(Harp). Feelin' groovy? Sylvia Woods' spiffy collection of 40 songs from the 1960s will inspire you to put on your embroidered bell-bottoms and wear some flowers in your hair. Some of the pieces can be played by beginning harp players, but most are at advanced beginner to intermediate levels. Fingerings, lyrics and chord symbols are included. Pieces are in C or sharp keys, and can be played on either lever or pedal harp. About half of the songs do not have any lever changes within the pieces. 96 pages, spiral-bound. Includes TV and movie themes, and music by: Burt Bacharach and Hal David; Bob Dylan; Tony Hatch; Justin Hayward; Mick Jagger and Keith Richards; Gerard Marsden; John Phillips; Nino Rota; John Sebastian; Paul Simon; Jerry Jeff Walker; Brian Wilson; and more. Includes songs made popular by: The Animals; The Association; The Beach Boys; Jimmy Clanton; Petula Clark; Judy Collins; Donovan; Bob Dylan; The Fifth Dimension; Jerry and the Pacemakers; The Lovin' Spoonful; Joni Mitchell; The Moody Blues; The Nitty Gritty Dirt Band; Peter, Paul and Mary; Elvis Presley; The Rolling Stones; Simon and Garfunkel; The Turtles; Dionn Warwick; The Youngbloods; and others. Playable on lever harps and pedal harps.

Comprehenseive guide to the music of the 1960s.

From his childhood in 1950s Glasgow, when he was affectionately known to his older brothers as ‘the wee bastard’, to his wildnerness years as an accountant when he longed to achieve his dream and join the BBC, Tracks of My Years tells the story of Ken Bruce's remarkable career. Starting work for Radio Scotland in 1977, he was soon interviewing legends like Sean Connery, Billy Connolly and Peter Ustinov, and in the eighties was lured to Radio 2 to take over Terry Wogan’s spot. He has been with the station ever since. Ken writes with insight into the world of radio and delivers lots of brilliant anecdotes from his interviews with celebrities as diverse as Rod Stewart, Keane and Burt Bacharach, who came out with the immortal line (edited out of the final version) “Phil Spector never put a foot wrong,” before adding thoughtfully, “until he shot that girl, of course.” He also writes about bringing up his autistic son and – unusually – the happiness it brings him and his wife and the many positives of what is so often portrayed as a heartbreaking situation.

The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, Sound Commitments, examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts. Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.

This is a completely new, revised, updated and expanded book: Sounds From the 60s - takes you behind the scenes with the stars of rock n' roll, pop, blues and jazz at two of the top Northern UK clubs, Club 60 & The Esquire, owned by Terry Thornton. This is a fascinating and unique account of life behind the scenes during the 1960s in the great industrial city of Sheffield, when a musty old beer cellar helped stage a remarkable revival of popular music, and provided a unique live showcase and platform for a host of top British and international performers - including many notable up and coming local young stars! They included: - Joe Cocker, Dave Berry & The Cruisers, Zoot Money, Frank White, Jimmy Crawford & The Coasters, Eric Clapton, Rod Stewart, Elton John, Alan Price & The Animals, Georgie Fame, Graham Bond, Screaming Lord Sutch & The Savages, Long John Baldry, John Lee Hooker, Sonny Boy Williamson, Sister Rosetta Tharpe, Frankenstein & The Monsters, Johnny Dark & The Midnighters, The Walker Brothers, The Kinks...and many more...This revised book also includes dozens of rare, exclusive and nostalgic photographs of the stars actually performing at the clubs during a seven-year period, together with a host of exclusive stories and pictures of the many regular club members and supporters from that era.

Everything you wanted to know about one hit wonders. Packed with information, interviews with the one hit heroes and snippets of lyrics from those songs everyone loves to hate, this is the perfect book about this very special element of pop culture.

Everything changed in the Sixties, not least music. At the heart of this mesmerizing decade was the electric guitar. Bent, distorted, reverbed and overloaded, its sound drove some of the most revolutionary music ever made. This colorful book, decked out with 340 color photos and four fold-out spreads, traces the guitars, players and music of the '60s year by year - from folk-rock to surf to psychedelia, plus jazz, blues and country. A special section features The Beatles and their influential axes.