Groundbreaking and heartbreaking, this triumphant novel by two of America's most acclaimed storytellers follows a family of women from enslavement to the dawn of the twenty-first century. From Reconstruction to both world wars, from the Harlem Renaissance to Vietnam, from spirituals and arias to torch songs and the blues, Some Sing, Some Cry brings to life the monumental story of one American family's journey from slavery into freedom, from country into city, from the past to the future, bright and blazing ahead. Real-life sisters, Ntozake Shange, award-winning author of for colored girls who have considered suicide/when the rainbow is enuf and Ifa Bayeza, award-winning playwright of The Ballad of Emmett Till, achieve nothing less than a modern classic in this story of seven generations of women, and the men and music in their lives. Opening dramatically at a sprawling plantation just off the South Carolina coast, recently emancipated slave Bette Mayfield quickly says her goodbyes before fleeing for Charleston with her granddaughter, Eudora, in tow. She and Eudora carve out lives for themselves in the bustling port city as seamstress and fortune-teller. Eudora marries, the Mayfield lines grows and becomes an incredibly strong, musically gifted family, a family that is led, protected, and inspired by its women. Some Sing, Some Cry chronicles their astonishing passage through the watershed events of American history.

Once a year, Abuelo comes from Mexico to visit his family. He brings his guitar, his music—and his memories. In this story inspired by the life of Apolinar Navarrete Diaz—author Angela Dominguez’s grandfather and a successful mariachi musician—Abuelo and his grandchildren sing through the bad times and the good. Lifting their voices and their spirits, they realize that true happiness comes from singing together.

Ntozake Shange’s classic, award-winning play encompassing the wide-ranging experiences of Black women, now with introductions by two-time National Book Award winner Jesmyn Ward and Broadway director Camille A. Brown. From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

A lyrical exploration of love and loss, this book centers on several generations of women in a bucolic southern Black township as they live with and sometimes surrender to madness. The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive. The author offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love - and love that's handed down - can conquer.

Nominated for a 2014 Lime Award for Excellence in Fiction Named a Best Book of Summer 2014 by Publishers Weekly Named a Pick of the Week for the week of June 30th by Publishers Weekly "An earnest, well-done historical novel that skillfully blends fact and fiction." --Publishers Weekly "A profound story of how one unforeseen event may tear a family apart, but another can just as unexpectedly bring them back together again." --Publishers Weekly, Best Book of Summer 2014 Pick "Solomon enticingly described the novel Sing in the Morning, Cry at Night by Barbara J. Taylor (Akashic), set in a coal-mining town in 1913, as 'one of those sit on the couch and don't bother me' reads." --Shelf Awareness, NCIBA Spring Rep Picks "An absolute gem of a book filled with beautiful characters and classical writing techniques rarely seen in modern literature." --The Christian Manifesto, Top Fiction Pick of 2014 "This story is at once poignant and hopeful, spiced up by such characters as Billy Sunday, the revivalist, and Grief, the specter who haunts Grace to the very edge of sanity. A rich debut." --Historical Novel Society "Like Dickens, the novel faces family tragedy, in this case the town blaming 8-year-old Violet Morgan for her older sister's death. As her parents fall victim to their own vices, Violet learns how to form her own friendships to survive." --Arts.Mic "A fantastic novel worthy of the greatest accolades. Writing a book about a historical event can be difficult, as is crafting a bestseller, but Barbara J. Taylor is successful at both." --Downtown Magazine "Taylor's careful attention to detail and her deep knowledge of the community and its people give the novel a welcome gravity." --The Columbus Dispatch "One of the most compelling books I've ever read...a haunting story that will stay with the reader long after reading this novel." --Story Circle Book Reviews "Rave reviews are pouring in for this historical novel of a family tragedy." --The Halifax Reader, "6 New Books to Look for in July" "This well-written book is peopled with characters the reader can really care about and captures the feeling of a gritty twentieth century coal mining community." --Breakthrough, newsletter of the Osteogenesis Imperfecta Foundation "Like all good historical fiction, I learned from this novel." --Time 2 Read "This book has...prizewinner written all over it....Worth the read!" --I've Read This "This haunting story of tragedy and hope in an early twentieth century mining town is...an expertly crafted arrow that shoots straight for the heart. Reminiscent of classics such as How Green Was My Valley...this book is a must-read for fans of character-driven, authentic historical fiction." --Amy Drown Blog Almost everyone in town blames eight-year-old Violet Morgan for the death of her nine-year-old sister, Daisy. Sing in the Morning, Cry at Night opens on September 4, 1913, two months after the Fourth of July tragedy. Owen, the girls' father, "turns to drink" and abandons his family. Their mother Grace falls victim to the seductive powers of Grief, an imagined figure who has seduced her off-and-on since childhood. Violet forms an unlikely friendship with Stanley Adamski, a motherless outcast who works in the mines as a breaker boy. During an unexpected blizzard, Grace goes into premature labor at home and is forced to rely on Violet, while Owen is "off being saved" at a Billy Sunday Revival. Inspired by a haunting family story, Sing in the Morning, Cry at Night blends real life incidents with fiction to show how grace can be found in the midst of tragedy.

