Set in an African village, this follow-up to the Man Booker Prize–winning novel is “sometimes whimsical, sometimes bawdy . . . Fraught with wild visions” (The Times). “All is not well in the African village where Azaro lives. The child narrator of poet and novelist Okri’s The Famished Road, who had outwitted death in the previous book, again relates the oppressive events that continue to plague his village and his family. While political factionalization shatters the community's cohesiveness, the prodigious bar owner Madame Koto, chief exponent of the ‘Party of the Rich,’ alternately exudes portentous metaphysical malaise and miraculous erotic force. Little Azaro, himself touched and distracted by a series of animuses, follows the heels of ‘dad,’ who is a resounding vessel, by turns, of cantankerous egotism and abased self-sacrifice. This Nigerian epic reveals a violent provincial world, opaque with magical spirits which place horrendous ethical demands on fragile and fickle humanity, as if to test each individual for a thread of virtuous constancy at the core. Events drench the essentially linear narrative with all the ruthless sensuousness of a tropical storm, and Okri’s prose is lucid and deft.” —Publishers Weekly “Okri conjures up the fabulous with the same ease as he affectingly details the ways of the human spirit in a lovingly evoked African setting teeming with life—both real and mythic . . . Stunning.” —Kirkus Reviews “Once again we’re bedazzled and bedeviled by Okri’s phantasmagoric prose and the strange and wondrous sensibility of Azaro, a spirit-child living in a poor African village.” —Booklist “Both a love story and an account of the political turmoil between the parties of Rich and Poor.” —The Independent “Passages of extraordinary beauty . . . Okri paints a convincing surrealist picture.” —The Sunday Times

In Enchantment, Orson Scott Card works his magic as never before, transforming the timeless story of Sleeping Beauty into an original fantasy brimming with romance and adventure. The moment Ivan stumbled upon a clearing in the dense Carpathian forest, his life was forever changed. Atop a pedestal encircled by fallen leaves, the beautiful princess Katerina lay still as death. But beneath the foliage a malevolent presence stirred and sent the ten-year-old Ivan scrambling for the safety of Cousin Marek's farm. Now, years later, Ivan is an American graduate student, engaged to be married. Yet he cannot forget that long-ago day in the forest—or convince himself it was merely a frightened boy’s fantasy. Compelled to return to his native land, Ivan finds the clearing just as he left it. This time he does not run. This time he awakens the beauty with a kiss . . . and steps into a world that vanished a thousand years ago. A rich tapestry of clashing worlds and cultures, Enchantment is a powerfully original novel of a love and destiny that transcend centuries . . . and the dark force that stalks them across the ages.

Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summary presentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith."

A girl searches for a killer on an island where deadly sirens lurk just beneath the waves in this “twisty, atmospheric story that grips readers like a siren song” (Publishers Weekly, starred review). The sea holds many secrets. Moira Alexander has always been fascinated by the deadly sirens who lurk along the shores of her island town. Even though their haunting songs can lure anyone to a swift and watery grave, she gets as close to them as she can, playing her violin on the edge of the enchanted sea. When a young boy is found dead on the beach, the islanders assume that he’s one of the sirens’ victims. Moira isn’t so sure. Certain that someone has framed the boy’s death as a siren attack, Moira convinces her childhood friend, the lighthouse keeper Jude Osric, to help her find the real killer, rekindling their friendship in the process. With townspeople itching to hunt the sirens down, and their own secrets threatening to unravel their fragile new alliance, Moira and Jude must race against time to stop the killer before it’s too late—for humans and sirens alike.

The Infinite Longing for Home is a groundbreaking study of Ben Okri's and K.S. Maniam's literary problematization of 'home' in relation to subjectivity and the nation within and beyond the context of Nigeria and Malaysia. Drawing on Lacan, Zizek, Laclau and Mouffe, and weaving through history, politics, philosophy and literature, this book critically examines the motives and means by which peoples forced to live together in a country love and hate each other, and overlook the truths about themselves, their actions and beliefs. It looks into why some embrace heterogeneity and open-endedness while others are internally compelled to over-identify passionately with their religion and race, and to posit theirs as irreducibly distinct from and superior to others'. The Infinite Longing for Home also traces through Okri's and Maniam's writings a way out of today's political aporia, a path to the re-creation of a new society humbled and unified by the recognition of its participation in flawed humanity.

