Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during a seventh-century cultural and educational program aimed at creating a society unified in the Nicene faith, built on twin pillars of church and kingdom. Led by Isidore of Seville and subsequent generations of bishops, this cultural renewal effort began with a project of clerical education, facilitated through a distinctive culture of textual production. Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to promote the goals of this cultural renewal. Through extensive reworking of the Old Testament, the creators of the chant texts fashioned scripture in ways designed to teach biblical exegesis, linking both to patristic traditions--distilled through the works of Isidore of Seville and other Iberian bishops--and to Visigothic anti-Jewish discourse. Through musical rhetoric, the melodies shaped the delivery of the texts to underline these messages. In these ways, the chants worked toward the formation of individual Christian souls and a communal Nicene identity. Examining the crucial influence of these chants, Songs of Sacrifice addresses a plethora of long-debated issues in musicology, history, and liturgical studies, and reveals the potential for Old Hispanic chant to shed light on fundamental questions about how early chant repertories were formed, why their creators selected particular passages of scripture, and why they set them to certain kinds of music.

Preliminary Material -- Provenance -- Form, Content, and Function -- Angelology -- The Heavenly Temple -- The Qumran Context of the Sabbath Shirot -- Provenance - Notes -- Form, Content, and Function - Notes -- Angelology - Notes -- The Heavenly Temple - Notes -- The Qumran Context of the Sabbath Shirot - Notes -- 4Q400: Text and Commentary -- 4Q401: Text and Commentary -- 4Q402: Text and Commentary -- Masada Shirshabb: Text and Commentary -- 4Q403: Text and Commentary -- 4Q404: Text and Commentary -- 4Q405: Text and Commentary -- 4Q406: Text and Commentary -- 4Q407: Text and Commentary -- llQshirshabb: Text and Commentary -- Concordance -- Numeration of Manuscripts and Fragments -- Bibliography of Works Cited.

Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to help build a society unified in the Nicene faith.

As the harsh winds hold the Greek fleet trapped in the straits at Aulis waiting to sail toTroy, frustration and political impotence turn into a desire for the blood of a young and innocent woman.

Choral collection for the adult choir, arranged in SATB format.

"A scintillating debut from a major new voice in fiction, alive with music, sex, and fame, Songs in Ursa Major is a love story set in 1969 at the crossroads of rock and folk, for fans of Daisy Jones & The Six"--

640 hymns and songs, numbers 1 - 640.

Sinner’s Creed is the uncensored memoir of Scott Stapp, Grammy Award–winning leader of the multiplatinum rock band CREED. During CREED’s decade of dominance and in the years following the band’s breakup, Scott struggled with drugs and alcohol, which led not only to a divorce, but also to a much-publicized suicide attempt in 2006. Now clean, sober, and in the midst of a highly successful solo career, Scott has finally come full circle—a turnaround he credits to his renewed faith in God. In Sinner's Creed, Scott shares his story for the first time—from his fundamentalist upbringing, the rise and fall of CREED, and his ongoing battle with addiction, the rediscovery of his faith, and the launch of his solo career. The result is a gripping memoir that is proof positive that God is always present in our lives, despite the colossal mess we sometimes make of them.

This revised, expanded edition of the Common Worship President’s Edition contains everything to celebrate Holy Communion Order One throughout the church year. It combines relevant material from the original President’s Edition with Eucharistic material from Times and Seasons, Festivals and Pastoral Services, and the Additional Collects.

(Piano/Vocal/Guitar Songbook). 40 of the hottest country hits from the decade in arrangements for piano, voice and guitar. Songs include: American Honey (Lady Antebellum) * Blue Ain't Your Color (Keith Urban) * Broken Halos (Chris Stapleton) * Cruise (Florida Georgia Line) * Drinkin' Problem (Midland) * Homesick (Kane Brown) * If I Die Young (The Band Perry) * Marry Me (Thomas Rhett) * Ridin' Roads (Dustin Lynch) * Stuck like Glue (Sugarland) * Tin Man (Miranda Lambert) * Wanted (Hunter Hayes) * Yours (Russell Dickerson) * and more.