'What makes me saddest, is the double silence of her being. Language has packed its bags and jumped over the railing of the capsizing ship, but there is also another silence in her or around her. I can no longer hear the music of her soul.' One day, the author's mother no longer remembers the word for 'book'. This seemingly innocuous moment of distraction is the first sign of the slow disintegration of her mind. As Alzheimer's disease sets in and language increasingly escapes her, her son attempts to gather the fragments of what she has become, writing a moving, loving chronicle of the gradual descent into dementia of someone who 'no longer knows who she is, where she is or what will happen'.

A startling novella from the heir to Haruki Murakami and Gabriel García Márquez Trapped in Tokyo, left behind by a series of girlfriends, the narrator of Slow Boat sizes up his situation. His missteps, his violent rebellions, his tiny victories. But he is not a passive loser, content to accept all that fate hands him. He attempts one last escape to the edges of the city, holding the only safety net he has known - his dreams. Filled with lyrical longing and humour, Slow Boat captures perfectly the urge to get away and the necessity of finding yourself in a world which might never even be looking for you.

Writers in Translation, established in 2005 and supported by Bloomberg and Arts Council England, champions the best literature from around the world. To mark the programme's tenth anniversary, ten leading writers from around the world, many of whom have been supported in their work by English PEN, explore the themes of movement, freedom and narrative. Introduced by Amit Chaudhuri, the collection includes contributions from: Asmaa al Ghul - Palestine resident; originally from Bangladesh - Translated from the Arabic by Elisabeth Jaquette Mahmoud Dowlatabadi - Iran - Translated from the Persian by Ahmad Karimi-Hakkak Ayelet Gundar-Goshen - Israel - Translated from the Israeli by Sondra Silverston Chan Koonchung - Born in Shanghai; raised in Hong Kong Hanna Krall - Poland - Translated from the Polish by Philip Boehm Andrey Kurkov - Russia - Translated from the Russian by Amanda Love Darragh Andrés Neuman - Born in Argentina; moved to Spain - Translated from the Spanish by Nick Caistor Alain Mabanckou - Born in Congo; raised in France; lives in America - Translated from the French by Helen Stevenson Elif Shafak - Turkey Samar Yazbek - Syria - Translated from the Arabic by Ruth Ahmedzai Kemp

A joyful novel full of humanity from the author of Soft in the Head - a July 2016 Indie Next pick. Saved from drowning in Paris's River Seine, a sixty-something misanthrope finds himself stuck in a hospital bed for six weeks while he recovers. As he looks back on his life, the good and the bad, he makes some unexpected new acquaintances, and just when he thought life had no more suprises in store for him, he finds out he was wrong....

His mother calls him a worthless halfwit while his fellow drunks at the local bar ensure he's the butt of all their jokes. He spends his days whittling wood, counting pigeons and adding his own name to the list on the town war memorial. So how could Germain possibly anticipate what a casual encounter on a park bench with eighty-five-year old Margueritte might mean? In this touchingly comic tale of an unusual friendship, that first conversation opens a door into a world Germain has never imagined—the world of books and ideas—and gives both him and Margueritte the chance of a happiness they thought had passed them by.

A short yet fascinating account of Russia's most celebrated writer. In Robert Chandler's exquisite biography, literary giant Alexander Pushkin, lauded as the Russian Shakespeare, is examined as writer, lover and public figure. Chandler explores his relationship to politics and provides a fascinating glimpse of the turbulent history Pushkin lived through. The book acts as a succinct guide to anybody trying to understand Russia's most celebrated literary figure and also illuminates the wider historical and political context of early nineteenth-century Russia.

From the award-winning journalist and author, a lyrical, raw and humane investigation of dementia that explores both the journeys of the people who live with the condition and those of their loved ones After a diagnosis of dementia, Nicci Gerrard’s father, John, continued to live life on his own terms, alongside the disease. But when an isolating hospital stay precipitated a dramatic turn for the worse, Gerrard, an award-winning journalist and author, recognized that it was not just the disease, but misguided protocol and harmful practices that cause such pain at the end of life. Gerrard was inspired to seek a better course for all who suffer because of the disease. The Last Ocean is Gerrard’s investigation into what dementia does to both the person who lives with the condition and to their caregivers. Dementia is now one of the leading causes of death in the West, and this necessary book will offer both comfort and a map to those walking through it. While she begins with her father’s long slip into forgetting, Gerrard expands to examine dementia writ large. Gerrard gives raw but literary shape both to the unimaginable loss of one’s own faculties, as well as to the pain of their loved ones. Her lens is unflinching, but Gerrard honors her subjects and finds the beauty and the humanity in their seemingly diminished states. In so doing, she examines the philosophy of what it means to have a self, as well as how we can offer dignity and peace to those who suffer with this terrible disease. Not only will it aid those walking with dementia patients, The Last Ocean will prompt all of us to think on the nature of a life well lived.

Written from the point of view of a ten-year-old boy who lives with his grandmother, Marcel is a striking debut novel describing the vivid history of a family in a Flemish village. The mysterious death of Marcel, the family favourite, has always haunted the young boy. With the help of his schoolteacher, he starts to discover the secrets of Marcel’s ‘black’ past. The story of his death on the Eastern Front for the sake of Flanders, and the shame this brought upon his family gradually become clear. Erwin Mortier unravels this shameful family past in an unusually sensitive and evocative manner.

My Fellow Skin is a beautiful, affectionate novel told from the point of view of an impressionable young boy. The novel opens before the boy can talk, and we follow Anton’s first, tentative steps on the path to adulthood. He gradually begins to grasp an understanding of time and death, and when he goes to school he falls in love for the first time – not with the schoolgirls his peers are interested in, but with his classmate, Willem. A gentle, protective relationship develops between them, and this gives Anton his own, new identity, his ‘fellow skin’. But their love ends tragically, and Anton ultimately loses not only his love, but also his youth, the protection of his parents, and the old house in the village. He is left desolate.