The Korean Peninsula, which constitutes one of the strategic pivots of Northeast Asian security, has remained a contested theatre for major powers. Denuclearisation of the Peninsula is unfolding as one of the most defining challenges in shaping regional security. The end state in the Peninsula and how it is to be realised is debated amongst the stakeholders. This book aims to situate some of the critical issues in the Korean theatre within the competing geopolitical interests, strategic choices and policy debates among the major powers. This volume is an endeavour to bring together leading Indian experts including former Indian ambassadors to the Republic of Korea, senior members from the defence and strategic community to analyse the developing situation in the Korean Peninsula. The Korean Peninsula has remained a contested theatre for the major powers. Brutal wars have been fought involving imperial Japan, Czarist Russia, the Union of the Soviet Socialist Republics (USSR), Qing China, the People's Republic of China, and the United States (US) which left the Peninsula conquered, colonised, and divided, starting with Chosun (Yi) Korea from 1392-1910 to colonial Korea from 1910-45 to divided Korea since 1945.1 Subsequently, the Korean War from 1950-53 defined the character of the Cold War in Northeast Asia. The strategic choices in the Korean theatre have been influenced by the competing geopolitical interests of regional stakeholders. In the post-Cold War era, the Peninsula remained a key variable in shaping the Northeast Asian security architecture since the Democratic People's Republic of Korea or North Korea continued to employ the strategic use of nuclear brinksmanship.

The Peninsula Campaign and the Necessity of Emancipation

"Grandfather returns each year to the demilitarized zone, the barrier--and accidental nature preserve--that separates families that live in North and South Korea."--Provided by publisher.

Bakassi Peninsula: The Untold Story of a People Betrayed essentially narrates the struggle of a people to retain ownership of their homeland; Bakassi Peninsula and the challenges encountered on that tortuous road, following the outbreak of hostilities between the Federation of Nigeria and the Republic of Cameroon over ownership of the Bakassi peninsula. The book provides a brief history of the Usakedet people; customary owners of the peninsula as well as presents a critical view of the administrative, legal and political measures taken by governments including Great Britain that have proved to be detrimental to the interest of customary owners of the peninsula. Bakassi Peninsula: The Untold Story of a People Betrayed equally takes a look at the ownership controversy between Cameroon and Nigeria and provides select legal opinions on the conflict before presenting the reader with un-edited extract of the judgment of the Internal Court of Justice at The Hague. The book finally presents reactions to that judgment by Cameroonians and Nigerians and concludes with a look at what the future might hold for the Bakassi Peninsula and its native population; the Usakedet people.

“[T]his fine book . . . . enlarges our vision of one of the great national cinematic flowerings of the last decade.”—Martin Scorsese, from the foreword In the late 1990s, South Korean film and other cultural products, broadly known as hallyu (Korean wave), gained unprecedented international popularity. Korean films earned an all-time high of $60.3 million in Japan in 2005, and they outperformed their Hollywood competitors at Korean box offices. In Virtual Hallyu, Kyung Hyun Kim reflects on the precariousness of Korean cinema’s success over the past decade. Arguing that state film policies and socioeconomic factors cannot fully explain cinema’s true potentiality, Kim draws on Deleuze’s concept of the virtual—according to which past and present and truth and falsehood coexist—to analyze the temporal anxieties and cinematic ironies embedded in screen figures such as a made-in-the-USA aquatic monster (The Host), a postmodern Chosun-era wizard (Jeon Woo-chi), a schizo man-child (Oasis), a weepy North Korean terrorist (Typhoon), a salary man turned vengeful fighting machine (Oldboy), and a sick nationalist (the repatriated colonial-era film Spring of Korean Peninsula). Kim maintains that the full significance of hallyu can only be understood by exposing the implicit and explicit ideologies of protonationalism and capitalism that, along with Korea’s ambiguous post-democratization and neoliberalism, are etched against the celluloid surfaces.

Trouble In Paradise Sixteen-year-old Travis is looking for a good time. A vacation in Mexico with his mother, sister, and little brother might cramp his style, but he's willing to take that risk for a chance to cruise the beaches. Travis soon discovers that even with his headphones and shades, he can't completely cut himself off from his family's problems. He begins to understand why his father didn't come with them: His mother is contemplating a divorce. Meanwhile his younger brother, Teddy, becomes increasingly obsessed with protecting some endangered sea turtles near the resort. In spite of himself, Travis is drawn into Teddy's efforts to save the turtles. But it takes a devastating tragedy beyond his imagining to shake Travis out of his cynicism -- a tragedy that will change his family forever.

The ninth architecture exhibition to be held in the Korean pavilion, on the occasion of the 2014 Venice Biennale, is significant in many ways. Minsuk Cho, the commissioner responsible for the exhibition, is also one of Korea's most important architects. Cho examines both South and North Korean architecture in a fascinating presentation of Korean modernity, responding to the multiplicity of narratives that have taken place on the divided peninsula over the last century. Moving through four themes - everyday life, the monumental state, utopian visions and borders - this book includes works and essays by more than 30 artists and theorists.

For more than half of the twentieth century, the Korean peninsula has been divided between two hostile and competitive nation-states, each claiming to be the sole legitimate expression of the Korean nation. The division remains an unsolved problem dating to the beginnings of the Cold War and now projects the politics of that period into the twenty-first century. Korea’s Twentieth-Century Odyssey is designed to provide readers with the historical essentials upon which to unravel the complex politics and contemporary crises that currently exist in the East Asian region. Beginning with a description of late-nineteenth-century imperialism, Michael Robinson shows how traditional Korean political culture shaped the response of Koreans to multiple threats to their sovereignty after being opened to the world economy by Japan in the 1870s. He locates the origins of both modern nationalism and the economic and cultural modernization of Korea in the twenty years preceding the fall of the traditional state to Japanese colonialism in 1910. Robinson breaks new ground with his analysis of the colonial period, tracing the ideological division of contemporary Korea to the struggle of different actors to mobilize a national independence movement at the time. More importantly, he locates the reason for successful Japanese hegemony in policies that included—and thus implicated—Koreans within the colonial system. He concludes with a discussion of the political and economic evolution of South and North Korea after 1948 that accounts for the valid legitimacy claims of both nation-states on the peninsula.

As the struggle to protect Northwest salmon runs and the urgency of the fight against environmental deterioration escalates, Mountain in the Clouds remains an important and illuminating story, as timely now as when it was first written. The 1995 edition includes a selection of historical photographs.

Following the Inchon landings and the breakout from the Pusan Perimeter, UN forces crossed the North Korean border on 9 October and moved on the capital Pyongyang. Many in America believed the war would be over by Christmas, but some Washington diplomatic, military, and intelligence experts continued to raise dire warnings that the People's Republic of China might intervene. Nevertheless, General MacArthur decided to push on to the Chinese/North Korean border, the Yalu River. On 25 October, Communist Chinese Forces unexpectedly attacked Republic of Korea forces near Unsan. Then, on 25 November, the day after MacArthur announced a 'final offensive to end the war', the Chinese 13th Army Group struck in mass against the Eighth Army in the north-west corner of North Korea, overrunning the US 2nd and 25th Infantry Divisions. The Chinese attacks quickly shattered Truman's dream of a unified Korea. American, UN, and ROK forces could not hold a successful defensive line against the combined CCF and NKPA attacks. At the Chosin Reservoir, US Marine Corps and Army units retreated south whilst MacArthur's forces withdrew from Pyongyang and X Corps later pulled out of Hungnam. Using expert research, bird's-eye views, and full-colour maps, this study tells the fascinating history of the critical Yalu campaign, including the famous retreat past the 38th Parallel.