• Explains the Dark Man phenomenon through centuries-old folklore and mythology, testimony from British witch trials, and modern accounts • Challenges the simplistic concept of the Devil as “evil,” explaining how encounters with this entity can reveal one’s life purpose and how the Dark Man can be an initiator into witchcraft • Presents interviews with those who have witnessed the Dark Man firsthand, offering insights into how he can serve as a guide to a more positive life From the fortean phantoms that terrorized Victorian England to the haunted crossroads of the Irish hinterlands, the Devil—also known as the Dark Man—has found countless novel ways to influence culture and bring us face to face with our fears. Tracing this enigmatic entity through the centuries via mythology, folklore, occult writings, and modern accounts, Darragh Mason shows how the Dark Man is more than just a myth: he is a real presence in our world. Drawing on Irish manuscripts dating back to the 12th century, testimony from 17th-century Scottish witches, his own experiences, and interviews with contemporary witches and mystics, Mason builds the case for the pattern of the Dark Man phenomenon, showing what his presence can mean, what it’s like for those who experience him, and how his appearance serves as a calling to the path of witchcraft. In doing so, Mason challenges conventional understandings of the Dark Man as an evil presence, emphasizing his role in questioning authority and liberating individuals from the confines of strict social convention. He shows how the Dark Man’s presence serves as a potent illustrator of the battles between light and dark. But, Mason emphasizes, these stories of the Dark Man are not necessarily just folktales. Sharing a series of interviews with contemporary figures, including Orion Foxwood and Peter Grey, who speak of the nature of this spirit and their experiences with him, the author illustrates how encounters with the Dark Man can challenge you to make changes—often painful ones—and how if you meet his challenges, you may be bestowed with mystical gifts and initiated into witchcraft. Ultimately, Mason shows how the Dark Man may be a liberating figure: if one faces him and moves beyond the fear, he can open the door to a richer, more fulfilling, and more magical life.

“One of the best literary works of this year” (Miami Herald-Tribune): The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical. As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can’t begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history. Renowned director Julie Taymor picked playwright Glen Berger to cowrite the book for a $25 million Spider-Man musical. Together—along with U2’s Bono and Edge—they would shape a work that was technically daring and emotionally profound, with a story fueled by the hero’s quest for love…and the villains’ quest for revenge. Or at least, that’s what they’d hoped for. But when charismatic producer Tony Adams died suddenly, the show began to lose its footing. Soon the budget was ballooning, financing was evaporating, and producers were jumping ship or getting demoted. And then came the injuries. And then came word-of-mouth about the show itself. What followed was a pageant of foul-ups, falling-outs, ever-more harrowing mishaps, and a whole lot of malfunctioning spider legs. This “circus-rock-and-roll-drama,” with its $65 million price tag, had become more of a spectacle than its creators ever wished for. During the show’s unprecedented seven months of previews, the company’s struggles to reach opening night inspired breathless tabloid coverage and garnered international notoriety. Through it all, Berger observed the chaos with his signature mix of big ambition and self-deprecating humor.

Where do you end up when you have nowhere to go, and no one to turn to? Paul isn't thinking clearly. He's destroying everything that's important to him, and when he finally hurts the one person he cares about most, he runs away . . . An extraordinary and heart-rending story of love, betrayal, addiction and hope.

A monumentally devastating plague leaves only a few survivors who, while experiencing dreams of a battle between good and evil, move toward an actual confrontation as they migrate to Boulder, Colorado.

Before you watch the upcoming Netflix series, read the original novels from J. M. Lee (The Dark Crystal: Age of Resistance) that intertwine with the events of the series. Kylan of Sami Thicket is a skilled song teller, but singing the tales of long-gone heroes won’t help his friends as they journey into dangerous, unknown lands. After uncovering the betrayal of the Skeksis Lords, he and his friend Naia are on the run, pursued by the Skeksis’s underlings and outcast even among their fellow Gelfling. But Kylan knows the truth must be told, no matter how difficult the telling. Maybe there’s use for a song teller after all . . . Jim Henson's The Dark Crystal is one of the most beloved and enduring fantasy stories of the past thirty years. This series of young adult novels will both please the diehard fans and bring new fans in to the world of The Dark Crystal.

The acclaimed novelist Samantha Hunt’s first collection of stories blends the literary and the fantastic and brings us characters on the verge—girls turning into women, women turning into deer, people doubling or becoming ghosts, and more

Lyrical, intense, and foreboding, this is a remarkable first novel. Set in the Dark Ages, it tells of a year in the life of a remote village, the labors of its inhabitants, their struggles and fleeting pleasures in the face of threatening forces that surround them. The forest dominates their lives--in it lurk the fierce riders who come to rob, kill, and rape, and from it they evoke a being, half-man, half-clay, for their defense.

Prepared by renowned Howard scholar Paul Herman with the assistance of Glenn Lord, this is the first new bibliography of Robert E. Howard since 1976. This massive volume contains more than twice as much information as the preceding biblio, The Last Celt. Robert E. Howard is considered the Godfather of Sword and Sorcery, and the creator of the international icon, Conan the Cimmerian, yet wrote successfully in numerous genres. The Neverending Hunt lists every story, poem, letter and publication in which a Howard work has appeared. It's more than you might think . . .

Members of a town terrorized by a monstrous evil search for its source in this horror novel by the Bram Stoker Award–winning author of Ink. Something evil has awakened in the town of Pine Deep. While a local newsman tries to piece together the gruesome events of a long-buried crime, others are preparing for the return of an unstoppable scourge. Bodies mutilated beyond description, innocents driven to acts of vicious madness—a monstrous legacy is preying on the living and the dead. There are those in Pine Deep who are not what they seem. Who are driven by a thirst for blood and revenge. And who are quietly building an army of the undead . . . Second in the Pine Deep Trilogy Praise for Ghost Road Blues “Maberry supplies plenty of chills, both Earth-bound and otherworldly, in this atmospheric horror novel . . . . This is horror on a grand scale, reminiscent of Stephen King’s heftier works.” —Publishers Weekly Praise for New York Times bestselling Author Jonathan Maberry “Jonathan Maberry’s horror is rich and visceral. It’s close to the heart . . . and close to the jugular.” —Kevin J. Anderson “Maberry has the chops to craft stories at once intimate, epic, real, and horrific.” —Bentley Little “Maberry spins great stories. His (Pine Deep) vampire novels are unique and masterful.” —Richard Matheson “Maberry’s works will be read for many, many years to come.” —Ray Bradbury