This book explores the dynamic interactions between the state and society during the industrialization of South Korea in the 1960s and 1970s, focusing on rural women as a marginalized social group. By illuminating rural women’s interactions with the state and their aspirations for entering the middle class, it effectively reveals insights into the gender and class perspectives of industrialization in South Korea. Utilizing an analysis of personal letters from peasant movement activists, documents and periodicals issued by the Korean Catholic Peasant Women’s Organization, as well as in-depth interviews with farmers, housewives, activists of the peasant movements, and governmental officers, this book represents a reconsideration of state-society relations, as well as a reinterpretation of housewife ideology theory. Highlighting the often-invisible experiences of marginalized rural women, this book will be of great interest to students and scholars of Korean Studies, Women’s Studies, and Rural Studies.

Lee provides a comprehensive insight into important topics within modern Korean theatre and conducts an in-depth evaluation of the major discourses that shaped Korean theatre during the 20th century. The book adopts a topical approach to explore modern Korean theatre through a more focused lens. Examining key subjects such as Korean Playwrights. Korean adaptations of Shakespeare, the National Theatre, feminist theatre, and the intercultural potential of a Far Eastern theatrical bloc, it provides a rigorous understanding of the evolution of Korean theatre during the 20th century and explores the moments of rupture and innovation within the chronological history of theatre. The book is a vital resource of interest to scholars and students interested in East Asian culture and theatre, specifically Korean culture.

First Published in 1981. The Domestication of Women is a feminist critique of international development agencies and programs.

In the years leading up to and directly following rapprochement with China in 1992, the South Korean government looked to ethnic Korean (Chosǒnjok) brides and laborers from northeastern China to restore productivity to its industries and countryside. South Korean officials and the media celebrated these overtures not only as a pragmatic solution to population problems but also as a patriotic project of reuniting ethnic Koreans after nearly fifty years of Cold War separation. As Caren Freeman's fieldwork in China and South Korea shows, the attempt to bridge the geopolitical divide in the name of Korean kinship proved more difficult than any of the parties involved could have imagined. Discriminatory treatment, artificially suppressed wages, clashing gender logics, and the criminalization of so-called runaway brides and undocumented workers tarnished the myth of ethnic homogeneity and exposed the contradictions at the heart of South Korea’s transnational kin-making project. Unlike migrant brides who could acquire citizenship, migrant workers were denied the rights of long-term settlement, and stringent quotas restricted their entry. As a result, many Chosǒnjok migrants arranged paper marriages and fabricated familial ties to South Korean citizens to bypass the state apparatus of border control. Making and Faking Kinship depicts acts of "counterfeit kinship," false documents, and the leaving behind of spouses and children as strategies implemented by disenfranchised people to gain mobility within the region’s changing political economy.

Sustainable management of the world's livestock genetic diversity is of vital importance to agriculture, food production, rural development and the environment. "The State of the World's Animal Genetic Resources for Food and Agriculture" is the first global assessment of these resources. Drawing on 169 Country Reports, contributions from a number of international organizations and 12 specially commissioned thematic studies, it presents an analysis of the state of agricultural biodiversity in the livestock sector - origins and development, uses and values, distribution and exchange, risk status and threats - and of capacity to manage these resources - institutions, policies and legal frameworks, structured breeding activities and conservation programmes. Needs and challenges are assessed in the context of the forces driving change in livestock production systems. Tools and methods to enhance the use and development of animal genetic resources are explored in sections on the state of the art in characterization, genetic improvement, economic evaluation and conservation. The main findings of the report are summarized in "The State of the World's Animal Genetic Resources for Food and Agriculture - in brief," of which the Arabic, Chinese, English, French, Russian and Spanish versions can be found on the attached CD-ROM and are also available separately in printed form. As well providing a technical reference document, the country-based preparation of "The State of the World" has led to a process of policy development and a "Global Plan of Action for Animal Genetic Resources," which once adopted, will provide an agenda for action by the international community. Published also in French.

The Bulletin of the Atomic Scientists is the premier public resource on scientific and technological developments that impact global security. Founded by Manhattan Project Scientists, the Bulletin's iconic "Doomsday Clock" stimulates solutions for a safer world.

Sarah Milledge Nelson’s bold thesis is that the development of states in East Asia—China, Japan, Korea—was an outgrowth of the leadership in smaller communities guided by shamans. Using a mixture of historical documents, mythology, archaeological data, and ethnographic studies of contemporary shamans, she builds a case for shamans being the driving force behind the blossoming of complex societies. More interesting, shamans in East Asia are generally women, who used their access to the spirit world to take leadership roles. This work challenges traditional interpretations growth of Asian states, which is overlaid with later Confucian notions of gender roles. Written at a level accessible for undergraduates, this concise work will be fascinating reading for those interested in East Asian archaeology, politics, and society; in gender roles, and in shamanism.

Annotation. The 1995 conference continued the tradition of holding a roundtable discussion related to the subject of the forthcoming annual World Development Report (*), in this case, economies in transition. The conference addressed four themes: redistribution with growth; demographic change and development; aid and development; and fiscal decentralization. Among the articles included in the 1995 proceedings are: - Argentina's Miracle? From Hyperinflation to Sustained Growth. Domingo F. Cavallo and Guillermo Mondino - Inequality, Poverty, and Growth: Where Do We Stand? Albert Fishlow - Government Provision and Regulation of Economic Support in Old Age. Peter Diamond - Is Growth in Developing Countries Beneficial to Industrial Countries? Richard N. Cooper - Fiscal Federalism and Decentralization: A Review of Some Efficiency and Macroeconomic Aspects. Vito Tanzi.

This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women’s documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.