Southeast Asia is known to many as a region teeming with tourist destinations, economic opportunities and ex-colonies, but a lesser known facet is its colourful and myriad cultures in which ceramics form an integral part of the social fabric. Focusing primarily on the Classical Period (800-1500 CE), this book views ancient Southeast Asian culture through the lens of ceramic production and trade, influenced but not completely overshadowed by its powerful neighbour, China. In this landmark publication, noted archaeologist and scholar John N. Miksic constructs a vivid picture of the development of Southeast Asia's unique ceramics. Along with three contributing authors - Pamela M. Watkins, Dawn F. Rooney and Michael Flecker - he summarizes the fruits of their research over the last forty years, beginning in Singapore with the founding of the Southeast Asian Ceramic Society in 1969. The result is a comprehensive and insightful overview of the technology, aesthetics and organization, both economic and political, of seemingly diverse territories in pre-colonial Southeast Asia. It is essential reading for all those with an interest in the economic history of the region, and also for anyone who seeks a better understanding of the brilliant but too often underestimated material culture of Southeast Asia.

This book provides an introduction to the glazed ceramic traditions of Thailand, Cambodia, and Vietnam - their origins and distinctive stylistic and technical character - as well as a presentation of 313 fine pieces from the Collection of the Art Gallery of South Australia.

"China has a flourishing maritime trade since antiquity. The collection of Ambassador and Mrs Charles Muller, which they began assembling between 1970 and 1973, when the ambassador was stationed in Indonesia, includes around three hundred pieces of Chinese export ceramics manufactured for the South-East Asian market and dating from the first to the seventeenth century, among which is an assortment of rare "Swallow" porcelain. This exceptional collection ws bequeathed to the Baur Foundation and underlines the broad variety of Chinese cermaics, ranging from the solid stoneware of the first century to the translucent and celadon stoneware of the Song and Yuan periods (9th-14th c.) and the "blue and white" ware of the Yuan and Ming dynasties (14th-17th c.)." --Book Jacket.

The Kamratan Collection is one of the very few private collections of Khmer wares in Asia, and is noteworthy both in terms of quality and quantity. More than 130 pieces are illustrated in this book.

This volume offers a baseline of information on what is known of earthenware across Southeast Asia and aims to provide new understandings of subjects including the origins of the prehistoric tripod vessels of the Malayan Peninsula and the role of earthenware from a kiln site in southern Thailand.

Shipwrecks discovered throughout Southeast Asia and the precious cargoes they contain represent

"Features Chinese porcelains exported to Europe, Southeast Asia, and the Middle East between the fourteenth and nineteenth centuries, with color photographs, item descriptions, and information about the original owners for each item"--OCLC

This new edition of Roxanna Brown's pioneering study has been extensively updated to reflect new developments and discoveries including a large number of new color and black-and-white photographs, line drawings, and maps. Like its predecessor, it covers in depth Vietnamese ceramics, Go-Sank kilns, Khmer wares, Sukhothai and Sawankhalok kilns, Northern and other Thai kilns, and Burmese ceramics.