Southern Revenge is the Civil War history of Chambersburg, Pennsylvania, the only Northern town burned by the Confederates. This unique story is told appropriately through not only modern scholarship, but also through rare photographs, diary accounts, and period newspaper articles which let the victims speak for themselves.Chambersburg, a quiet farming community near the Maryland border, was truly the crossroads of destiny. The home of the Cumberland Valley Railroad, that progressive community had much to offer the war effort.To give but one example, the railroad system provided a much needed supply route that could be used by either army.

By spring 1864, the administration of Abraham Lincoln was in serious trouble, with mounting debt, low morale and eroding political support. As spring became summer, a force of Confederate troops led by Lieutenant General Jubal Anderson Early marched north through the Shenandoah Valley and crossed the Potomac as Washington, D.C., and Maryland lay nearly undefended. This Civil War history explores what could have been a decisive Confederate victory and the reasons Early's invasion of Maryland stalled.

Winner of the 2020 Dashiell Hammett Award for Literary Excellence in Crime Writing Acclaimed author and "remarkably gifted storyteller" (The Charlotte Observer) David Joy returns with a fierce and tender tale of a father, an addict, a lawman, and the explosive events that come to unite them. When his addict son gets in deep with his dealer, it takes everything Raymond Mathis has to bail him out of trouble one last time. Frustrated by the slow pace and limitations of the law, Raymond decides to take matters into his own hands. After a workplace accident left him out of a job and in pain, Denny Rattler has spent years chasing his next high. He supports his habit through careful theft, following strict rules that keep him under the radar and out of jail. But when faced with opportunities too easy to resist, Denny makes two choices that change everything. For months, the DEA has been chasing the drug supply in the mountains to no avail, when a lead--just one word--sets one agent on a path to crack the case wide open . . . but he'll need help from the most unexpected quarter. As chance brings together these men from different sides of a relentless epidemic, each may come to find that his opportunity for redemption lies with the others.

Hollywood films have been influential in the portrayal and representation of race relations in the South and how African Americans are cinematically depicted in history, from The Birth of a Nation (1915) and Gone with the Wind (1939) to The Help (2011) and 12 Years a Slave (2013). With an ability to reach mass audiences, films represent the power to influence and shape the public's understanding of our country's past, creating lasting images—both real and imagined—in American culture. In Southern History on Screen: Race and Rights, 1976–2016, editor Bryan Jack brings together essays from an international roster of scholars to provide new critical perspectives on Hollywood's relationships between historical films, Southern history, identity, and the portrayal of Jim Crow–era segregation. This collection analyzes films through the lens of religion, politics, race, sex, and class, building a comprehensive look at the South as seen on screen. By illuminating depictions of the southern belle in Gone with the Wind, the religious rhetoric of southern white Christians and the progressive identity of the "white heroes" in A Time to Kill (1996) and Mississippi Burning (1988), as well as many other archetypes found across films, this book explores the intersection between film, historical memory, and southern identity.

This book offers an original assessment of the ways in which the sociocultural code of blood revenge and its modern remnants shape irregular warfare. Despite being a common driver of communal violence, blood revenge has received little attention from scholars. With many civil wars and insurgencies occurring in areas where the custom lingers, strengthening our understanding of blood revenge is essential for discerning how conflicts change and evolve. Drawing upon extensive multidisciplinary evidence, this book is the first in the literature on civil war and insurgency to analyse the impact of blood revenge and its modern remnants on irregular warfare. Even when blood revenge undergoes erosion, its unregulated version still shapes the social fabric of insurgency, although in different ways than its institutionalised counterpart. At times of political instability, the presence of a culture of retaliation weighs heavily on the dynamics of violent mobilisation, target selection, recruitment, and disengagement. This book brings in evidence from dozens of conflicts, providing unprecedented insights into how a better understanding of blood revenge can improve military blueprints for irregular warfare. This book will be of much interest to students of insurgency, terrorism, military and strategic studies, anthropology, and sociology, as well as to decision-makers and irregular warfare professionals.

