Phyllis Rackin offers a fresh approach to Shakespeare's English history plays, rereading them in the context of a world where rapid cultural change transformed historical consciousness and gave the study of history a new urgency. Rackin situates Shakespeare's English chronicles among multiple discourses, particularly the controversies surrounding the functions of poetry, theater, and history. She focuses on areas of contention in Renaissance historiography that are also areas of concern in recent criticism-historical authority and causation, the problems of anachronism and nostalgia, and the historical construction of class and gender. She analyzes the ways in which the perfoace of history in Shakespeare's theater participated--and its representation in subsequent criticism still participates--in the contests between opposed theories of history and between the different ideological interests and historiographic practices they authorize. Celebrating the heroic struggles of the past and recording the patriarchal genealogies of kings and nobles, Tudor historians provided an implicit rationale for the hierarchical order of their own time; but the new public theater where socially heterogeneous audiences came together to watch common players enact the roles of their social superiors was widely perceived as subverting that order. Examining such sociohistorical factors as the roles of women and common men and the conditions of theatrical performance, Rackin explores what happened when elite historical discourse was trans porteto the public commercial theater. She argues that Shakespeare's chronicles transformed univocal historical writing into polyphonic theatrical scripts that expressed the contradictions of Elizabethan culture.

Containing more information on Asian culture than any other English-language reference work, Columbia Chronologies of Asian History and Culture is the first of its kind: a set of more than thirty chronologies for all the countries of Asia—East, South, Southeast, and Central—from the Paleolithic era through 1998. Each entry is clearly dated and, unlike most chronologies found in standard history texts, the entries are complete and detailed enough to provide virtually a sequential history of the vast and rich span of Asian cultures. The contributing writers and editors have ensured the book's usefulness to general readers by identifying individuals and groups, locating places and regions, explaining events and movements, and defining unfamiliar words and concepts. The thirty-two chronologies on individual countries, in conjunction with a detailed index, allow readers to find specific information quickly and efficiently, whether they seek the date for the invention of the iron plow or gunpowder, the fall of the Han Dynasty in China, or Ho Chi Minh's declarations of Vietnamese independence. This invaluable reference culminates with three appendices: "National/Independence Days," "Scientific-Technological Achievements in Asia," and "Asia: A Chronological Overview," which provides an accessible summary of key events and developments in various fields of activity throughout the continent. The Columbia Chronologies of Asian History and Culture features: three discrete chronologies on (1) Politics/History, (2) Art/Culture/Religion, and (3) Science/Economics/Everyday Life for each of Asia's three major cultures—China, India, and Japan—as well as a combined chronology for each of the other nations; detailed entries of thousands of historical events as well as important milestones in religion, philosophy, literature, and the arts; entries on technological developments and natural events (famines, floods, etc.) affecting the lives of ordinary people; and authoritative and accessibly written entries by a team of Asian scholars from Columbia, Harvard, and other major research universities. Beyond its detailed accounting of Asia's political history, Columbia Chronologies of Asian History and Culture also gives full recognition to religious, intellectual, artistic, and general cultural achievements, as well as to scientific, technological, industrial, agricultural, and economic developments. Concise yet complete, it will stand as an indispensable reference work in the field of Asian studies.

Chart the course of history through the ages with this collection of oversize foldout charts and timelines. Timeline of World History is a unique work of visual reference from the founders of the Useful Charts website that puts the world's kingdoms, empires, and civilizations in context with one another. A giant wall chart shows the timelines and key events for each region of the world, and four additional foldout charts display the history of the Americas, Europe, Asia and the Pacific, and Africa and the Middle East. Packed with maps, diagrams, and images, this book captures the very essence of our shared history.

NATIONAL BESTSELLER • Discover the game-changing theory of the cycles of history and what past generations can teach us about living through times of upheaval—with deep insights into the roles that Boomers, Generation X, and Millennials have to play—now with a new preface by Neil Howe. First comes a High, a period of confident expansion. Next comes an Awakening, a time of spiritual exploration and rebellion. Then comes an Unraveling, in which individualism triumphs over crumbling institutions. Last comes a Crisis—the Fourth Turning—when society passes through a great and perilous gate in history. William Strauss and Neil Howe will change the way you see the world—and your place in it. With blazing originality, The Fourth Turning illuminates the past, explains the present, and reimagines the future. Most remarkably, it offers an utterly persuasive prophecy about how America’s past will predict what comes next. Strauss and Howe base this vision on a provocative theory of American history. The authors look back five hundred years and uncover a distinct pattern: Modern history moves in cycles, each one lasting about the length of a long human life, each composed of four twenty-year eras—or “turnings”—that comprise history’s seasonal rhythm of growth, maturation, entropy, and rebirth. Illustrating this cycle through a brilliant analysis of the post–World War II period, The Fourth Turning offers bold predictions about how all of us can prepare, individually and collectively, for this rendezvous with destiny.

