A photo diary of the author's road trip across America in the early 1970s, this text features unpublished photographs from Shore's influential work.

"Originally published in 1982, Stephen Shore's legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition over the past forty years. Uncommon Places: The Complete Works, published by Aperture in 2004, presents a definitive collection of the landmark series, and in the span of a decade, has become a contemporary classic. Now, for this lushly produced reissue, the artist has added twenty rediscovered images and a statement explaining what it means to expand a series now many decades old. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore in these images retains precise internal systems of gestures in composition and light, through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to his signature landscapes with which Uncommon Places is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits." -- Publisher's description.

In 1977, Stephen Shore travelled across New York state, Pennsylvania, and eastern Ohio - an area in the midst of industrial decline that would eventually be known as the Rust Belt. Shore met steelworkers who had been thrown out of work by plant closures and photographed their suddenly fragile world: deserted factories, lonely bars, dwindling high streets, and lovingly decorated homes. Across these images, a prosperous middle America is seen teetering on the precipice of disastrous decline. Hope and despair alike lurk restlessly behind the surfaces of shop fronts, domestic interiors, and the fraught expressions of those who confront Shore's 4x5" view camera. Originally commissioned as an extended photographic report for Fortune Magazine in the vein of Walker Evans, Shore's multifaceted investigation has only gained political salience in the intervening years. Shore's subjects - including workers, union leaders, and family members - had voted for Jimmy Carter the year preceding his visit; now he found them disillusioned with the new president, fated to leave behind the Democratic party and become the 'Reagan Democrats'. Through unfailingly engrossing images by one of the world's acknowledged masters, Steel Town provides an immersive portrait of a time and place whose significance to our own is ever more urgent. With a text by Helen C. Epstein, author, translator and professor of human rights and public health.--

Stephen Shore is one of the most important photographers of the twentieth century. A pioneer of colour photography, his photographs of everyday American scenes paved the way for art photographers such as Martin Parr, Nan Goldin and Thomas Struth. In the early 1970s, with his projects American Surfaces and A Road Trip Journal, Shore investigated his interest in keeping visual journals that could arrange ‘snapshots’ in conceptually based sequences. As an extension of the visual journal and intrigued by the creative potential of print-on-demand technology, in 2003 Shore started making his books using Apple’s iPhoto print-on-demand service. Each book recorded his activities during one particular day.

The Nature of Photographs is an essential primer of how to look at and understand photographs, by one of the world's most influential photographers, Stephen Shore. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for students, teachers and everyone who wants to take better pictures or learn to look at them in a more informed way.

"Journeying back and forth across North America, Stephen Shore seizes upon a landscape of the commonplace--and transforms it into visions of classical beauty. These are scenes that would scarcely attract the attention of most travelers. Among them: an unpaved backstreet in Presidio, Texas; a nearly abandoned beach in Miami; a highway intersection near Kingman, Arizona; children playing on a sandbar in Yosemite; a softball game in Bozeman, Montana, and a plate of hotcakes on a diner's plastic-topped table."--Dust jacket.

'Transparencies: Small Camera Works 1971-1979' offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore's luminous new vision of the American landscape, 'Uncommon Places'. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are intimate, spontaneous and personal, while retaining Shore's studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and colour. Transparencies uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master. With an afterword by Britt Salvesen, curator at LACMA, titled 'Ordinary Speech: The Vernacular in Stephen Shore's Early 35mm Photography'.

The first of Blind Spot's Series books, this exquisitely produced clothbound artist's book with tipped-on cover image collects 34 color photographs of New York's Hudson Valley by the pioneering American art photographer Stephen Shore (born 1947). Shore, one of America's most important living photographers, is celebrated, alongside William Eggleston, for elevating color photography from a medium associated with family snapshots to a genre equivalent to black-and-white photography. First published in 2011, this deluxe volume, printed by Meridian--widely considered America's greatest photobook printer--was named one of Photoeye's Best Books of the Year by critic Gerry Badger, who writes, "Stephen Shore is the master of the 'quiet' photograph, images which paradoxically speak more than most. These images of the Hudson Valley are quietly and utterly satisfying." This highly collectible volume is available in limited quantities.