A memoir of a white official in South Africa’s largest black ‘city’ in the aftermath of the 1976 uprising, Grinker’s Inside Soweto is a revelation. A view from within the ‘system’, too radical for the conservatives and too conservative for the radicals, Inside Soweto came out in 1986, only to be rapidly sold out – and conveniently forgotten. This new, revised edition features an epilogue written by Grinker in 2014. It also contains rare photos from the author’s collection. ‘A very interesting commentary on the situation’ Bowen Northrup, editor, The Wall Street Journal

"Packed with more than 70 of Rachilo's cutting-edge poems mainly about events that unfolded before the world and the country in 1976 and 1977, this collection is like a journey into the past, which many of us would want to forget. Nostalgic Waves from Soweto is quirky, poignant, sardonic, haunting and sometimes just coldly observant. The volume contains striking images of a Soweto known only to those who lived, loved and suffered there. Rose Francis, director of African Perspectives Publishing, which is publishing the volume, believes it will be an invaluable addition to the growing body of literature on Soweto in the 1970s and its multi- facetted but often unknown life and characters. "His poetry is a prism reflecting the life, characters, thoughts and hopes of the time, sometimes from unexpected perspectives," she says. "It is bound to evoke nostalgia in those who knew the Soweto of those days and introduce newcomers to unknown dimensions of this famous, and infamous, township""--Sowetan.

Tells the remarkable story of how jazz became a key part of South Africa's struggle in the 20th century, and provides a fascinating overview of the ongoing links between African and American styles of music. Ansell illustrates how jazz occupies a unique place in South African music.Through interviews with hundreds of musicians, she pieces together a vibrant narrative history, bringing to life the early politics of resistance, the atmosphere of illegal performance spaces, the global anti-apartheid influence of Hugh Masakela and Miriam Makeba, as well as the post-apartheid upheavals in the national broadcasting and recording industries.

Dateline Soweto documents the working lives of black South African reporters caught between the mistrust of militant blacks, police harrassment, and white editors who—fearing government disapproval—may not print the stories these reporters risk their lives to get. William Finnegan revisited several of these reporters during the May 1994 election and describes their post-apartheid working experience in a new preface and epilogue. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995. Dateline Soweto documents the working lives of black South African reporters caught between the mistrust of militant blacks, police harrassment, and white editors who—fearing government disapproval—may not print the stories these reporters risk the

Baragwanath Hospital, Soweto illustrates how this rapidly growing, underfunded but surprisingly effective institution found the niche that allowed it to exist, to provide medical care to a massive patient body and at times even to flourish in the apartheid state. The book offers new ways of exploring the history of apartheid, apartheid medicine and health care. The long history of Chris Hani Baragwanath Hospital (its full current name) or Bara, as it’s popularly known, has been shaped by a complex set of conditions. Established in the early 1940s, Bara stands on land purchased by the Cornish immigrant John Albert Baragwanath in the late nineteenth century. He set up a refreshment post, trading store and hotel on the site – in what is now Soweto – which was a one day journey by ox-wagon from Johannesburg. The hotel became affectionately known as ‘Baragwanath Place’ (the surname is Welsh, from ‘bara’ meaning ‘bread’ and ‘gwenith’ meaning’ wheat’). The land was then bought by Corner House Mining Group and later taken over by Crown Mines Ltd. but was never mined. The British government bought the land in the early 1940s to build a military hospital but by 1947, Baragwanath ceased to operate as a military hospital and under the auspices of the Transvaal Provincial Administration a civilian hospital was opened with 480 beds. Patients were transferred from the ‘non-European’ wing of the Johannesburg General Hospital in the ‘white’ area of Johannesburg. Links were immediately forged with the University of the Witwatersrand and Bara would over time become one of its largest teaching centres. This link brought medical students and their teachers into direct contact with apartheid in the medical sphere. This book will contribute to studies of the history of apartheid that have begun to provide a more nuanced account of its workings. The history of Baragwanath and of the doctors and nurses who worked there tells us much about apartheid ideology and practice, as well as resistance to it, in the realm of health care.

This is a book about Soweto from inside and out. It is an effort to mark a century since the first forced removals of black Africans from central Johannesburg to the banks of the Klipspruit River. It is also in recognition of the limited books available on a world-famous city. A wide variety of writers have contributed: Sowetan experts with views from inside the township as well as interested outsiders who are peering in. Contributors include writers from publications as varied as Drum, Sowetan, Mail & Guardian, Time magazine, The Economist, The Independent and New York Times.

The Soweto uprising was a true turning point in South Africa’s history. Even to contemporaries, it seemed to mark the beginning of the end of apartheid. This compelling book examines both the underlying causes and the immediate factors that led to this watershed event. It looks at the crucial roles of Black Consciousness ideology and nascent school-based organizations in shaping the character and form of the revolt. What began as a peaceful and coordinated demonstration rapidly turned into a violent protest when police opened fire on students. This short history explains the uprising and its aftermath from the perspective of its main participants, the youth, by drawing on a rich body of oral histories.

When the Soweto uprisings of June 1976 took place, Sifiso Mxolisi Ndlovu, the author of this book, was a 14-year-old pupil at Phefeni Junior Secondary School. With his classmates, he was among the active participants in the protest action against the use of Afrikaans as a medium of instruction. Contrary to the generally accepted views, both that the uprisings were ‘spontaneous’ and that there were bigger political players and student organisations behind the uprisings, Sifiso’s book shows that this was not the case. Using newspaper articles, interviews with former fellow pupils and through his own personal account, Sifiso provides us with a ‘counter-memory’ of the momentous events of that time. This is an updated version of the book first published by Ravan Press in 1998. New material has been added, including an introduction to the new edition, as well as two new chapters analyzing the historiography of the uprisings as well as reflecting on memory and commemoration as social, cultural and historical projects.

This book provides the reader with a comprehensive view of Matsemela Manaka's plays, namely, Egoli, Pula, Children of Asazi, Toro, and Goree and discusses three of his essays: 'Theatre of the dispossessed', 'The Babalaz people', and 'Theatre as a physical word'.

Soweto Story is the compelling tale of the trials and tribulations of the Khumalo family that took place during the terrible years of apartheid in South Africa, before the release of Nelson Mandela in February 1990. It is the story of South Africa, in which the colour of one’s skin determined one’s destiny. The Khumalo family represents all the families who were on the brutal receiving end of consecutive ruthless National Party governments that did not hesitate to silence dissent, be it from children or adults, who suffered jailing, torture, and even murder. Author Oswald Brandt says, “This is my first book, which I self-published over 20 years ago. I do plan to write about my own experiences and how I survived the brutal regime to be still alive to tell the tale.”