Sonata No 3 In C Major Js Bach
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Author |
: Johann Sebastian Bach |
Publisher |
: Alfred Music |
Total Pages |
: 4 |
Release |
: 2005-05-03 |
ISBN-10 |
: 9781457443466 |
ISBN-13 |
: 1457443465 |
Rating |
: 4/5 (66 Downloads) |
Synopsis Jesu, Joy of Man's Desiring by : Johann Sebastian Bach
This well-thought out arrangement for the late intermediate level pianist captures all of the beautiful harmonies, rhythms, and richness of Bach's original work. It is written in G Major and has been notated with fingering, tempo suggestions, and expression markings by the arranger.
Author |
: Lindy Ann Donia |
Publisher |
: |
Total Pages |
: 86 |
Release |
: 2006 |
ISBN-10 |
: OCLC:166426902 |
ISBN-13 |
: |
Rating |
: 4/5 (02 Downloads) |
Synopsis Sonata No. 3 in C Major, J.S. Bach by : Lindy Ann Donia
Author |
: Beethoven |
Publisher |
: Createspace Independent Publishing Platform |
Total Pages |
: 34 |
Release |
: 2018-03-29 |
ISBN-10 |
: 198694929X |
ISBN-13 |
: 9781986949293 |
Rating |
: 4/5 (9X Downloads) |
Synopsis Sonata No. 3 in C Major by : Beethoven
Sonata no. 3 in C major is one of the first three Beethoven's sonatas (opus 2) written in 1795 and dedicated to Joseph Haydn. This UTEXT edition is based on early original editions, which Beethoven personally supervised. The fingerings are provided by the editor.
Author |
: Johann Sebastian Bach |
Publisher |
: Mel Bay Publications |
Total Pages |
: 97 |
Release |
: 2010-10-07 |
ISBN-10 |
: 9781609745851 |
ISBN-13 |
: 160974585X |
Rating |
: 4/5 (51 Downloads) |
Synopsis Bach: Three Sonatas and Three Partitas for Solo Violin by : Johann Sebastian Bach
Dr. Lawrence Golan's edition of Bach's masterpieces for solo violin combines the authenticity and accuracy of a Scholarly Urtext Edition with the practicality and helpfulness of a Performing Edition. A facsimile of Bach's autograph manuscript was used in the preparation of this edition and the composer's intentions have been preserved to the last detail. of particular note is the fact that all stems have been beamed together as they appear in the autograph manuscript. This is of great importance when making interpretive decisions regarding dotted rhythms. Helpful fingering and bowing suggestions are provided by the editor, but are clearly distinguished from Bach's original notation, allowing the performer the freedom to accept or reject any given suggestion. the volume comes complete with Dr. Golan's essay Performing Bach: Dotted Rhythms and Trills in the Sonatas and Partitas for Solo Violin, which also includes scholarly discussions of vibrato, fingerings, bowing styles, and ritardandos in Baroque music. the inclusion of this comprehensive study of Baroque performance practices makes this edition a must for any violinist interested in performing the Bach Sonatas and Partitas in an historically informed manner.
Author |
: Johann Sebastian Bach |
Publisher |
: Alfred Music |
Total Pages |
: 32 |
Release |
: 1999-08-26 |
ISBN-10 |
: 1457485079 |
ISBN-13 |
: 9781457485077 |
Rating |
: 4/5 (79 Downloads) |
Synopsis Sonata in G Minor, BWV 1020 by : Johann Sebastian Bach
A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
Author |
: David Ledbetter |
Publisher |
: Yale University Press |
Total Pages |
: 430 |
Release |
: 2002-01-01 |
ISBN-10 |
: 9780300128987 |
ISBN-13 |
: 0300128983 |
Rating |
: 4/5 (87 Downloads) |
Synopsis Bach's Well-tempered Clavier by : David Ledbetter
Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.
Author |
: Hannah L. Kreutzfeldt |
Publisher |
: |
Total Pages |
: 75 |
Release |
: 2014 |
ISBN-10 |
: OCLC:897749191 |
ISBN-13 |
: |
Rating |
: 4/5 (91 Downloads) |
Synopsis Interpreting Bach by : Hannah L. Kreutzfeldt
The unaccompanied instrumental music of Bach is often regarded as a mere pedagogical exercise rather something of theological importance. Modern musicians tend to classify works as either "secular" or "sacred," attributing little if any religious meaning to works lacking an overtly religious text. In recent years, historically informed performers have sought to recreate the spirit of the music and convey a sense of its original intent. However, this is often done without regard for Bach's theological context. A proper understanding of Bach's belief system and its manifestation in his sacred vocal compositions is crucial for interpreting the instrumental works. Consequently, this thesis evaluates relevant vocal works and their interpretive application for performing the Sonata no. 3 in C major for solo violin, S. 1005. Ultimately it suggests that Bach's unaccompanied instrumental music contains deliberately chosen theological themes and is fundamentally sacred in nature.
Author |
: Johann Sebastian Bach |
Publisher |
: |
Total Pages |
: 24 |
Release |
: 2019-10-05 |
ISBN-10 |
: 169790579X |
ISBN-13 |
: 9781697905793 |
Rating |
: 4/5 (9X Downloads) |
Synopsis Partita No. 1 in B Flat Major BWV 825 by : Johann Sebastian Bach
Bach composed and published his Six Partitas (each one separately) during 1726 - 1730. In 1731 all partitas, grouped in one volume, were published under the title Clavier-�bung Part One. This edition of Partita no. 1 follows the above mentioned first Leipzig edition, which was based on the manuscript copy of Bach's autograph.The fingering is added by the editor.
Author |
: Hal Leonard Corp. |
Publisher |
: Hal Leonard Corporation |
Total Pages |
: 1004 |
Release |
: 1993-01-01 |
ISBN-10 |
: 9781458491985 |
ISBN-13 |
: 1458491986 |
Rating |
: 4/5 (85 Downloads) |
Synopsis The Real Little Classical Fake Book (Songbook) by : Hal Leonard Corp.
(Fake Book). This fabulous fake book includes nearly every famous classical theme ever written! It's a virtual encyclopedia of classical music, in one complete volume. Features: over 165 classical composers; over 500 classical themes in their original keys; lyrics in their original language; a timeline of major classical composers; categorical listings; more.
Author |
: Timothy Cutler |
Publisher |
: Routledge |
Total Pages |
: 314 |
Release |
: 2019-02-04 |
ISBN-10 |
: 9781351069151 |
ISBN-13 |
: 1351069152 |
Rating |
: 4/5 (51 Downloads) |
Synopsis Bending the Rules of Music Theory by : Timothy Cutler
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.