This volume seeks to foreground a borderless history and geography of South, Southeast, and East Asian littoral zones that would be maritime-focused, and thereby explore the ancient connections and dynamics of interaction that favoured the encounters among the cultures found throughout the region stretching from the Indian Ocean littorals to the Western Pacific, from the early historical period to the present. Transcending the artificial boundaries of macro-regions and nation-states, and trying to bridge the arbitrary divide between (inherently cosmopolitan) high cultures (e.g. Sanskritic, Sinitic, or Islamicate) and local or indigenous cultures, this multidisciplinary volume explores the metaphor of Monsoon Asia as a vast geo-environmental area inhabited by speakers of numerous language phyla, which for millennia has formed an integrated system of littorals where crops, goods, ideas, cosmologies, and ritual practices circulated on the sea-routes governed by the seasonal monsoon winds. The collective body of work presented in the volume describes Monsoon Asia as an ideal theatre for circulatory dynamics of cultural transfer, interaction, acceptance, selection, and avoidance, and argues that, despite the rich ethnic, linguistic and sociocultural diversity, a shared pattern of values, norms, and cultural models is discernible throughout the region.

Spirits in the Material World: The Challenge of Technology provocatively argues that technology is best understood as an otherworldly or spiritual force. Under its influence, humans are fast becoming spirit-like creatures, beings who assume their bodies are incidental to what it means to be human and the "real world" an accidental quality of the human condition. Technology authorizes such an understanding and legitimates a manner of action that obscures the centrality of embodiment and its significance. Gil Germain challenges many of the assumptions underpinning the technological worldview through a reading of leading contemporary theorists who have addressed the interconnection between technology and disembodiment. The book both reveals and contests the multifarious ways in which technology's spiritual thrust is manifested in contemporary thought and practice. While respecting technology's hold on modernity and its predisposition toward disembodiment, Germain gives important reasons why this inclination toward spiritizaiion ought to be resisted and what shape this resistance must take if it is to be meaningful. Gil Germain is associate professor of political studies at the University of Prince Edward Book jacket.

Coaxing the Spirits to Dance explores the relationship between social life and artistic expression since the nineteenth century in one of the most important art-producing regions of Papua New Guinea. It includes a stunning presentation of hand-carved and hand-painted ancestor boards, masks, drums, skull racks, and personal items. Each society on the Papuan Gulf had its own elaborate traditions of carved, painted, or decorated masks, boards, and hand drums that filled the men's longhouses for use in dances and performances. Today these art objects offer a glimpse into the varied cosmologies and ritual lives of these surprisingly diverse societies before they were changed significantly through their contact with the West.

Killer cars, ships that appear and disappear, spirits that appear to plane crews and passengers. Ships, planes, and cars are used by people every day, but do ghosts use them too?

“Noyes makes history accessible and irresistible . . . Excellent.”* A century ago, the curious idea that spirits not only survive death but can be contacted on the “other side” was widespread. Psychic mediums led countless séances, claiming to connect the grieving with their lost relations through everything from frenzied trance writing to sticky expulsions of ectoplasm. The craze caught Harry Houdini’s attention. Well-known by then as most renowned magician and escape artist, he began to investigate these spiritual phenomena. Are ghosts real? Can we communicate with them? Catch them in photographs? Or are all mediums “flim-flammers,” employing tricks and illusions like Houdini himself? Peopled with odd and fascinating characters, Houdini’s gripping quest will excite readers’ universal wonderment with life, death, and the possibility of the Beyond. *School Library Journal, starred review of Ten Days a Madwoman

The years since the financial crash have seen the realization dawn that the great promise of modern civilization will go unfulfilled. Study hard, work hard, buy a house, retire happy. It's all a lie, spun for the benefit of a tiny elite. The richest eighty-five people on earth have as much wealth as the poorest 3.5 billion. Each month, the numbers change but they never improve. Magical and spiritual discourse has failed to keep up with this new reality. The Chaos Protocols aims to fix that. Join Gordon White as he shows you how to use chaos magic not only to navigate these trying times, but to triumph as well. Discover how to become invincible through initiation, and wage the mind war that will keep you moving toward what you really want. From sigil magic to working with spiritual allies, The Chaos Protocols helps you act on the unwavering belief that your life should matter and you're not going to let something as trifling as the apocalypse get in the way of it. Praise: "Gordon White gives a master class on the hard economic realities and the kind of low down and dirty magic for which he has become famous. Pragmatic, sharp, and funny, The Chaos Protocols is a treasure of a book."—Peter Grey, author of Apocalyptic Witchcraft "Take two parts Magick Without Tears, a measure of The Wealth of Nations, a pinch of Ian Fleming and a dash of Noel Coward and you have this almost promiscuously readable text. Whoever said books on magick can't be fabulously entertaining as well as eminently practical has obviously not read up on their Gordon White. Remedy that situation."—Chris Knowles, author of The Secret History of Rock n' Roll and Our Gods Wear Spandex

Readers will sail the seven seas while they learn about three haunted vessels. Ghostly histories and mysteries fill these ships' hulls just like their stories will fill children's minds. QR Codes in the book give readers access to book-specific resources to further their learning. Aligned to Common Core Standards and correlated to state standards. DiscoverRoo is an imprint of Pop!, a division of ABDO.