A panoramic and picaresque novel of the first years after the fall of the Berlin Wall is told through the experiences of a young man making his way in a time of constant change. A bestseller in Germany and winner of the prestigous Leipzig Prize. Star 111 (the name of a popular East German transistor radio) begins with the world turned upside down. It is the fall of 1989. The communist government of the GDR is losing its grip on power. Carl Bischoff, a very young man, trained as a bricklayer, now a college student, is abruptly recalled by his parents to the small town in the middle of nowhere where he grew up. His hardworking unprotesting parents inform him, that with the border open, they intend to leave the country and check into a West German refugee camp. Will Carl to look after the house and take in the mail? They promise at some point to be in touch. Deserted by his parents, Carl has no idea what to do. Then he packs the family car and heads to Berlin, where he joins a group of squatters led by a shepherd with a goat. Carl participates in the anarchic life of an anarchist commune, and keeps his distance too. He has all sorts of things to learn about himself and others. He is hungry for sex and love and sometimes simply hungry. He worries about his parents. He wants to be a poet. Star 111 is a story about unforeseen ends and new beginnings, about different kinds of families, biological and improvised, and one innocent young aspiring poet in pursuit of experience at a moment in history when everything is about to change and nobody knows how. A tender, entrancing, and comic tale of youth and adventure, it is a book that looks back on the history of our time to ask the most fundamental of question: what does it mean to lead a good life?

Madonna is perhaps one of the most consistently transgressive and self-transforming artists of the late 20th and early 21st centuries. The recent release of two critically acclaimed and best-selling albums and a sold-out world tour have renewed media and academic interest in the artist. Madonna presents a set of strikingly new challenges to cultural analysis, and new developments in Gender, Queer and Ethnic studies have shed more light on her entire oeuvre. Whilst the contributors do refer to classic cultural theorists such as Baudrillard, Zizek, Foucault and Barthes, new theoretical approaches to Madonna's work feature prominently. In view of this, the present volume offers new perspectives on Madonna's work to date, addressing her configurations of race, gender and sex(uality) and with special emphasis on her resurrection after the Sex backlash in the early 1990s. The collection focuses on new Madonna-related topics such as Hinduism, Judaism, Japanese culture, All-American culture, Queer culture, Motherhood and her influence on newer 'girl acts' such as the Spice Girls and Britney Spears. The book explores the themes of gender, sexuality, ethnicity and celebrity consumption through the lens of Madonna's songs, videos and shows. An international array of scholars portrays Madonna's popularisation of the notion that identity is not fixed and can be continuously rearranged and revamped. The book should have wide appeal for all those concerned with gender studies, cultural studies, ethnic studies, lesbian and gay musicology as well as popular music studies.