"Honduras is violent." Adrienne Pine situates this oft-repeated claim at the center of her vivid and nuanced chronicle of Honduran subjectivity. Through an examination of three major subject areas—violence, alcohol, and the export-processing (maquiladora) industry—Pine explores the daily relationships and routines of urban Hondurans. She views their lives in the context of the vast economic footprint on and ideological domination of the region by the United States, powerfully elucidating the extent of Honduras's dependence. She provides a historically situated ethnographic analysis of this fraught relationship and the effect it has had on Hondurans' understanding of who they are. The result is a rich and visceral portrait of a culture buffeted by the forces of globalization and inequality.

More than one hundred fifty years ago, Moravian missionaries first landed along a so-called isolated stretch of Honduras’s Mosquito Coast bordering the western Caribbean Sea. The missionaries were sent, with the strong encouragement of German political leaders and in the context of German attempts at colonization, to “spread the word” of Protestantism in Central America. Upon their arrival, the missionaries employed a three-pronged approach consisting of proselytizing, medical treatment, and education to convert the majority of the indigenous population. Much like the Spanish and English attempts before them, German colonizing efforts in the region never completely took hold. Still, as Benjamin Tillman shows, for the region’s indigenous inhabitants, the Miskito people, the arrival of the Moravian missionaries marked the beginning of an important cultural interface. Imprints on Native Lands documents Moravian contributions to the Miskito settlement landscape in sixty four villages of eastern Honduras through field observations of material culture, interviews with village residents, and research in primary sources in the Moravian Church archives. Tillman employs the resulting data to map a hierarchy of Moravian centers, illustrating spatially varying degrees of Moravian influence on the Miskito settlement landscape. Tillman reinforces Miskito claims to ancestral lands by identifying and mapping their created ethnic landscape, as well as supporting earlier efforts at land-use mapping in the region. This book has broad implications, providing a methodology that will be of help to those with an interest in geography, anthropology, or Latin American studies, and to anyone interested in documenting and strengthening indigenous land claims.

At the time of the Spanish conquest, Honduras was inhabited by two distinct social systems, which defined the boundary between the cultures of Mesoamerica and South America. Each system was administered in a different way, and subsequently the survival of each civilization varied markedly. This study examines the nature of each culture at the time of Spanish conquest, the size of the populations, and the method of colonization applied to each. Particular attention is focused on Spanish economic activities and the institutions that directly affected the Indian way of life. Dr. Newson bases her findings on extensive archival research conducted in Spain, Guatemala, and Honduras and on archaeological, ethnographic, and linguistic evidence found in secondary sources.

Glenn A. Chambers examines the West Indian immigrant community in Honduras through the development of the country's fruit industry, revealing that West Indians fought to maintain their identities as workers, Protestants, blacks, and English speakers in the midst of popular Latin American nationalistic notions of mestizaje, or mixed-race identity.

The #1 New York Times and Wall Street Journal bestseller, named one of the best books of the year by The Boston Globe and National Geographic: acclaimed journalist Douglas Preston takes readers on a true adventure deep into the Honduran rainforest in this riveting narrative about the discovery of a lost civilization -- culminating in a stunning medical mystery. Since the days of conquistador Hernán Cortés, rumors have circulated about a lost city of immense wealth hidden somewhere in the Honduran interior, called the White City or the Lost City of the Monkey God. Indigenous tribes speak of ancestors who fled there to escape the Spanish invaders, and they warn that anyone who enters this sacred city will fall ill and die. In 1940, swashbuckling journalist Theodore Morde returned from the rainforest with hundreds of artifacts and an electrifying story of having found the Lost City of the Monkey God-but then committed suicide without revealing its location. Three quarters of a century later, bestselling author Doug Preston joined a team of scientists on a groundbreaking new quest. In 2012 he climbed aboard a rickety, single-engine plane carrying the machine that would change everything: lidar, a highly advanced, classified technology that could map the terrain under the densest rainforest canopy. In an unexplored valley ringed by steep mountains, that flight revealed the unmistakable image of a sprawling metropolis, tantalizing evidence of not just an undiscovered city but an enigmatic, lost civilization. Venturing into this raw, treacherous, but breathtakingly beautiful wilderness to confirm the discovery, Preston and the team battled torrential rains, quickmud, disease-carrying insects, jaguars, and deadly snakes. But it wasn't until they returned that tragedy struck: Preston and others found they had contracted in the ruins a horrifying, sometimes lethal-and incurable-disease. Suspenseful and shocking, filled with colorful history, hair-raising adventure, and dramatic twists of fortune, THE LOST CITY OF THE MONKEY GOD is the absolutely true, eyewitness account of one of the great discoveries of the twenty-first century.

Photographer Hannes Wallrafen traveled to Honduras seeking reminders and relics of the past, and to record them in remarkable, staged photographs. These scenes he has created provide an unusual way to acquaint us with the past and present of this relatively unknown country. Author Julio Escoto and musician Guillermo Anderson, both acclaimed artists in their native Honduras, were inspired by Wallrafen's photographs to write an accompanying essay and compose the accompanying CD. In combination this book offers a unique evocation of this tropical country. This is an English/Spanish edition.