Patti Ross lived in Baltimore, Maryland from 2010 to 2013, just one block south of North Avenue on St. Paul Street. She found herself in a neighborhood somewhat blighted, slighted by its own city. The chess moves of gentrification were becoming more evident and in a short time, Maryland Institute College of Art would move in to change the face of North Avenue between Howard and St. Paul Street forever. Those from the neighborhood saw their displacement coming. They preached about it to whoever would listen and often Patti did. St. Paul Street Provocations gives proclamations to her friends' stories and their lives in a city given the nickname of "Charm City." As an advocate for the poor and marginalized, she wanted to share the stories and illuminate the voices of those forced to live with daily pauperism. While walking her dog often through the neighborhood she met several homeless and drug abuse individuals many of whom others walked past or scoffed at regularly. Patti stopped to listen to their stories, some believable, some not, but she listened each time they wanted to share. And wrote it down.

Collected Stories by Richard Barham is a collection of mysterious and thrilling short stories. A Singular Passage in the Life of the Late Henry Harris is about a careful recollection of the life of Reverend Henry Harris and the strange happenings surrounding his death. Excerpt: "So that the extraordinary circumstance which I am about to relate, may meet with the credit it deserves, I think it necessary to premise, that my reverend friend, among whose papers I find it recorded, was, in his lifetime, ever esteemed as a man of good plain understanding, strict veracity, and unimpeached morals,--by no means of a nervous temperament, or one likely to attach undue weight to any occurrence out of the common course of events, merely because his reflections might not, at the moment, afford him a ready solution of its difficulties."

Starting with Marx and Freud, scholars have attempted to identify the primary ethical challenge of capitalism. They have named injustice, inequality, repression, exploitative empires, and capitalism's psychic hold over all of us, among other ills. Nimi Wariboko instead argues that the core ethical problem of capitalism lies in the split nature of the modern economy, an economy divided against itself. Production is set against finance, consumption against saving, and the future against the present. As the rich enjoy their lifestyle, their fellow citizens live in servitude. The economy mimics the structure of our human subjectivity as Saint Paul theorizes in Romans 7: the law constitutes the subject as split, traversed by negativity. The economy is split, shot through with a fundamental antagonism. This fundamental negativity at the core of the economy disturbs its stability and identity, generating its destructive drive. The Split Economy develops a robust theoretical framework at the intersection of continental philosophy, psychoanalytic theory, theology, and political economy to reveal a fundamental dynamic at the heart of capitalism.

When writer and feature filmmaker Peter Josyph spent a year and a half combing the historic streets and debris-blasted buildings of Ground Zero in Lower Manhattan, talking with workers and residents, capturing its struggles and transformations, he became what he calls a "citizen-artist," personally shooting over two hundred hours of footage for his film Liberty Street: Alive at Ground Zero, and writing this haunting, eyewitness account of the extraordinary world that was created on September 11 and has vanished now forever. When the Ground Zero neighborhood was misinformed and marginalized by city and federal agencies, it was left to its own devices in coping with round-the-clock deconstruction, toxic infestation, corrupt landlords, reluctant insurers, and simple access to the place they were proud—and cursed—to call their home. But loyal Downtowners who ran for their lives from the collapse of the Twin Towers returned with a resolve to restore their world to order. Exploring this "dust-driven world of collateral damage," Josyph documented their struggle at a time when there were few there to witness it, and bans against photography made him "a spy in the house of destruction." In what the New York Times called "a personal, impressionistic, almost poetic account," Josyph finds in each detail a new way to envision that terrible morning, and he challenges the more simplistic, mainstream views of Ground Zero with vivid portraits of brave, exceptional—and complex—New Yorkers who made a place for themselves in that tragic and transitory neighborhood. This expanded edition includes a new chapter and additional photographs.