A wonderful presentation of the rich visual history of Steuben glass told through beautiful photographs, this volume presents the definitive guide for the glass collector or art historian. 3,000 illustrations.

Intended to be used with other books which picture Steuben glass, particularly Paul Gardner's The Glass of Frederick Carder and Thomas Dimitroff's Frederick Carder and Steuben Glass: American Classics.

A history accompanied by numerous photographs of the glass company founded in 1903 in Corning, New York.

Invaluable for the collector, curator, and dealer, this classic edition presents original catalog material from the Corning archives, including long-lost pattern identification. It is an in-depth account of Corning's history, including craftsmen and techniques, and its prestige as the country's largest producer of cut glass at the turn of the century. The reprint is updated to reflect the present-day locations where the pieces are displayed, with an afterword describing the Corning Glass works and its activities over the last 20 years. Paper edition (unseen), $29.95. Annotation copyrighted by Book News, Inc., Portland, OR

What could be more different than the icy arctic landscape and the hot blast of a glass furnace? James Houston, explorer, artist, and writer, draws the inspiring connection in this fascinating introduction to one of the world's most ancient - and most beautiful - arts. During the years that James Houston lived in the Arctic, he was above all impressed by the resourceful people. But he also fell in love with the rugged treeless land, the winter moonlight shining off the snow and ice, the majestic ever-changing shapes and great sighing of new-formed ice. When asked to design glass sculptures for Steuben, he, with some misgivings, left his isolated arctic home to move to the heat of a crowded New York summer. As he learned the art of glass sculpture, he found an affinity with life in the Far North. After all, glass is a liquid that hardens, much like ice. The jagged shapes reflect the arctic landscape. Glass making depends on small teams of cooperative craftspeople, much like the Inuit families as they hunt and create their art together. This very personal story is a stunning introduction to glass making, and to an extraordinary individual.

Philip Baldwin and Monica Guggisberg have collaborated on a vast range of work, from tabletop designs, designing for major glass companies such as Rosenthal, Steuben and Venini and most importantly their own refined forms of pure artistic creation.This publication displays their dedication to clear form, concentrating on their most recent work in sculptural forms and objects created in a language uniquely their own, matched by exuberant colors, dominated by a sense of harmony and proportion.