"... a book which asks and answers a new, interesting question, using a rich range of biblical and humanistic methodologies." -- Journal of Biblical Literature This book examines a literary form within the Bible that has slipped through the cracks of modern scholarship: the mixing of song and story in biblical narrative. Journeying from ancient Egyptian battle accounts to Aramaic wisdom texts to early retellings of biblical tales in the Dead Sea Scrolls, Jewish-Hellenistic literature, and rabbinic midrash, Steven Weitzman follows the history of this form from its origins as a congeries of different literary behaviors to its emergence as a self-conscious literary convention.

How well do you know His story? By the time a Christian reaches young adulthood, he is likely to be quite familiar with every major story in the Bible, but not from having studied them in any particular order. Ask an average Bible student to arrange certain characters and events chronologically, and the results are telling. Telling God’s Story looks closely at the Bible from its beginning in Genesis to its conclusion in Revelation. By approaching Scripture as one purposefully flowing narrative, emphasizing the inter-connectedness of the text, veteran college professors Preben Vang and Terry G. Carter reinforce the Bible’s greatest teachings and help readers in their own ability to share God’s story effectively with others. Ideal for classroom settings, this second edition of Telling God's Story now features all supporting charts, photographs, and illustrations in full color!

Bridging the gaps for those who've acquired their Bible knowledge in random order, professors Vang and Carter help readers comprehend the Bible as one cohesive story from beginning to end.

According to Song, the Christian faith is deeply rooted in storytelling: stories are the most basic mode of human communication and, in the same idea, the Christian Bible is fundamentally a story. Though, Song regrets the fact that Christians, and above all Christian theologians, so often fail to express their faith in term of stories. Christian theology is most often expressed in terms of concepts, ideas, and systems. Following the conviction that this is the most appropriate way to express our faith, the proposal of this book is to speak of Christian faith and theology through stories rather than systems and texts.

From celebrated translator of the Hebrew Bible Robert Alter, the "groundbreaking" (Los Angeles Times) book that explores the Bible as literature, a winner of the National Jewish Book Award. Renowned critic and translator Robert Alter's The Art of Biblical Narrative has radically expanded our view of the Bible by recasting it as a work of literary art deserving studied criticism. In this seminal work, Alter describes how the Hebrew Bible's many authors used innovative literary styles and devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of all time: the revelation of a single God. In so doing, Alter shows, these writers reshaped not only history, but also the art of storytelling itself.

Covers how to read the Bible in historical, literary, and theological context, highlighting the significance of its two-testament structure and its contribution to a doctrine of scripture.

A powerful perspective about preaching, "Cadences of Home" suggests that sermons must speak to those who are lost and searching for their rightful home. Brueggemann argues for a dynamic transformation of preaching to proclaim to the world that there is a home for all people.

The NIV Application Commentary helps you communicate and apply biblical text effectively in today's context. To bring the ancient messages of the Bible into today's world, each passage is treated in three sections: Original Meaning. Concise exegesis to help readers understand the original meaning of the biblical text in its historical, literary, and cultural context. Bridging Contexts. A bridge between the world of the Bible and the world of today, built by discerning what is timeless in the timely pages of the Bible. Contemporary Significance. This section identifies comparable situations to those faced in the Bible and explores relevant application of the biblical messages. The author alerts the readers of problems they may encounter when seeking to apply the passage and helps them think through the issues involved. This unique, award-winning commentary is the ideal resource for today's preachers, teachers, and serious students of the Bible, giving them the tools, ideas, and insights they need to communicate God's Word with the same powerful impact it had when it was first written.

Comprised of contributions from scholars across the globe, The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology, offering critical treatments of both the Bible's narratives and topics related to the Bible's narrative constructions. The Handbook covers the Bible's narrative literature, from Genesis to Revelation, providing concise overviews of literary-critical scholarship as well as innovative readings of individual narratives informed by a variety of methodological approaches and theoretical frameworks. The volume as a whole combines literary sensitivities with the traditional historical and sociological questions of biblical criticism and puts biblical studies into intentional conversation with other disciplines in the humanities. It reframes biblical literature in a way that highlights its aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to various forms of social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities.

Essays that engage the scholarship of Shaye J. D. Cohen The essays in Strength to Strength honor Shaye J. D. Cohen across a range of ancient to modern topics. The essays seek to create an ongoing conversation on issues of identity, cultural interchange, and Jewish literature and history in antiquity, all areas of particular interest for Cohen. Contributors include: Moshe J. Bernstein, Daniel Boyarin, Jonathan Cohen, Yaakov Elman, Ari Finkelstein, Charlotte Elisheva Fonrobert, Steven D. Fraade, Isaiah M. Gafni, Gregg E. Gardner, William K. Gilders, Martin Goodman, Leonard Gordon, Edward L. Greenstein, Erich S. Gruen, Judith Hauptman, Jan Willem van Henten, Catherine Hezser, Tal Ilan, Richard Kalmin, Yishai Kiel, Ross S. Kraemer, Hayim Lapin, Lee I. Levine, Timothy H. Lim, Duncan E. MacRae, Ivan Marcus, Mahnaz Moazami, Rachel Neis, Saul M. Olyan, Jonathan J. Price, Jeffrey L. Rubenstein, Michael L. Satlow, Lawrence H. Schiffman, Daniel R. Schwartz, Joshua Schwartz, Karen Stern, Stanley Stowers, and Burton L. Visotzky. Features: A full bibliography of Cohen’s published works An essay on the contributions of Cohen