Ntozake Shange's beloved Sassafrass, Cypress & Indigo is the story of three sisters and their mother from Charleston, South Carolina. "A jubilant celebration of womanhood—as moving as the moon . . . pure magic." --Kansas City Star Ntozake Shange's beloved Sassafrass, Cypress & Indigo is the story of three sisters and their mother from Charleston, South Carolina. Sassafrass, the oldest, is a poet and a weaver like her mother before her. Having gone north to college, she is now living with other artists in Los Angeles and trying to weave a life out of her work, her man, her memories and dreams. Cypress, the dancer, leaves home to find new ways of moving in the world. Indigo, the youngest, is still a child of Charleston-"too much of the south in her"-who lives in poetry and has the supreme gift of seeing the obvious magic of the world. Shange's rich and wondrous story of womanhood, art, and passionately-lived lives is written "with such exquisite care and beauty that anybody can relate to her message" (The New York Times).

Many of us go through life feeling isolated and alone in a world full of family, friends, and gods. In I Sing the Blues and Cry, a survivor of childhood sexual abuse expresses through both poetry and prose the shared fear, confusion, anger, hope, and faith needed to accomplish joy in a world infused with pain. One out of every four little girls is sexually abused, and the majority of the abusers are family members or close friends of the family in America today. They are trapped in a cage of shame, guilt, and secrecy. Bodies grow, minds mature, yet there still remains a broken little girl within each victim. Author Iris Killens Cheeks shares conversations, verse, and vital resources to open a door into the thoughts, perceptions, and soul of a survivor of sexual, mental, and emotional abuse. This little girl found a way to survive, mature, and conquer many of the battles she faced due to traumatic experiences that no child should have to endure. Hers is a story that is poignant, revealing, and uplifting--a story of light, acceptance, forgiveness, and growth. I Sing the Blues and Cry is an inspiring look beyond the surface into the eyes of a child, a woman, and a survivor.

“Suspenseful . . . startling plot twists and incisive commentary on the social unrest of a coal-mining town during the Great Depression . . . a breathtaking ending.” —Publishers Weekly In 1930, twenty-five-year-old Violet travels with her sixteen-year-old sister, Lily, from Scranton, Pennsylvania, to the Good Shepherd Infant Asylum in Philadelphia, so Lily can deliver her illegitimate child in secret. In doing so, Violet jeopardizes her engagement to her sweetheart, Stanley Adamski. Meanwhile, Mother Mary Joseph, who runs the Good Shepherd, has no idea the asylum’s physician is involved in eugenics and experimenting on girls with various sterilization techniques. Five years later, Lily and Violet are back in Scranton, one married, one about to be, each finding her own way in a place where a woman’s worth is tied to her virtue. Against the backdrop of the sweeping eugenics movement and rogue coal mine strikes, the Morgan sisters must choose between duty and desire. Either way, they risk losing their marriages and each other. The follow-up to Barbara J. Taylor’s debut, Sing in the Morning, Cry at Night—named one of the Best Summer Books of 2014 by Publishers Weekly—All Waiting is Long continues her Dickensian exploration of the Morgan family. “Taylor’s characters—a cast of nuns and prostitutes, mobsters and miners, social activists and church busybodies—reflect the varying pressures and expectations of small-town life with rich, insightful prose and dialogue that rings true to each character’s voice. Will the web of lies the two sisters weave around themselves survive? You’ll have to read it yourself to find out. Recommended.” —Historical Novel Review “Powerful . . . Every page is saturated with the 1930s milieu as the sisters navigate the adversities of their reality . . . The overall result is a thought-provoking book club discussion cornucopia.” —Booklist (starred review)

Sing, and Don't Cry is Cate Kennedy's sensual and touching evocation of her time spent working as a volunteer in small town Mexico. The people she comes to love in Tequisquiapan, and their gusto for celebration, pilgrimage and family, force her to cast a penetrating light on her own Western values and ways. ?What is truly essential, and who is truly poor?' asks Kennedy in a book that also challenges the reader to care more for his or her world. Described as ?a travel book with a social conscience' this essential memoir, from the award'winning fiction writer and poet, is funny, warm, yet ultimately disarming.

ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?