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‘Moon Over Soho cements [the Rivers of London] series as my favorite urban fantasy series. The humor, the world-building, the action, the magic, the mystery, the procedural—all are top-notch.’ — Ranting Dragon My name is Peter Grant, and I’m a Police Constable in that mighty army for justice known as the Metropolitan Police (a.k.a. the Filth). I’m also an apprentice wizard, the first in fifty years. When your dad is an almost famous jazz trumpeter, you know the classics. And that’s why, when Dr Walid called me down to the morgue to listen to a corpse, I recognized the tune it was playing as the jazz classic ‘Body and Soul.’ Something violently supernatural had happened to the victim, strong enough to leave its imprint on his corpse as if it were a wax cylinder recording. The former owner of the body, Cyrus Wilkinson, was a part-time jazz saxophonist and full-time accountant who had dropped dead of a heart attack just after finishing a gig. He wasn’t the first, but no one was going to let me exhume corpses just to see if they were playing my tune. So it was back to old-fashioned police legwork, starting in Soho, the heart of the scene, with the lovely Simone – Cyrus’s ex-lover, professional jazz kitten and as inviting as a Rubens portrait – as my guide. And it didn’t take me long to realise there were monsters stalking Soho, creatures feeding off that special gift that separates the great musician from someone who can raise a decent tune. What they take is beauty. What they leave behind is sickness, failure and broken lives. Reviews for Moon Over Soho Mr. Aaronovitch is, in short, writing the best contemporary occult detective series on the shelf today, and that’s by a substantial margin.’ — Pornokitsch ‘Moon Over Soho is a gripping continuation of River of London’s well executed blend of police-procedural and fantasy with a good splash of horror thrown in. This is urban fantasy done with a loving attention to detail and enlivened by an ever present wit making this series a must-read for anyone who likes their fantasy with a strong edge of realism.’ — SF Book Reviews

'Entertaining, shocking, uproarious, hilarious . . . like eavesdropping on a wake, as the mourners get gradually more drunk and tell ever more outrageous stories' Sunday Times This is the definitive history of London's most notorious drinking den, the Colony Room Club in Soho. It’s a hair-raising romp through the underbelly of the post-war scene: during its sixty-year history, more romances, more deaths, more horrors and more sex scandals took place in the Colony than anywhere else. Tales from the Colony Room is an oral biography, consisting of previously unpublished and long-lost interviews with the characters who were central to the scene, giving the reader a flavour of what it was like to frequent the Club. With a glass in hand you’ll move through the decades listening to personal reminiscences, opinions and vitriol, from the authentic voices of those who were actually there. On your voyage through Soho’s lost bohemia, you’ll be served a drink by James Bond, sip champagne with Francis Bacon, queue for the loo with Christine Keeler, go racing with Jeffrey Bernard, get laid with Lucian Freud, kill time with Doctor Who, pick a fight with Frank Norman and pass out with Peter Langan. All with a stellar supporting cast including Peter O’Toole, George Melly, Suggs, Lisa Stansfield, Dylan Thomas, Jay Landesman, Sarah Lucas, Damien Hirst and many, many more.

Between the late 1950s and mid-1970s, British cinema experienced an explosion of X-certificated films. In parallel with an era marked by social, political, and sexual ferment and upheaval, British filmmakers and censors pushed and guarded the permissible limits of violence, horror, revolt, and sexuality on screen. Adult Themes is the first volume entirely devoted to the exploration of British X certificate films across this transformative period, since identified as 'the long 1960s'. How did the British Board of Film Censors, harried on one side by the censorious and moralistic, and beset on the other by demands for greater artistic freedom, oversee and manage this provocative body of films? How did the freedoms and restrictions of the X certificate hasten, determine, and reshape post-war British cinema into an artistic, exploitational, and unapologetically adult medium? Contributors to this collection consider these central questions as they take us to swinging parties, on youthful crime sprees, into local council meetings, on police raids of cinemas, and around Soho strip clubs, and introduce us to mass murderers, lesbian vampires, apoplectic protestors, eroticised middle-aged women, and rebellious working-class men. Adult Themes examines both the workings and negotiations of British film censorship, the limits of artistic expression, and a wider culture of X certificate cinema. This is an important volume for students and scholars of British Film History and censorship, Media Studies, the 1960s, and Cultural and Sexuality Studies, while simultaneously an entertaining read for all connoisseurs of British cinema at its most vivid and scandalous.

