Speculative Landscapes offers the first comprehensive account of American artists’ financial involvements in and creative responses to the nineteenth-century real estate economy. Examining the dealings of five painters who participated actively in this economy—Daniel Huntington, John Quidor, Eastman Johnson, Martin Johnson Heade, and Winslow Homer—Ross Barrett argues that the experience of property investment exposed artists to new ways of seeing and representing land, inspiring them to develop innovative figural, landscape, and marine paintings that radically reworked visual conventions. This approach moved beyond just aesthetics, however, and the book traces how artists creatively interrogated the economic, environmental, and cultural dynamics of American real estate capitalism. In doing so, Speculative Landscapes reveals how the provocative experience of land investment spurred painters to produce uniquely insightful critiques of the emerging real estate economy, critiques that uncovered its fiscal perils and social costs and imagined spaces outside the regime of private property.

Winner of the 2017 McLaren-Lambart Award for Best Book on the Subject of Animation Studying landscape in cinema isn't quite new; it'd be hard to imagine Woody Allen without New York, or the French New Wave without Paris. But the focus on live-action cinema leaves a significant gap in studying animated films. With the almost total pervasiveness of animation today, this collection provides the reader with a greater sense of how the animated landscapes of the present relate to those of the past. Including essays from international perspectives, Animated Landscapes introduces an idea that has seemed, literally, to be in the background of animation studies. The collection provides a timely counterpoint to the dominance of character (be that either animated characters such as Mickey Mouse or real world personalities such as Walt Disney) that exists within animation scholarship (and film studies more generally). Chapters address a wide range of topics including history, case studies in national contexts (including Australia, Japan, China and Latvia), the traversal of animated landscape, the animation of fantastical landscapes, and the animation of interactive landscapes. Animated Landscapes promises to be an invaluable addition to the existing literature, for the most overlooked aspect of animation.

The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice. This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts.

Introduction -- Land, looking, and futurity in the Hudson Valley -- Digging for gold : allegories of speculation on the Illinois frontier -- Picturing land and labor in the Old Northwest and New England -- Perilous prospects : speculation and landscape painting in Florida -- Painting and property on Prout's Neck -- Conclusion.

Over the past few decades, India has experienced a sudden and spectacular urban transformation. Gleaming business complexes encroach on fields and villages. Giant condominium communities offer gated security, indoor gyms, and pristine pools. Spacious, air-conditioned malls have sprung up alongside open-air markets. In Landscapes of Accumulation, Llerena Guiu Searle examines India’s booming developments and offers a nuanced ethnographic treatment of late capitalism. India’s land, she shows, is rapidly transforming from a site of agricultural and industrial production to an international financial resource. Drawing on intensive fieldwork with investors, developers, real estate agents, and others, Searle documents the new private sector partnerships and practices that are transforming India’s built environment, as well as widely shared stories of growth and development that themselves create self-fulfilling prophecies of success. As a result, India’s cities are becoming ever more inaccessible to the country’s poor. Landscapes of Accumulation will be a welcome contribution to the international study of neoliberalism, finance, and urban development and will be of particular interest to those studying rapid—and perhaps unsustainable—development across the Global South.

From the actions of Europeans in the seventeenth century to the real estate deals of the modern era, people making a living off the land in southern Arizona have been repeatedly robbed of their way of life. History has recorded more than three centuries of speculative failures that never amounted to much but left dispossessed people in their wake. This book seeks to excavate those failures, to examine the new social spaces the schemers struggled to create and the existing social spaces they destroyed. Landscapes of Fraud explores how the penetration of the evolving capitalist world-system created and destroyed communities in the Upper Santa Cruz Valley of Arizona from the late 1600s to the 1970s. Thomas Sheridan has melded history, anthropology, and critical geography to create a penetrating view of greed and power and their lasting effect on those left powerless. Sheridan first examines how OÕodham culture was fragmented by the arrival of the Spanish, telling how autonomous communities moving across landscapes in seasonal rounds were reduced to a mission world of subordination. Sheridan then considers the fate of the Tumac‡cori grant and Baca Float No. 3, another land grant. He tells the unbroken story of land fraud from Manuel Mar’a G‡ndaraÕs purchase of the ÒabandonedÓ Tumac‡cori grant at public auction in 1844 through the bankruptcy of the shady real estate developers who had fraudulently promoted housing projects at Rio Rico during the 1960s and Õ70s. As the Upper Santa Cruz Valley underwent a wrenching transition from a landscape of community to a landscape of fraud, the betrayal of the OÕodham became complete when land, that most elemental form of human space, was transformed from a communal resource into a commodity bought and sold for its future value. Today, Mission Tumac‡cori stands as a romantic icon of the past while the landscapes that supported it lay buried under speculative schemes that continue to haunt our history.

This book argues archaeology is uniquely placed to contribute a variety of perspectives on the current life-cycles of cities including processes of decay, revitalization, and transformation. It foregrounds the materialities of post-industrial, post-modern and other urban transformations through a diverse, international collection of case studies.

Across contemporary Asia, each day dawns with a new story about living in an era of profound environmental change. Rapid transformations in the landscape, society, and technology produce new conflicts that are experienced at nearly every scale of life in the region. Environmental change is marked in square kilometers or micrometers, in cities or in households, within national boundaries and beyond. These changes appear in the form of radical ruptures wrought both by spectacular catastrophes like massive floods or tsunamis and by slow tragedies like the widening epidemic of asthma or the grinding processes of land dispossession. Each of these scales and phenomena reveals what it is to live in disastrous times. This book explores how people across Asia live through and make sense of the environmental ruptures that now shape the region and asks how we might analyze this moment of disruption and risk. Global environmental shifts such as climate change are usually linked to large-scale practices such as industrialization, urbanization, and global capitalism. Here, in contrast, contributors illustrate how understanding the practical, political, and ethical consequences of living in a moment of planetary change—or intervening in its course—requires engaging with the human-scale actions and specific policies that both shape and respond to such transformations at an everyday level. Coastal residents of routinely flooded Semarang, eco-conscious retirees in a Chinese suburb, and cyclists navigating air pollution in Kolkata each experience environmental risk and change in highly situated and specific ways; yet attending to their lived, quotidian experiences enables us to apprehend the complex processes that are profoundly changing the planet. Contributors: Nikolaj Blichfeldt, Vivian Choi, Eli Elinoff, Jenny Elaine Goldstein, Andrew Alan Johnson, Samuel Kay, Lukas Ley, Edmund Joo Vin Oh, Malini Sur, Tyson Vaughan.

Expanding Fields of Architectural Discourse and Practice presents a selection of essays, architectural experiments and works that explore the diversity within the fields of contemporary architectural practice and discourse. Specific in this selection is the question of how and why architecture can and should manifest in a critical and reflective capacity, as well as to examine how the discipline currently resonates with contemporary art practice. It does so by reflecting on the first 10 years of the architectural journal, P.E.A.R. (2009 to 2019). The volume argues that the initial aims of the journal – to explore and celebrate the myriad forms through which architecture can exist – are now more relevant than ever to contemporary architectural discourse and practice. Included in the volume are architectural practitioners, design researchers, artists, architectural theorists, historians, journalists, curators and a paleobiologist, all of whom contributed to the first seven issues of the journal. Here, they provide a unique presentation of architectural discourse and practice that seeks to test new ground while forming distinct relationships to recent, and more longstanding, historical legacies. Praise for Expanding Fields of Architectural Discourse and Practice 'The story told by the authors of this work can thus be considered as the central tool of an architectural transgression.' Critique d’art