Ongoing debates about the “return of religion” have paid little attention to the orgiastic and enthusiastic qualities of religiosity, despite a significant increase in the use of techniques of trance and possession around the globe. Likewise, research on religion and media has neglected the fact that historically the rise of mediumship and spirit possession was closely linked to the development of new media of communication. This innovative volume brings together a wide range of ethnographic studies on local spiritual and media practices. Recognizing that processes of globalization are shaped by mass mediation, the volume raises questions such as: How are media like photography, cinema, video, the telephone, or television integrated in seances and healing rituals? How do spirit mediums connect with these media? Why are certain technical media shunned in these contexts?

Spirit possession is a phenomenon that often elicits a response of fear, particular in those who are ignorant of its meaning and role within its particular religious and cultural traditions. Possession by divine beings (such as spirits or gods) is, however, a key practice in religions worldwide. It is therefore important to gain an understanding of this practice in its cultural context before trying to develop a wider theory about it. This fascinating book contains several case studies that present new interpretations of spirit possession worldwide. The authors show the diversity of possible interpretations and methodological approaches that provide a new insight into the understanding of possession and trance.

Ritual trance has always been closely associated with music—but why, and how? Gilbert Rouget offers and extended analysis of music and trance, concluding that no universal law can explain the relations between music and trance; they vary greatly and depend on the system of meaning of their cultural context. Rouget rigorously examines a worldwide corpus of data from ethnographic literature, but he also draws on the Bible, his own fieldwork in West Africa, and the writings of Plato, Ghazzali, and Rousseau. To organize this immense store of information, he develops a typology of trance based on symbolism and external manifestations. He outlines the fundamental distinctions between trance and ecstasy, shamanism and spirit possession, and communal and emotional trance. Music is analyzed in terms of performers, practices, instruments, and associations with dance. Each kind of trance draws strength from music in different ways at different points in a ritual, Rouget concludes. In possession trance, music induces the adept to identify himself with his deity and allows him to express this identification through dance. Forcefully rejecting pseudo-science and reductionism, Rouget demystifies the so-called theory of the neurophysiological effects of drumming on trance. He concludes that music's physiological and emotional effects are inseparable from patterns of collective representations and behavior, and that music and trance are linked in as many ways as there are cultural structures.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Spirit possession is a phenomenon that often elicits a response of fear, particular in those who are ignorant of its meaning and role within its particular religious and cultural traditions. Possession by divine beings (such as spirits or gods) is, however, a key practice in religions worldwide. It is therefore important to gain an understanding of this practice in its cultural context before trying to develop a wider theory about it. This fascinating book contains several case studies that present new interpretations of spirit possession worldwide. The authors show the diversity of possible interpretations and methodological approaches that provide a new insight into the understanding of possession and trance.

Possession, a seemingly irrational phenomenon, has posed challenges to generations of scholars rooted in Western notions of body-soul dualism, self and personhood, and a whole set of presuppositions inherited from Christian models of possession that was “good” or “bad.” The authors of the essays in this book present a new and more promising approach. They conceive spirit possession as a form of communication, of expressivity, of culturally defined behavior that should be understood in the context of local, vernacular theories and empiric reflections. With the aim of reformulating the comparative anthropology of spirit possession, the editors have opened corridors between previously separate areas of research. Together, anthropologists and historians working on several historical periods and in different European, African, South American, and Asian cultural areas attempt to redefine the very concept of possession, freeing it from the Western notion of the self and more clearly delineating it from related matters such as witchcraft, devotion, or mysticism. The book also provides an overview of new research directions, including novel methods of participant observation and approaches to spirit possession as indigenous historiography

Jesus the Healer argues that at least some of the sayings of Jesus in John's gospel - for example, "I and the Father are one" and "I come from the Father" - are quotations from Jesus himself when possessed by and speaking as the spirit of God. This book is a radical new look at Jesus as exorcist and healer.

Bettina E. Schmidt explores experiences usually labelled as spirit possession, a highly contested and challenged term, using extensive ethnographic research conducted in São Paulo, the largest city in Brazil and home to a range of religions which practice spirit possession. The book is enriched by excerpts from interviews with people about their experiences. It focuses on spirit possession in Afro-Brazilian religions and spiritism, as well as discussing the notion of exorcism in Charismatic Christian communities. Spirits and Trance in Brazil: An Anthropology of Religious Experience is divided into three sections which present the three main areas in the study of spirit possession. The first section looks at the social dimension of spirit possession, in particular gender roles associated with spirit possession in Brazil and racial stratification of the communities. It shows how gender roles and racial composition have adapted alongside changes in society in the last 100 years. The second section focuses on the way people interpret their practice. It shows that the interpretations of this practice depend on the human relationship to the possessing entities. The third section explores a relatively new field of research, the Western discourse of mind/body dualism and the wide field of cognition and embodiment. All sections together confirm the significance of discussing spirit possession within a wider framework that embraces physical elements as well as cultural and social ones. Bringing together sociological, anthropological, phenomenological and religious studies approaches, this book offers a new perspective on the study of spirit possession.

The Self Possessed is a multifaceted, diachronic study reconsidering the very nature of religion in South Asia, the culmination of years of intensive research. Frederick M. Smith proposes that positive oracular or ecstatic possession is the most common form of spiritual expression in India, and that it has been linguistically distinguished from negative, disease-producing possession for thousands of years. In South Asia possession has always been broader and more diverse than in the West, where it has been almost entirely characterized as "demonic." At best, spirit possession has been regarded as a medically treatable psychological ailment and at worst, as a condition that requires exorcism or punishment. In South (and East) Asia, ecstatic or oracular possession has been widely practiced throughout history, occupying a position of respect in early and recent Hinduism and in certain forms of Buddhism. Smith analyzes Indic literature from all ages-the earliest Vedic texts; the Mahabharata; Buddhist, Jain, Yogic, Ayurvedic, and Tantric texts; Hindu devotional literature; Sanskrit drama and narrative literature; and more than a hundred ethnographies. He identifies several forms of possession, including festival, initiatory, oracular, and devotional, and demonstrates their multivocality within a wide range of sects and religious identities. Possession is common among both men and women and is practiced by members of all social and caste strata. Smith theorizes on notions of embodiment, disembodiment, selfhood, personal identity, and other key issues through the prism of possession, redefining the relationship between Sanskritic and vernacular culture and between elite and popular religion. Smith's study is also comparative, introducing considerable material from Tibet, classical China, modern America, and elsewhere. Brilliant and persuasive, The Self Possessed provides careful new translations of rare material and is the most comprehensive study in any language on this subject.

Based on intensive ethnographic fieldwork, this book describes and interprets trance behaviour among the Malagasy speakers of Mayotte, a small island in the Comoro Archipelago in the Indian Ocean, off the coast of East Africa. Professor Lambek describes how the people of Mayotte (most often women) enter into trances, during which they believe their bodies are inhabited by spirits. He then analyses the conventions for behaviour in trance and the process by which the individuals come to terms with the spirits in their midst. The book presents thorough case studies of spirit possession over time, providing one of the most detailed accounts of possession phenomena available for a single society. The author argues that trance can best be understood as a social activity within a defined system of cultural meaning rather than as a psychological problem, a simple deception or a means of manipulating others. This book should be of particular interest to those concerned with the study of ritual, symbols and non-Western religious systems.