Over the past two decades, William Kentridge has consolidated a worldwide reputation as an artist of great verve and scope. He is arguably most widely known for his series of 10 animated films drawn over a period of 22 years, and set in his home city of Johannesburg. Originally conceived as a distraction, something to fill the gaps between exhibitions, the films have magnificently exceeded their brief, establishing instead one of the great characters in contemporary fiction: Soho EcksteinHighveld mining magnate, and Kentridge s alter ego. The timeline of the films covers South Africa s transition from apartheid to democracy. The specific events and crises comprising the country s political transformation form the backdrop to the story unfolding across the screen, but the films are not "about" political events. Instead the saga traces a different and parallel arcSoho s gradual awakening from capitalist blockhead and cuckold to sober penitent, coming to terms with his own frailties and the first signs of mortalityand it is this human quality that gives the films their power and enduring appeal. Matthew Kentridge has witnessed, from first beginnings, the evolution of William Kentridge s technique, themes and ideas. From his unique and privileged vantage point, he has watched the transformation of Soho from individualistic South African megalomaniac into a kind of late-twentieth-century Everyman. This book is his response. This volume also incorporates an element of augmented reality, which readers can explore using their smartphones or tablets, making the book an even more enriching experience."

Two people search for connection in a world of fractured identities and aliases, global finance, big data, intelligence bureaucracies, algorithmic logic, and terror. Jeremy Jordan and Alexandra Chen hope to make a quiet home together but struggle to find a space safe from their personal secrets. For Jeremy, this means leaving behind his former life as an intelligence operative during The Troubles in Northern Ireland. For Alexandra, a high-powered job in image management for whole countries cannot prepare her for her missing brother’s sudden reappearance. In a culture of limitless surveillance, Jeremy and Alexandra will go to great lengths to protect what is closest to them. Spanning decades and continents, their saga brings them into contact with a down-and-out online journalist, shadowy security professionals, and jockeying technology experts, each of whom has a different understanding of whether information really protects us, and how we might build a world worth trusting in our paranoid age.

An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.

In our digital era, harnessing innovations and emerging technologies to support teaching and learning has been an important research area in the field of education around the world. In science/STEM education, technologies can be leveraged to present and visualize scientific theories and concepts effectively, while the development of pedagogic innovations usually requires collective, inter-disciplinary research efforts. In addition, emerging technologies can better support teachers to assess students’ learning performance in STEM subjects and offer students viable virtual environments to facilitate laboratory-based learning, thereby contributing to sustainable development in both K-12 and higher education.

Perfect for professionals working from home or small business owners looking to build a network, this handbook includes coverage of how to install and configure a router and how to use a SoHo LAN. An entire section is devoted to wireless technologies. This book covers selection and installation of all components of a network.

A second book in the Rocliffe Notes series, formed from questions from newer filmmakers. This is a practical compendium for screenwriters and filmmakers in the form of notes and opinions. These provide a step-by-step, common sense guide, with suggestions on how filmmakers package a film. This book covers everything you need to know to get a low-budget film made, from understanding budgeting and different types of finance, to casting, crewing, scheduling, production and festival strategy. This book explains how to turn your script into a film. It has a unique insight by providing insider confidences, from established industry players to peers, on how you don't need permission to make films. A revelation for all would-be filmmakers, this is a guide to the nuts and bolts of making a film.