The real history of MI5 during the era of the Cold War, the IRA & international terrorism.

The Historical Dictionary of British Spy Fiction is a detailed overview of the rich history and achievements of the British espionage story in literature, cinema and television. It provides detailed yet accessible information on numerous individual authors, novels, films, filmmakers, television dramas and significant themes within the broader field of the British spy story. It contains a wealth of facts, insights and perspectives, and represents the best single source for the study and appreciation of British spy fiction. British spy fiction is widely regarded as the most significant and accomplished in the world and this book is the first attempt to bring together an informed survey of the achievements in the British spy story in literature, cinema and television. The Historical Dictionary of British Spy Fiction contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on individual authors, stories, films, filmmakers, television shows and the various sub-genres of the British spy story. This book is an excellent access point for students, researchers, and anyone wanting to know more about British spy fiction.

Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on British television and popular secret agent series such as Spy Trap, Quiller and The Sandbaggers. It also gives attention to the more ‘realistic’ representation of spying in the film and television adaptations of le Carré and Deighton, and other dramas with a more serious intent. In addition, there is wholly original attention given to ‘nostalgic’ spy fictions on screen, adaptations of classic stories of espionage which were popular in the late 1970s and through the 1980s, and to ‘historical’ spy fiction, dramas which treated ‘real’ cases of espionage and their characters, most notably the notorious Cambridge Spies. Detailed attention is also given to the ‘secret state’ thriller, a cycle of paranoid screen dramas in the 1980s which portrayed the intelligence services in a conspiratorial light, best understood as a reaction to excessive official secrecy and anxieties about an unregulated security service. The study is brought up-to-date with an examination of screen espionage in Britain since the end of the Cold War. The approach is empirical and historical. The study examines the production and reception, literary and historical contexts of the films and dramas. It is the first detailed overview of the British spy screen in its crucial period since the 1960s and provides fresh attention to spy films, series and serials never previously considered.

The Kuczynskis were a German-Jewish family of active anti-fascists who worked assiduously to combat the rise of Nazism before and during the course of the Second World War. This book focuses on the family of Robert and his wife Berta – both born two decades before the end of the nineteenth century – and their six children, five of whom became communists and one who worked as a Soviet agent. The parents, and later their children, rejected and rebelled against their comfortable bourgeois heritage and devoted their lives to the overthrow of privilege and class society. They chose to do this in a Germany that was rapidly moving in the opposite direction. With the rise of German nationalism and then Hitler fascism, the family was confronted with stark choices and, as a result of making these choices, suffered persecution and exile. Revealing how these experiences shaped their outlook and perception of events, this book documents the story of the Kuczynskis for the first time in the English language and is a fascinating biographical portrait of a unique and radical family.

Spying in the United States began during the Revolutionary War, with George Washington as the first director of American intelligence and Benedict Arnold as the first turncoat. The history of American espionage is full of intrigue, failures and triumphs--and motives honorable and corrupt. Several notorious spies became household names--Aldrich Ames, Robert Hanssen, the Walkers, the Rosenbergs--and were the subjects of major motion pictures and television series. Many others have received less attention. This book summarizes hundreds of cases of espionage for and against U.S. interests and offers suggestions for further reading. Milestones in the history of American counterintelligence are noted. Charts describe the motivations of traitors, American targets of foreign intelligence services and American traitors and their foreign handlers. A former member of the U.S. intelligence community, the author discusses trends in intelligence gathering and what the future may hold. An annotated bibliography is provided, written by Hayden Peake, curator of the Historical Intelligence Collection of the Central Intelligence Agency.

John le Carré and the Cold War explores the historical contexts and political implications of le Carré's major Cold-War novels. The first in-depth study of le Carré this century, this book analyses his work in light of key topics in 20th-century history, including containment of Communism, decolonization, the Berlin Wall, the Cuban missile crisis, the Cambridge spy-ring, the Vietnam War, the 70s oil crisis and Thatcherism. Examining The Spy Who Came in from the Cold (1963), Tinker Tailor Soldier Spy (1974), Smiley's People (1979) and other novels, this book offers an illuminating picture of Cold-War Britain, while situating le Carré's work alongside that of George Orwell, Graham Greene and Ian Fleming. Providing a valuable contribution to contemporary understandings of both British spy fiction and post-war fiction, Toby Manning challenges the critical consensus to reveal a considerably less radical writer than is conventionally presented.

Foreign students have travelled to Britain for centuries and, from the beginning, attracted controversy. This book explores changing British policy and practice, and changing student experience, set within the context of British social and political history.