Winner of the 2009 National Book Critics Circle Award in Autobiography and a New York Times bestseller: a prize-winning, critically acclaimed memoir on life and aging —“An honest joy to read” (Alice Munro). Hailed as “a virtuoso exercise” (Sunday Telegraph), this book reflects candidly, sometimes with great humor, on the condition of being old. Charming readers, writers, and critics alike, the memoir won the Costa Award for Biography and made Athill, then ninety-one, a surprising literary star. Diana Athill was one of the great editors in British publishing. For more than five decades she edited the likes of V. S. Naipaul and Jean Rhys, for whom she was a confidante and caretaker. As a writer, Athill made her reputation for the frankness and precisely expressed wisdom of her memoirs. Writing in her ninety-first year, "entirely untamed about both old and new conventions" (Literary Review) and freed from any of the inhibitions that even she may have once had, Athill reflects candidly, and sometimes with great humor, on the condition of being old—the losses and occasionally the gains that age brings, the wisdom and fortitude required to face death. Distinguished by "remarkable intelligence...[and the] easy elegance of her prose" (Daily Telegraph), this short, well-crafted book, hailed as "a virtuoso exercise" (Sunday Telegraph) presents an inspiring work for those hoping to flourish in their later years.

An esteemed memoirist and one of the great editors in British publishing examines aging with the grace of Elegy for Iris and the wry irreverence of I Feel Bad About My Neck.

What is it like to be old? Diana Athill made her reputation as a writer with the candour of her memoirs - her commitment, in her words, 'to understand, to be aware, to touch the truth'. Now in her nineties, and freed from any inhibitions that even she may once have had, she reflects frankly on the losses and occasionally the gains that old age brings, and on the wisdom and fortitude required to face death. This is a lively narrative of events, lovers and friendships: the people and experiences that have taught her to regret very little, to resist despondency and to question the beliefs and customs of her own generation.

A New York Times Notable Book: This memoir of a career in book publishing “should please anyone who cares about twentieth-century literature” (The Washington Post Book World). For nearly five decades, Diana Athill edited (nursed, coerced, coaxed) some of the most celebrated writers in the English language, among them V. S. Naipaul, Philip Roth, John Updike, Jean Rhys, Mordecai Richler, Molly Keane, and Norman Mailer. A founding editor of the prestigious publishing house André Deutsch Ltd., Athill takes us on a guided tour through the corridors of literary London, offering a keenly observed, devilishly funny, and always compassionate insider’s portrait of the glories and pitfalls of making books—spiced with candid insights about the type of people who make brilliant writers and ingenious publishers, and the idiosyncrasies of both. It is both “wryly humorous” (The New York Times Book Review) and “full of history, wisdom, and dirt” (The Boston Globe). “This is not literary life as we know it today—huge advances, showbiz and vast conglomerates—but the world of small literary houses . . . An enveloping blast of nostalgia: read and marvel at what we (all of us) are missing.” —Marie Claire “A beautifully written, hard-headed, and generally insightful look back at the heyday of post-war London publishing by a woman who was at its center for nearly half a century.” —The Washington Times “Witty and astute . . . The literarily curious will find [her] portraits of leading contemporary authors irresistible.” —Publishers Weekly

“Enchanting . . . Diana Athill, 98, still has a few things to teach us about growing old with dignity and humor and grace . . . Astute and sparkling.”—Associated Press Several years ago, Diana Athill accepted that she could no longer live entirely independently, and moved to a retirement home in Highgate. Released from the daily anxieties of caring for her own property and free to settle into her remaining years, she reflects on what it feels like to be very old, and on the moments in her long life that have risen to the surface and which sustain her in these last years. What really matters in the end? Which memories stand out? As she approaches her 100th year, Athill recalls in sparkling, precise detail the exact layout of the garden of her childhood, a vast and beautiful park attached to a large house; relates with humor, clarity and honesty her experiences of the First and Second World Wars and her trips to Europe as a young woman; and in the remarkable title chapter, describes her pregnancy at the age of forty-three, losing the baby and almost losing her life—and her gratitude and joy on discovering that she had survived. Alive, Alive Oh! is “so beautifully written and exquisitely detailed . . . [Athill] mines her memories of a life well-lived and generously lays them out on the page for the rest of the world to enjoy” (Star Tribune). “Witty, candid . . . If you haven’t read Athill, and open her latest book expecting serene reflections from a nonagenarian sipping tea in her garden, you’re in for a surprise.”—San Francisco Chronicle

This epistolary memoir—rich with Diana Athill's characteristic wit, humor, elegance and honesty—describes a warm, decades-long friendship. Diana Athill is one of our great women of letters. The renowned editor of V. S. Naipaul, Jean Rhys, and many others, she is also a celebrated memoirist whose Somewhere Towards the End was a New York Times bestseller and a National Book Critics Circle Award winner. For thirty years, Athill corresponded with the American poet Edward Field, freely sharing jokes, pleasures, and pains with her old friend. Letters to a Friend is an epistolary memoir that describes a warm, decades-long friendship. Written with intimacy and spontaneity, candor and grace, it is perhaps more revealing than any of her celebrated books. Edited, selected, and introduced by Athill, and annotated with her own delightful notes, this collection—rich with Athill’s characteristic wit, humor, elegance, and honesty—reveals a sharply intelligent woman with a keen eye for the absurd, a brilliant turn of phrase, and a wicked sense of humor. Covering her career as an editor, the adventure of her retirement, her immersion in her own writing, and her reactions to becoming unexpectedly famous in her old age—including gossip about legendary authors and mutual friends, sharp pen-portraits, and uninhibited accounts of her relationships—Letters to a Friend describes a flourishing friendship and offers a portrait of a woman growing older without ever losing her zest for life.

Stunning reissue of Diana Athill's candid memoir of her childhood.

Diana Athill's childhood in the Norfolk countryside was blissful. In 1932, aged 15, she fell passionately in love with a young undergraduate. She went up to Oxford and was engaged to be married. Then everything fell apart in the cruellest possible way.

In a celebration of her life and writing, this collection brings together four of Diana Athill's best-loved memoirs, spanning her very English childhood, her life and loves during World War II, her publishing career at Andre Deutsch, and her reflections on old age."