What does "redneck" mean? What's going to happen to the southern accent? What makes black southerners laugh? What is "real" country music? These are the kinds of questions that pop up in this collection of notable essays from Southern Cultures, the journal of the Center for the Study of the American South at the University of North Carolina at Chapel Hill. Intentionally plural, Southern Cultures was founded in 1993 to present all sides of the American South, from sorority sisters to Pocahontas, from kudzu to the blues. This volume collects 27 essays from the journal's first fifteen years, bringing together some of the most memorable and engaging essays as well as some of those most requested for use in courses. A stellar cast of contributors discusses themes of identity, pride, traditions, changes, conflicts, and stereotypes. Topics range from black migrants in Chicago to Mexican immigrants in North Carolina, from Tennessee wrestlers to Martin Luther King, from the Civil War to contemporary debates about the Confederate flag. Funny and serious, historical and contemporary, the collection offers something new for every South-watcher, with fresh perspectives on enduring debates about the people and cultures of America's most complex region. Contributors: Derek H. Alderman, East Carolina University Donna G'Segner Alderman, Greenville, North Carolina S. Jonathan Bass, Samford University Dwight B. Billings, University of Kentucky Catherine W. Bishir, Preservation North Carolina Kathleen M. Blee, University of Pittsburgh Elizabeth Boyd, Vanderbilt University James C. Cobb, University of Georgia Peter A. Coclanis, University of North Carolina at Chapel Hill Joseph Crespino, Emory University Drew Gilpin Faust, Harvard University franklin forts, University of Georgia David Goldfield, University of North Carolina at Charlotte Larry J. Griffin, University of North Carolina at Chapel Hill Adam Gussow, University of Mississippi Trudier Harris, University of North Carolina at Chapel Hill Patrick Huber, University of Missouri-Rolla Louis M. Kyriakoudes, University of Southern Mississippi Melton McLaurin, University of North Carolina at Wilmington Michael Montgomery, University of South Carolina Steve Oney, Los Angeles, California Theda Perdue, University of North Carolina at Chapel Hill Dan Pierce, University of North Carolina at Asheville John Shelton Reed, University of North Carolina at Chapel Hill Mart Stewart, Western Washington University Thomas A. Tweed, University of North Carolina at Chapel Hill Timothy B. Tyson, Duke University Anthony Walton, Bowdoin College Harry L. Watson, University of North Carolina at Chapel Hill Charles Reagan Wilson, University of Mississippi C. Vann Woodward (1908-1999)

In the world of random dancing ghosts, the modern youth, Xiao Yang, was inadvertently brought into this world by a black hole. In this world where the strong were like trees, how could he survive? Once, by chance, he found out that he had the same devouring ability as the black hole, and he felt embarrassed that the world was mine ...

In Jubal Early: Robert E. Lee’s Bad Old Man, a new critical biography of Confederate Lieutenant General Jubal Anderson Early, Civil War historian B.F. Cooling III takes a fresh look at one of the most fascinating, idiosyncratic characters in the pantheon of Confederate heroes and villains. Dubbed by Robert E. Lee as his "bad old man" because of his demeanor, Early was also Lee's chosen instrument to attack and capture Washington as well as defend the Shenandoah Valley granary in the summer and fall of 1864. Neither cornered nor snared by Union opponents, Early came closest of any Confederate general to capturing Washington, ending Lincoln's presidency, and forever changing the fate of the Civil War and American history. His failure to grapple with this moment of historical immortality and emerge victorious bespeaks as much his own foibles as the counter-efforts of the enemy, the effects of weather and the shortcomings of his army. From the pinnacle of success, Jubal Early descended to the trough of defeat within three months when opponent General Philip Sheridan resoundingly defeated him in the Valley campaign of 1864. Jubal Early famously exhibited a harder, less gallant personal as a leading Confederate practitioner of "hard" or destructive war, a tactic usually ascribed to Union generals Hunter, Sheridan, and Sherman. An extortionist of Yankee capital in northern towns in Pennsylvania and Maryland—typically in the form of tribute—Early also became forever associated with the wanton destruction of Chambersburg, Pennsylvania, as well as Congressman Thaddeus Stevens private commerical ironworks, and the private dwellings of Maryland governor Augustus Bradford and then Postmaster General Montgomery Blair. How war hardened a crabbed, arthritically hobbled but brilliantly pragmatic soldier and lawyer offers one of the most fascinating puzzles of personality in Civil War history. One of the most alluring yet repellent figures of Southern Confederate history, Jubal Early would devolve from the ideal prewar constitutional unionist to the postwar personification of the unreconstructed rebel and progenitor of the “lost cause” explanation for the demise of the Confederacy's experiment in rebellion or independence. This critical study explains how one of Virginia's loyal sons came through war and peace to garner a unique position in the Confederacy's pantheon of heroes—and the Union’s cabal of military villains. Jubal Early: Robert E. Lee’s Bad Old Man will appeal to anyone interested in Civil War history and Confederate history.