Short stories by Ernest Hemingway.

A collection of ten short fiction stories by American author Ernest Hemingway, including the title work about a hardened adventurer on safari in Africa who must face his innermost fears when an accident threatens to cut short his life.

The ideal introduction to the genius of Ernest Hemingway, The Snows of Kilimanjaro and Other Stories contains ten of Hemingway's most acclaimed and popular works of short fiction. Selected from Winner Take Nothing, Men Without Women, and The Fifth Column and the First Forty-Nine Stories, this collection includes “The Killers,” the first of Hemingway's mature stories to be accepted by an American periodical; the autobiographical “Fathers and Sons,” which alludes, for the first time in Hemingway's career, to his father's suicide; “The Short Happy Life of Francis Macomber,” a “brilliant fusion of personal observation, hearsay and invention,” wrote Hemingway's biographer, Carlos Baker; and the title story itself, of which Hemingway said: “I put all the true stuff in,” with enough material, he boasted, to fill four novels. Beautiful in their simplicity, startling in their originality, and unsurpassed in their craftsmanship, the stories in this volume highlight one of America's master storytellers at the top of his form.

A new collection showcasing the best of Ernest Hemingway’s short stories including his well-known classics, as featured in the magnificent three-part, six-hour PBS documentary by Ken Burns and Lynn Novick—introduced by award-winning author Tobias Wolff. Ernest Hemingway, a literary icon and considered one of the greatest American writers of all time, is the subject of a major documentary by award-winning filmmakers Ken Burns and Lynn Novick. This intimate portrait of Hemingway—who brilliantly captured the complexities of the human condition in spare and profound prose, and whose work remains deeply influential in literature and culture—interweaves a close study of biographical events with excerpts from his work. The Hemingway Stories features Hemingway’s most significant short stories in chronological order, so viewers of the film as well as fans old and new can follow the trajectory of his impressive life and career. Hemingway’s beloved classics, such as “The Short and Happy Life of Francis Macomber,” “Up in Michigan,” “Indian Camp,” and “The Snows of Kilimanjaro,” are accompanied by fresh insights from renowned writers around the world—Mario Vargas Llosa, Edna O’Brien, Abraham Verghese, Tim O’Brien, and Mary Karr. Tobias Wolff's introduction adds a new perspective to Hemingway’s work, and Wolff has selected additional stories that demonstrate Hemingway’s talent and range. The power of the Ernest Hemingway’s revolutionary style is perhaps most striking in his short stories, and here readers can encounter the tales that created the legend: stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. This collection is a perfect introduction for a new generation of Hemingway readers and a vital volume for any fan.

Offers a selection of twenty-six short stories that includes famous classics as well as rare and previously unpublished works and an essay on the art of the short story.

This stunning collection of short stories by Nobel Prize­–winning author, Ernest Hemingway, contains a lifetime of work—ranging from fan favorites to several stories only available in this compilation. In this definitive collection of short stories, you will delight in Ernest Hemingway's most beloved classics such as “The Snows of Kilimanjaro,” “Hills Like White Elephants,” and “A Clean, Well-Lighted Place,” and discover seven new tales published for the first time in this collection. For Hemingway fans The Complete Short Stories is an invaluable treasury.

"Anderson explores the richness of Hemingway's short story "The Snows of Kilimanjaro," widely considered Hemingway's greatest, and introduces a new critical term, "Man on Trail," borrowed from Jack London. The man on trail is being pursued, ultimately by death, is in need of hospitality, a friend. The concept is older than London, is as old as the species. Anderson takes the reader to Jung, Campbell, to archetypal criticism, and schools the reader on its manifestations, from ancient literature to Bob Dylan, eventually taking us to Hemingway's fiction. He demonstrates that the man-on-trail plot was an instinctive structure for Hemingway"--