Phyllis Rackin offers a fresh approach to Shakespeare's English history plays, rereading them in the context of a world where rapid cultural change transformed historical consciousness and gave the study of history a new urgency. Rackin situates Shakespeare's English chronicles among multiple discourses, particularly the controversies surrounding the functions of poetry, theater, and history. She focuses on areas of contention in Renaissance historiography that are also areas of concern in recent criticism-historical authority and causation, the problems of anachronism and nostalgia, and the historical construction of class and gender. She analyzes the ways in which the perfoace of history in Shakespeare's theater participated—and its representation in subsequent criticism still participates—in the contests between opposed theories of history and between the different ideological interests and historiographic practices they authorize. Celebrating the heroic struggles of the past and recording the patriarchal genealogies of kings and nobles, Tudor historians provided an implicit rationale for the hierarchical order of their own time; but the new public theater where socially heterogeneous audiences came together to watch common players enact the roles of their social superiors was widely perceived as subverting that order. Examining such sociohistorical factors as the roles of women and common men and the conditions of theatrical performance, Rackin explores what happened when elite historical discourse was trans porteto the public commercial theater. She argues that Shakespeare's chronicles transformed univocal historical writing into polyphonic theatrical scripts that expressed the contradictions of Elizabethan culture.

Introduction. The memorial's vernacular arc between Berlin's Denkmal and New York City's 9/11 Memorial -- The stages of memory at Ground Zero: the National 9/11 Memorial process -- Daniel Libeskind and the houses of Jewish memory: what is Jewish architecture? -- Regarding the pain of women: gender and the arts of holocaust memory -- The terrible beauty of Nazi aesthetics -- Looking into the mirrors of evil: Nazi imagery in contemporary art at the Jewish Museum in New York -- The contemporary arts of memory in the works of Esther Shalev-Gerz, Miroslaw Balka, Tobi Kahn, and Komar and Melamid -- Utøya and Norway's July 22 memorial: the memory of political terror.

How great the differences between the Last Supper celebrated by Jesus and a pontifical High Mass at St. Peter's in Rome! And also, between the early baptisms by immersion described in the Acts of the Apostles and the baptisms of newborns in our parishes today. Why such a change in the celebration of the Christian mystery? Why the recent reforms, often misunderstood? In History of the Liturgy, Marcel Metzger answers such questions and offers an understanding of this evolution through a carefully documented historical survey. The essential forms of the liturgy were fixed very early according to the tradition received from the apostles. But the place given to biblical readings, teaching, singing, and ritual has varied in the course of the centuries. In History of the Liturgy, Metzger describes the most important phases of these changes. In describing the first millennium, he focuses on liturgy's essentials common to the Eastern and Western Churches. In describing the second millennium, he explains the deviations of the Western Churches which called for the effort of reform and renewal begun by Vatican II. Metzger studies the development of the liturgical institutions and distinguishes liturgy's five main stages that correspond to the situations of the Churches in ancient, medieval, and modern societies. He begins by focusing on the apostolic period, roughly the first century of our era, until the death of the apostles. He follows by studying the period of minorities and semi-clan destiny until the beginning of the fourth century. He then focuses on the Peace of the Church," which grants public status to the churches in the Empire, fosters their growth, and organizes the collaboration between Empire and Church. The work concludes by studying the stability, rigidity, renewals, and reforms of the Roman liturgy, from the end of the Middle Ages to Vatican II. This clear and accurate survey of the history of liturgy is designed to awaken readers' interest, on a solid yet introductory level, in the realities that have made and still make up the Church's liturgical life: assemblies, Eucharist, baptism, reconciliation, dally praise, the Church's calendar, and its architecture. In History of the Liturgy, Metzger stresses that if history is the teacher of life, the eyes of Christian faith allow us to recognize in it as well the mysterious presence of God, who, through the Spirit, guides his people. And this happens, above all, in the liturgy. "

The long path to the Berlin Wall began in 1945, when Josef Stalin instructed the Communist Party to take power in the Soviet occupation zone while the three Western allies secured their areas of influence. When Germany was split into separate states in 1949, Berlin remained divided into four sectors, with West Berlin surrounded by the GDR but lingering as a captivating showcase for Western values and goods. Following a failed Soviet attempt to expel the allies from West Berlin with a blockade in 1948–49, a second crisis ensued from 1958–61, during which the Soviet Union demanded once and for all the withdrawal of the Western powers and the transition of West Berlin to a “Free City.” Ultimately Nikita Khrushchev decided to close the border in hopes of halting the overwhelming exodus of East Germans into the West. Tracing this path from a German perspective, Manfred Wilke draws on recently published conversations between Khrushchev and Walter Ulbricht, head of the East German state, in order to reconstruct the coordination process between these two leaders and the events that led to building the Berlin Wall.

In The Stages in the Social History of Capitalism Henri Pirenne identifies periods into which our economic history may be divided and distinct and separate class of capitalists. Pirenne saw that at every change in economic organization there is a breach of continuity as if the capitalists who have up to that time been active, recognize that they are incapable of adapting to conditions that are unknown to. They then withdraw from the struggle and become an aristocracy, which if it again plays a part in the course of affairs, does so in a passive manner only, assuming the role of silent partners. A word first of all to indicate clearly the point of view which characterizes the study. I shall not enter into the question of the formation of capital itself, that is, of the sum total of the goods employed by their possessor to produce more goods at a profit. It is the capitalist alone, the holder of capital, who will hold our attention. My purpose is simply to characterize, for the various epochs of economic history, the nature of this capitalist and to search for his origin. Pirenne's concept is an interesting study looking back at recent past decades that have seen a flood of "New Rich" their methods of success and social beliefs. Henri was a leading Belgian historian, a medievalist of Walloon descent who wrote a masterful multivolume history of Belgium in French and became a national hero. Pirenne argued that profound, long-term social, economic, cultural, and religious movements resulted from profound underlying causes, and this attitude influenced Marc Bloch and the outlook of the French Annales School of social history.