How St. George became the patron saint of England has always been a subject of speculation. He was not English, nor was his principal shrine there - the usual criteria for national patronage ; yet his status and fame came to eclipse that of all other saints. Edward III's use of the saint in his wars against the French established him as a patron and protector of the king ; unlike other saints George was adopted by the English to signify membership of the "community of the realm". This book traces the origins and growth of the cult of St. George, arguing that, especially after Edward's death, George came to represent a "good" politics (deriving from Edward's prosecution of a war with spoils for everyone) and could be used to rebuke subsequent kings for their poor governance. Most medieval kings came to understand this fact, and venerated St. George in order to prove their worthiness to hold their office. The political dimension of the cult never completely displaced the devotional one, but it was so strong that St. George survived the Reformation as a national symbol - one that continues in importance in the recovery of a specifically English identity.

The image of St. George—atop his horse, lance plunged halfway into a dragon’s body—is so familiar to us that we take for granted what a long history it has had. As Samantha Riches demonstrates in this book, St. George is easily one of the most transported icons across cultures, and his history is the history of myth writ large. Traveling in Georgia, Greece, Malta, Belgium, Lebanon, Palestine, Ethiopia, Estonia, and many other places, she offers a fascinating look at one of the most popular mythical figures of all time. Riches traces St. George in his various appearances and guises across a wealth of religions and traditions. From Eastern Orthodox, Coptic, and Western European Christian traditions, she follows his trail into Islam, Hinduism, Judaism, Candomblé, and the many pagan systems where he has functioned a symbol of nature, springtime, and healing. Exploring the innumerable ways artists, poets, and painters have engaged his mythical import, she shows him to be at the center of many political divisions, where he has been used to advance one agenda or another. Drawing together many aspects of the cult of St. George, Riches provides a fascinating history of an enduring icon.

Retells the segment from Spenser's The Faerie Queene, in which George, the Red Cross Knight, slays the dreadful dragon that has been terrorizing the countryside for years and brings peace and joy to the land.

Jack and Liam, fed up with kiss-my-arse bosses and nose-to-nipple commutes, quit their jobs and move to a small town in Turkey. Join the culture-curious gay couple on their bumpy rite of passage in a Muslim country. Meet the oddballs, VOMITs, vetpats, emigreys, semigreys, debauched waiters and middle England miseries. When bigotry and ignorance emerge from the crude underbelly of Turkey's expat life, Jack and Liam waver. Determined to stay the course, the happy hedonistas hitch up their skirts, move to the heart of liberal Bodrum and fall in love with their intoxicating foster land. Enter Jack's irreverent world for a right royal dose of misery and joy, bigotry and enlightenment, betrayal and loyalty, friendship, love, earthquakes, birth, adoption and a senseless murder. Perking the Pansies will make you laugh out loud one minute and sob into your crumpled tissue the next. "Scott pulls no punches. A good read and hopefully the first of many by new boy on the block." Jane Akatay, journalist "An insightful tale of life abroad - with a twist - from the pen of a serial people watcher. Expat Jack lays his characters bare along with his heart and soul, '' Kym Ciftci, On the Ege Magazine, Ontheege.com "Jack and Liam bring a certain je ne sais quoi to the souks and heap a plate of dry British wit to their Ottoman misadventures," Charles Ayres, author, Impossibly Glamorous Impossiblyglamorous.com ..". hilarious, saucy, witty, heartwarming and incredibly moving, Perking the Pansies is chock full of odd characters and odder situations. Jack Scott has a way with words and proves that it is the relationships we surround ourselves with that matter most," Linda A Janssens, Writer and Co-Author, Turning Points, Adventuresinexpatland.com

The notion that witchcraft faded away with the onset of the scientific revolution is entirely mistaken. This text stands in the grand tradition of writing and witchcraft and suggests that magic was alive and well in 19th-century Scotland, as contemporary newspaper reports confirm.

James of St George has a reputation as one of the most significant castle builders of the Middle Ages. His origins and early career at the heart of Europe, and his subsequent masterminding of Edward I of England's castle-building programmes in Wales and Scotland, bestow upon him an international status afforded to few other master builders retained by the English crown. The works erected under his leadership represent what many consider to be the apogée of castle development in the British Isles, and Malcolm Hislop's absorbing new study of the architecture is the most important reassessment to be published in recent times.His book explores the evolution of the Edwardian castle and James of St George's contribution to it. He gives a fascinating insight into the design, construction and organisation of such large-scale building projects, and the structural, military and domestic characters of the castles themselves. James's work on castles in the medieval duchy of Savoy is revisited, as are the native and foreign influences on the design of those he built for Edward I.Some seventy years after A.J. Taylor began his pioneering research into James of St George and his connection with Wales, the time is ripe for this revaluation of James's impact and of the extent of his influence on the architectural character of the Edwardian castle.