels Originally Written In English And The Indian Novels Originally Written In Regional Languages And Translated Into English. If The First Group Of The Novels Depicts The Political, Economic And Social Oppression Of The Individual The Second Group Centers On The Individual'S Search For Identity. This Book Is Expected To Be Of Considerable Interest And Use To The Teachers As Well As The Students Of Indian English Fiction.

After The Pioneer Works By Scholars Such As Naik, Narasimhaiah And Mukherjee, And The Thirty Years Of Silence Which Followed Their Ground-Breaking Achievements, The Companion Appears On The Scene Striving To Reinvigorate The Tradition Of Panoramic Studies Of Indian Literature In English. In The Intervening Period, Indian Fiction In English Has Become Of Paramount Importance In The Wide Context Of Postcolonial Studies: An Emergent Crop Of Novelists Belonging To The So-Called New Generation Has Colourfully Paved The Way Towards New Artistic Horizons, Re-Interpreting Western-Derived Literary Models With Inventive Approaches. Complementary To Their Role There Is The Articulate Presence Of A Host Of Indian Scholars Who In Recent Years Have Significantly Influenced The Course Of This Analysis And Have Vitally Contributed To Enlarging Its Scope Well Beyond The Original Boundaries Of Studies In Literary Criticism.The Companion, Therefore, Addresses The Exigencies Of Critics, Teachers And Students Alike All Those Who Need To Find Quick Points Of Reference In This Wide Field Of Studies By Relying On A Team Of Authoritative Collaborators And Specialists From All Over The World. Great Care Was Taken Not Only In Selecting Collaborators On The Basis Of Their Specialisation But Also Taking Into Account Their Cultural Background In Relation To The Author They Were To Discuss. The Book In Fact Has Been Organised To Have What Have Been Deemed To Be The Most Representative Authors In Indian Fiction Discussed In An Essay-Long Chapter Each, Structured To Highlight Crucial Points Such As Biographical Details, Novels And Critical Reception. Each Chapter Includes A Final Bibliography Complete With Primary And Secondary Sources, Enabling The Scholar To Have Immediate Orientation On Various Specific Topics. Finally, The Book Has An Innovative Section, With Synopses Of Novels, Planned To Allow Our Readers To Immediately Place The Authors Analysed Within The Panorama Of Indian Fiction In English. The Over 400 Synopses Included Principally Introduce Works Written By The Novelists Discussed At Length In The Previous Chapters But, Along With Them, It Is Also Possible To Find Summaries Of Works By Authors Who, Although Contributing In A Significant Way To The Development Of Forms And Techniques, Do Not Feature In The First Part.

&Lsquo;She Missed The Sense Of Values Shivraj Had Planted Like Roses With His Two Hands. It Was Their Fragrance, Something As Ephemeral As That, That Had Bound The Country Together In A Unity, Not Any Hidebound Principle Or Rule From A Book.&Rsquo; Shivraj Is Dead And With Him The Values With Which He Had Governed The Country For Over A Decade. While His Successors Destroy The Idealistic World He Had Built, Shivraj&Rsquo;S Circle Of Intimate Friends&Mdash;His Sister Devi, The Education Minister; Usman Ali, Vice Chancellor Of Delhi University; And Michael Calvert, An English Writer&Mdash;Struggle To Find Order In The Chaos, Even As Rishad, Devi&Rsquo;S Son, Loses Himself In It. Juxtaposing The Conflict Of Personal Relationships With The Larger Canvas Of Corrupt Politics In A Situation In New Delhi, Nayantara Sahgal Masterfully Weaves A Tale That Grips The Reader From Start To Finish. &Lsquo;A Brilliant And Provocative Piece Of Fact-Based Fiction&Rsquo;&Mdash;Financial Times &Lsquo;A Moving, Even Inspiring Novel&Rsquo;&Mdash;Sunday Times

This book investigates the ambivalent responses to the opposing compulsions of memory and forgetting in cultural production in South Asia. Mallot reveals how writers such as Salman Rushdie, Michael Ondaatje, and Amitav Ghosh indict nationalism's sins by accessing and encoding the past.

The Essays In This Anthology Focus On Many Aspects Of Indian Fiction In English. It Seeks To Probe, Discuss And Analyse The Issues Arising Out Of The Novels And Offers Deep Insight To The Readers. Important Novelists Covered In The Volume Are : R.K. Narayan, Mulk Raj Anand, Anita Desai, Geeta Mehta, Salman Rushdie, Kavery Nambisan, Nayantara Sahgal, Arun Joshi, Shobha De And Arundhati Roy.