Who has not, in a favored moment, ‘stolen the limelight’, whether inadvertently or by design? The implications of such an act of display – its illicitness, its verve, its vertiginous reversal of power, its subversiveness – are explored in this book. Narrative crafting and management of such scenarios are studied across canonical novels by Gide, Colette, Mauriac, and Duras, as well as by African Francophone writer Oyono and detective novelist Japrisot. As manipulated within narrative, acts of display position a viewer or reader from whom response (from veneration or desire to repugnance or horror) is solicited; but this study demonstrates that display can also work subversively, destabilising and displacing such a privileged spectator. As strategies of displacement, these scenarios ultimately neutralise and even occult the very subject they so energetically appear to solicit. Powered by gendered tensions, this dynamic of display as displacement works toward purposes of struggle, resistance or repression.

The stolen base is one of the most fascinating plays in all of sports. In no other sport is the opportunity present for the offense to literally take away what belongs to the defense. In other sports it is the ball (or puck) that must do the scoring; in baseball, however, it is the runner, and base stealing is the runner's greatest weapon. Not just ball games but entire World Series have turned on a steal. This book traces the history of the stolen base and stealing in the major leagues from its humble beginnings through its current status as an indispensable part of a team's offense. Also covered are the players who were synonymous with base stealing: Ty Cobb, Luis Aparicio, Maury Wills, Lou Brock, Rickey Henderson, and others. The most memorable steals in baseball history are also recalled.

Who has not, in a favored moment, ‘stolen the limelight’, whether inadvertently or by design? The implications of such an act of display – its illicitness, its verve, its vertiginous reversal of power, its subversiveness – are explored in this book. Narrative crafting and management of such scenarios are studied across canonical novels by Gide, Colette, Mauriac, and Duras, as well as by African Francophone writer Oyono and detective novelist Japrisot. As manipulated within narrative, acts of display position a viewer or reader from whom response (from veneration or desire to repugnance or horror) is solicited; but this study demonstrates that display can also work subversively, destabilising and displacing such a privileged spectator. As strategies of displacement, these scenarios ultimately neutralise and even occult the very subject they so energetically appear to solicit. Powered by gendered tensions, this dynamic of display as displacement works toward purposes of struggle, resistance or repression.

A grisly quadruple slaying drags Marian Larch into a shadowy government cover-up Marian Larch is tired of murder. This NYPD veteran has seen the worst the city has to offer, and she’s not sure she can stand another day. Temporarily assigned to the chaotic Ninth Precinct, Larch is saddled with a callous lieutenant and a partner who can’t stand working with a woman. Just coming to work every day is becoming a trial—but it’s about to get a whole lot worse. In the concrete jungle of Alphabet City, East River Park is a rare strip of green. When four well-dressed men are found there, handcuffed together and shot through their eyes, it’s up to Larch to find their killer. They were employees of a top-flight tech firm with ties to the US government, and their deaths were meant as a warning. But who was the warning intended for? Answering that question will show Larch that as rotten as the Big Apple can be, it has nothing on Washington. You Have the Right to Remain Silent is the 4th book in the Marian Larch Mysteries, but you may enjoy reading the series in any order.

Collects a variety of spells, rituals, and incantations based in the Wicca religion, designed for physical, psychological, and spiritual protection.

Written by a Sydney native, English, The Aussie Way: A Fun Guide to Australia’s Colourful Phrases, Words, and Expressions offers an amusing way for English or non-English speakers around the world to learn the colloquial phrases for which Australia is famous. This user-friendly reference provides words/phrases and meanings/synonyms by using an example sentence. Says the author, “For seven years I housed international students who were attending English language schools in Sydney, and I realised that although they had a good grasp of formal grammar, they struggled to understand not only colloquial English, but many of the commonly used phrasal verbs, which could not be found in a standard English/Spanish, French, etc., dictionary. It was then that I decided to start writing some of them down for future reference and it grew from there.”

This dictionary provides a valency description of English verbs, nouns and adjectives. Each entry contains a comprehensive list of the complementation patterns identified on the basis of the largest corpus of English available at the present time. All examples are taken directly from the COBUILD/Birmingham corpus. The valency description comprises statements about the quantitative valency of the lexical units established, an inventory of their obligatory, contextually optional and purely optional complements as well as systematic information on the semantic and collocational properties of the complements. An outline of the model of valency theory used in this dictionary is provided in the introduction.

Hunter is a young African American teen growing up in the American war zone. Rashad is an adolescent, being recruited into a terrorist organization after everything he knew and love was taken from him. Conner is fighting an uphill battle as he seeks to claim the Republican nomination in order to become the next president of the United States. Daniel is having doubts about whether what both he and his colleagues are doing at the NSA is actually constitutional. Joe loves to fight terrorism; and Salvador is trying to put the whole story together. Follow six characters through this dystopian universe where their rights and freedoms are sacrificed in exchange for safety from terrorism.

During the interwar years in France, modernist literature challenged norms around sex and sexuality through daring portrayals of homosexuality and queerness. The same moment, however, witnessed the crystallization of the Western gender binary and its stark lines of division between male and female. Bringing together trans theory with French literary studies, Mat Fournier offers a new understanding of how the gender binary emerged in the modernist era. Dysphoric Modernism considers gender deviance in works by a broad range of French authors, both writers who are canonical for queer theory, such as Marcel Proust, André Gide, Jean Genet, and Colette, and lesser-known figures, including René Crevel, Raymond Radiguet, Maurice Sachs, and Maurice Rostand. Its trans readings track the dysphoria inherent to modern gender and the many ways these texts both disrupt and reinforce it. Examining the complex entanglements of gender and sexuality with the colonial project, Fournier argues that modernist writers’ representations of sexual dissidence came at the cost of their enforcement of racial and gendered discrimination. A groundbreaking transgender analysis of French modernist literature, this book also demonstrates the significance of the concept of dysphoria for a number of fields.