In Bird Songs, ornithologist Les Beletsky profiles 250 birds alongside colorful illustrations, and includes a digital audio player that provides the corresponding song for each of the 250 birds. Drawing from the collection of the world-renowned Macaulay Library at the Cornell Lab of Ornithology, Bird Songs presents the most notable North American birds—including the rediscovered ivory-billed woodpecker—in a stunning format. Renowned ornithologist Les Beletsky provides a succinct description of each of the 250 birds profiled, with an emphasis on their distinctive songs. Lavish full-color illustrations accompany each account, while a sleek, built-in digital audio player holds 250 corresponding songs and calls. In his foreword, North American bird expert and distinguished natural historian Jon L. Dunn shares insights gained from a lifetime of passionate study. Complete with the most up-to-date and scientifically accurate information, Bird Songs is the first book to capture the enchantment of these beautiful birds in words, pictures, and song.

In this gorgeous standalone fantasy with a “sweet sapphic romance” (Booklist), a young musician sets out to expose her rival for illegal use of magic only to discover the deception goes deeper than she could have imagined—perfect for fans of An Enchantment of Ravens! Music runs in Sofi’s blood. Her father is a Musik, one of only five musicians in the country licensed to compose and perform original songs. In the kingdom of Aell, where winter is endless and magic is accessible to all, there are strict anti-magic laws ensuring music remains the last untouched art. Sofi has spent her entire life training to inherit her father’s title. But on the day of the auditions, she is presented with unexpected competition in the form of Lara, a girl who has never before played the lute. Yet somehow, to Sofi’s horror, Lara puts on a performance that thoroughly enchants the judges. Almost like magic. The same day Lara wins the title of Musik, Sofi’s father dies, and a grieving Sofi sets out to prove Lara is using illegal magic in her performances. But the more time she spends with Lara, the more Sofi begins to doubt everything she knows about her family, her music, and the girl she thought was her enemy. As Sofi works to reclaim her rightful place as a Musik, she is forced to face the dark secrets of her past and the magic she was trained to avoid—all while trying not to fall for the girl who stole her future.

Songs for the Spirits examines the Vietnamese practice of communing with spirits through music and performance. During rituals dedicated to a pantheon of indigenous spirits, musicians perform an elaborate sequence of songs--a "songscape"--for possessed mediums who carry out ritual actions, distribute blessed gifts to disciples, and dance to the music's infectious rhythms. Condemned by French authorities in the colonial period and prohibited by the Vietnamese Communist Party in the late 1950s, mediumship practices have undergone a strong resurgence since the early 1990s, and they are now being drawn upon to promote national identity and cultural heritage through folklorized performances of rituals on the national and international stage. By tracing the historical trajectory of traditional music and religion since the early twentieth century, this groundbreaking study offers an intriguing account of the political transformation and modernization of cultural practices over a period of dramatic and often turbulent transition. An accompanying DVD contains numerous video and music extracts that illustrate the fascinating ways in which music evokes the embodied presence of spirits and their gender and ethnic identities.

Calwyn has never been beyond the high ice-wall that guards the sisters of Antaris from the world of Tremaris. She knows only the rounds of her life as a novice ice priestess, tending her bees, singing her ice chantments, and dreaming. But then Calwyn befriends Darrow, a mysterious Outlander who appears inside the Wall and warns of an approaching danger. To help Darrow, to see the world, and perhaps to save it, Calwyn will leave the safety of the Wall for a journey with a man she barely knows--and an adventure as beautiful and dangerous as the music of chantment itself.

A New Yorker Best Book of the Year A New York Times Book Review Editor’s Choice A Must-Read at People, Entertainment Weekly, Nylon, and LitHub “Stylish, reckless . . . Glittering.” —Molly Young, The New York Times A power ballad to female friendship, Girls They Write Songs About is a thrumming, searching novel about the bonds that shape us more than any love affair. We moved to New York to want undisturbed and unchecked. And what did we want? New York, 1997. As the city’s gritty edges are being smoothed into something safer and shinier, two aspiring writers meet at a music magazine. Rose—brash and self-possessed—is a staff writer. Charlotte—hesitant, bookish—is an editor. First wary, then slowly admiring, they recognize in each other an insatiable and previously unmatched ambition. Soon they’re inseparable, falling into the kind of friendship that makes every day an adventure, and makes you believe that you will, of course, achieve extraordinary things. Together, Charlotte and Rose find love and lose it; they hit their strides and stumble; they make choices and live past them. They say to each other, “Don’t ever leave me.” It’s their favorite joke, but they know that they could never say a truer thing. But then the steady beats of their sisterhood fall out of sync. They have seen each other through so much—marriage, motherhood, divorce, career glories and catastrophes, a million small but necessary choices. What will it mean if they have to give up dreaming together? That the friendship that once made them sing out now shuts them down? And even if they can reconcile themselves to the lives they’ve chosen, can they make peace with the ones they didn’t? As smart and comic as it is gloriously exuberant, Carlene Bauer’s Girls They Write Songs About takes a timeless story and turns it into a pulsing, wrecking, clear-eyed tale of two women reckoning with the loss of the friendship that helped define them, and the countless ways all the women they’ve known have made them who they are.