Can state violence ever be morally justified? In State Violence and Moral Horror, Jeremy Arnold critically engages a wide variety of arguments, both canonical and contemporary, arguing that there can be no justification. Drawing on the concept of singularity found in the work of French philosopher Jean-Luc Nancy, Arnold demonstrates that any attempt to justify state violence will itself be violent and, therefore, must fail as a justification. On the basis of this argument, the book explores the concept of "moral horror" as the experience of living amidst and acquiescing to unjustifiable state violence. The careful explanation of arguments from across the spectrum of political theory and exceptionally clear prose will enable both advanced undergraduates and more general readers interested in political thought to understand and engage the central argument. State Violence and Moral Horror is a unique contribution to the growing literature on violence and will be of interest to political theorists and philosophers in both the analytic and continental traditions, philosophers of law, international relations theorists, law and society scholars, and social scientists interested in normative aspects of state violence.

Explores the concept of "moral horror" as the experience of living amidst unjustifiable state violence.

In this volume, Lipman and Harrell explore the prevalence and ubiquity of violence in China, a society whose official norms value harmony and condemn conflict. The book investigates violence in a wide variety of situations through the sweep of history and in contexts ranging from the family to the national polity. The book explores motivations for violence from both a historical and a contemporary perspective. Historically, the authors cover bloody religious rebellions in premodern times, the depiction of violence in traditional popular novels, ethnic strife between Muslims and Han Chinese in the Northwest, and feuding local communities in the Southeast. Modern China is depicted by analyses of rural and urban violence in Mao's Cultural Revolution and an examination of continuing domestic violence. This depiction of the cultural themes and motivations for violence allow lessons drawn from specific contexts to be applied to the nature of Chinese culture in general.

In his foreword to World Report on Violence and Health, published by the World Health Organization (WHO) in 2002, Nelson Mandela states that “the twentieth century will be remembered as a century marked by violence”. Now we are nearly at the end of the first quarter of the twenty-first century, but violence still permeates in our lives at various levels. Various forms of violence occurring at levels of interpersonal, self-directed, collective, state, warfare, child and youth violence, intimate partner violence, environmental violence, and animal violence lay bare the complexity and pervasiveness of the phenomenon, yet it also brings along the necessity to discuss violence from multiple perspectives. Nelson Mandela Dünya Sağlık Örgütü’nün 2002 yılında yayınladığı Şiddet ve Sağlık Hakkında Dünya Raporu’nun önsözünde “yirminci yüzyılın şiddetle mimlenen bir yüzyıl olarak hatırlanacağını” söyler. Bizler, neredeyse yirmi birinci yüzyılın ilk çeyreğinin sonlarını yaşamaktayız, ancak şiddet hayatımıza hala çeşitli düzeylerde nüfuz ediyor. Kişilerarası, öze yöneltilen, kolektif, devlet, savaş, çocuk ve genç şiddeti, yakın eş şiddeti, çevresel şiddet ve hayvan şiddeti gibi çeşitli düzlemlerde vuku bulan şiddet biçimleri olgunun karmaşıklığını ve yaygınlığını açıkça ortaya koymakla beraber şiddet kavramının farklı açılardan tartışılması gerekliliğini de ortaya koymaktadır. Contents/İçindekiler SECTION 1: Literature Chapter 1: “A Clockwork Orange by Burgess: Revisiting Violence in a Dystopian Fiction” Anushka Ghuin Chapter 2: “The Scrutiny of Violence in Contemporary Period Through The Scar Test” Kadriye Bozkurt Chapter 3: “Nonviolence vs. Non-Ethics in Harry Turtledove’s ‘The Last Article’” Nataliya Krynytska Chapter 4: “Zami: A New Spelling Against Racism” Pulkita Anand Chapter 5: “Son Fısıltının Hakikati: Flannery O’Connor’ın ‘Greenleaf’ Öyküsünde Otoimmünite ve Şiddet” Hivren Demir-Atay SECTION 2: Culture Chapter 6: “Who is Responsible? The Politics of Structural Violence in Selected Films” Trayee Sinha Chapter 7: “Violence in textile: A Closer Look at the Warrior Shawls of Nagaland” Rugmani Venkatadri Chapter 8: "Sanatta Şiddetin Temsili: Bir Kez Daha Guernica ve Diğer Şeyler" Ali Asker Bal Chapter 9: “Şiddetin Mitik Temsilleri Üzerine Karşılaştırmalı bir Değerlendirme” Ülfet Dağ SECTION 3: Gender Chapter 10: “Margaret Atwood’s Testaments: A Portrayal of State Violence Against Women” Elvan Karaman Chapter 11: “Body as a Territory: A Study of Violence Against Women as Portrayed in Partition Literature of India and Pakistan” Adhyeta Mishra Chapter 12: “Revisiting Gendered Violence in Modern Iranian Fiction: Mahmoud Dowlatabadi’s Missing Soluch” Selin Şencan Chapter 13: “Violence Against Women: Actions and New Tools, The 7 Golden Rules of Conduct to Follow” Efstratia Oktapoda

Recent North Korean diaspora has given rise to many female refugee groups fighting for the protection of women's rights. Presenting in-depth accounts of North Korean women defectors living in the UK, this book examines how their harrowing experiences have become an impetus for their activism. The author also reveals how their utopian dream of a better future for fellow North Korean women is vital in their activism. Unique in its focus on the intersections between gender, politics, activism and mobility, Lim's illuminating work will inform debates on activism and human rights internationally.

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.

‘This work goes where other books fear to tread. It reaches the parts other scholars might imagine in their dreams but would neither have the international reach nor the critical acumen and forensic flourish to deliver.’ Alan Read, King's College London ‘This book is not only timely. It is overdue – and it is a masterpiece unrivalled by any book I know of.’ Erika Fischer-Lichte, Freie Universität Berlin ‘The first and only book that focuses on the intersections of performance, terror and terrorism as played out beyond a Euro-American context post-9/11. It is an important work, both substantively and methodologically.’ Jenny Hughes, University of Manchester ‘A profound and tightly bound sequence of reflections ... a rigorously provocative book.’ Stephen Barber, Kingston University London In this exceptional investigation Rustom Bharucha considers the realities of Islamophobia, the legacies of Truth and Reconciliation, the deadly certitudes of State-controlled security systems and the legitimacy of counter-terror terrorism, drawing on a vast spectrum of human cruelties across the global South. The outcome is a brilliantly argued case for seeing terror as a volatile and mutant phenomenon that is deeply lived, experienced, and performed within the cultures of everyday life.

Images of violence enjoy a particular privilege in contemporary continental philosophy, one manifest in the ubiquity of violent metaphors and the prominence of a kind of rhetorical investment in violence as a motif. Such images have also informed, constrained, and motivated recent continental feminist theory. In Violence and the Philosophical Imaginary, Ann V. Murphy takes note of wide-ranging references to the themes of violence and vulnerability in contemporary theory. She considers the ethical and political implications of this language of violence with the aim of revealing other ways in which identity and the social bond might be imagined, and encourages some critical distance from the images of violence that pervade philosophical critique.

In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.

In his view, much if not all of the horror that plagued East Timor in 1999 and in the 24 preceding years could have been avoided had countries like Australia, Japan, the United Kingdom, and especially the United States, not provided Indonesia with valuable political, economic, and military assistance, as well as diplomatic cover.