Drawing upon theories on the novel in Bakhtin's 'Dialogic Imagination', this book examines nuevo romanticismo through the lens of Russo-Soviet 'littérature engagée.' This study explores the deep connection between Spanish and Russian narratives immediately before and during the Second Republic, as well as themes as relevant today as nearly a century ago.

This book explores the global impact of the Russian Revolution, arguably the most influential revolution of the modern age. It explores how the Revolution influenced political movements on the radical Left and Right across the world and asks whether the Russian Revolution remains relevant today. In Part one, four leading historians debate whether or not the Russian Revolution’s legacy endures today. Part two presents examples of how the Revolution inspired political movements across the world, from Latin America and East Asia, to Western Europe and the Soviet Union. The Revolution inspired both sides of the political spectrum—from anarchists, and leftist radicals who fought for a new socialist reality and dreamed of world revolution, to those who on the far Right who tried to stop them. Part three, an interview with the historian S. A. Smith, gives a personal account of how the Revolution influenced a scholar and his work. This volume shows the complexity of the Russian Revolution in today’s political world. The chapters in this book were originally published as a special issue of the journal Revolutionary Russia.

Mar Soria presents an innovative cultural analysis of female workers in Spanish literature and films. Drawing from nation-building theories, the work of feminist geographers, and ideas about the construction of the marginal subject in society, Soria examines how working women were perceived as Other in Spain from 1880 to 1975. By studying the representation of these marginalized individuals in a diverse array of cultural artifacts, Soria contends that urban women workers symbolized the desires and anxieties of a nation caught between traditional values and rapidly shifting socioeconomic forces. Specifically, the representation of urban female work became a mode of reinforcing and contesting dominant discourses of gender, class, space, and nationhood in critical moments after 1880, when social and economic upheavals resulted in fears of impending national instability. Through these cultural artifacts Spaniards wrestled with the unresolved contradictions in the gender and class ideologies used to construct and maintain the national imaginary. ​ Whether for reasons of inattention or disregard of issues surrounding class dynamics, nineteenth- and twentieth-century Spanish literary and cultural critics have assumed that working women played only a minimal role in the development of Spain as a modern nation. As a result, relatively few critics have investigated cultural narratives of female labor during this period. Soria demonstrates that without considering the role working women played in the construction and modernization of Spain, our understanding of Spanish culture and life at that time remains incomplete.

This transcultural study of cultural production brings to light the ways Spanish literature imagined China by relying on English- and French-language sources. Carles Prado-Fonts examines how the simultaneous dependence on and obscuring of translation in these cross-cultural representations created the illusion of a homogeneous West. He argues that Orientalism became an instrument of hegemony not only between “the West and the rest” but also within the West itself, where Spanish writers used representations of China to connect themselves to Europe, hone a national voice, or forward ideas of political and cultural modernity. Uncovering an eclectic and surprising archive, Prado-Fonts draws on diverse cultural artifacts from popular literature, journalism, and early cinema to offer a rich account of how China was seen across the West between 1880 and 1930. Enrique Gaspar, Luis de Oteyza, Vicente Blasco Ibáñez, and lesser-known authors writing in Spanish and Catalan put themselves in dialogue with Leo Tolstoy, John Dewey, W. Somerset Maugham, Bertrand Russell, Pearl Buck, and André Malraux, as well as stereotypical figures from popular culture like Fu Manchu and Charlie Chan. Throughout, Prado-Fonts exposes translation as a technology of cultural hegemony and China as an appealing object for representation. A timely contribution to our understanding of how we create and consume knowledge about the world, Secondhand China is essential reading for scholars and students of Orientalism, postcolonial studies, translation studies, comparative literature, and cultural studies.

Major-General Lord Andrew Thomas Blayney although previously a successful commander of his own regiment the 89th Regiment of Foot of the British through-out the early stages of the Peninsular war, he is best known for his narrative of events after his capture by Polish forces fighting under the flag of Napoleonic France. Blayney was the leader of an ill-fated Anglo-Spanish force which was assigned the task of attacking from Cadiz toward Malaga, culminating the battle of Fuengirola on 15th October 1810. Outnumbering his Polish foes by a huge margin, a series of unfortunate accidents on the allied side and brave and heroic resistance on the Polish side led to a debacle and his capture. It should be noted that this was far from the only amphibious disaster led by the British in the Peninsular Wars that should throw further perspective on the victories of the main British army under Wellington. Blayney’s narrative along with some idiosyncratic spelling recounts his journey from Andulusia to Verdun in the north-east of France. During his journey from one outpost to another as a paroled prisoner he meets a number of famed French generals, as befitted his rank, such as Sébastiani, Kellermann, Belliard and even Marshal Bessiéres who treat him on the whole well. He winds his way through the countryside, and he tells many tales of the people and surroundings that he finds himself somewhat forcibly journeying through. The main strength of the narrative is the author’s eye to detail and his flair for recounting a tale, along with the real rarity of accounts from the point of view of an English prisoner of war. Published in two volumes this is the first volume.