A novel, also a philosophical tale in which destiny entraps the innocent protagonist and holds him fast. Some readers have found an affinity in it with Camus' notion of the absurd, while others have preferred to dwell on its evocation of country life in northern Dahomey and the importance of music in the farmers' daily life. Annotation copyrighted by Book News, Inc., Portland, OR

Originally published in France in 1994, this newly translated collection presents stories about the precolonial and colonial past of Djibouti alongside those set in the postcolonial era. With irony and humor, these short stories portray madmen, poets, artists, French colonists, pseudointellectuals, young women, aspiring politicians, famished refugees, khat chewers, nomads struggling to survive in Djibouti's ruthless natural environment, or tramps living (and dying) in Balbala, the shantytown that stretches to the south of the capital--Cover.

DIVA young mother resorts to smuggling cocaine into Iceland, as she struggles to keep custody of her son, with devastating results ... First in the addictive, award-winning Reykjavik Noir Trilogy by the Queen of Iceland Noir. ***Longlisted for the CWA International Dagger*** 'Stylist, taut and compelling' Daily Express 'Snare will ensnare you' Marie Claire 'A taut, gritty, thoroughly absorbing journey into Reykjavik's underworld' Booklist ––––––––––––––––––––––––––––––––– After a messy divorce, young mother Sonia is struggling to provide for herself and keep custody of her son. With her back to the wall, she resorts to smuggling cocaine into Iceland, and finds herself caught up in a ruthless criminal world. As she desperately looks for a way out of trouble, she must pit her wits against her nemesis, Bragi, a customs officer, whose years of experience frustrate her new and evermore daring strategies. Things become even more complicated when Sonia embarks on a relationship with a woman, Agla. Once a high-level bank executive, Agla is currently being prosecuted in the aftermath of the Icelandic financial crash. Set in a ReykjavÍk still covered in the dust of the EyjafjallajÖkull volcanic eruption, and with a dark, fast-paced and chilling plot and intriguing characters, Snare is an outstandingly original and sexy Nordic crime thriller, from one of the most exciting new names in crime fiction. ––––––––––––––––––––––––––––––––––––– 'A tense thriller with a highly unusual plot and interesting characters' The Times 'Tense, edgy and delivering more than a few unexpected twists and turns' Sunday Times 'Sharp shocks of chapters hit with increasing energy ... a towering powerhouse of read and I gobbled it up in one intense sitting' LoveReading 'The intricate plot is breathtakingly original, with many twists and turns you never see coming. Thriller of the year' New York Journal of Books 'This first novel of a planned trilogy is stylish, taut and compelling and a film adaptation is in the pipeline. With characters you can't help sympathising with against your better judgement, Sigurdardottir takes the reader on a breathtaking ride' Daily Express 'Lilja Sigurdardottir delivers a diabolically efficient thriller with an ultrarealistic plot ... We cannot wait for Sonja's next adventure' L'Express 'A smart, ambitious, and hugely satisfying thriller. Striking in its originality and written with all the style and poise of an old hand. Lilja is destined for Scandi super stardom' Eva Dolan 'For a small island, Iceland produces some extraordinary writers, and Lilja is one of the best. Snare is an enthralling tale of love and crime that stays with you long after you have turned the last page' Michael Ridpath 'Zips along, with tension building and building ... thoroughly recommended' James Oswald 'Crisp, assured and nail-bitingly tense, Snare is an exceptional read, cementing Lilja’s place as one of Iceland’s most outstanding crime writers’ Yrsa Sigurdardottir ‘Clear your diary. As soon as you begin reading Snare, you won’t be able to stop until the final page’ Michael Wood ‘Snare is a great read and the finale is both shocking and unexpected … a Wizard-of-Oz ending, without the laughs. Terrific and original stuff' European Literature Network/div

The linguistically innovative aspect of Francophone African literature has been recognized and studied from a variety of angles over recent decades, yet little attention has been paid to what happens to such literature when it is translated into another language. Taking as its corpus all sub-Saharan Francophone African texts that have ever been published in English, this book explores the ways in which translators approach innovative features such as African-language borrowings, neologisms and other deliberate manipulations of French, depictions of sociolinguistic variation, and a variety of types of wordplay. The implications of their translation decisions are drawn out with reference to the broader significances that are often accorded to postcolonial literature, and earlier critics' calls for a decolonized translation practice are explored from both a practical and theoretical angle. These findings are used to push towards a detailed investigation of the postcolonial turn in translation studies, drawing on the work of key postcolonial theorists such has Homi K. Bhabha and Gayatri Spivak. This is a timely and incisive critical assessment of contemporary discourses on the ethics and politics of translation.

Here is the first book in the blockbuster trilogy that chronicles the never-before-told story of the young Han Solo. Set before the Star Wars movie adventures, these books chronicle the coming-of-age of the galaxy's most famous con man, smuggler, and thief. The first book in this exciting new Han Solo series begins with a recounting of Han's late teen years and shows us how he escaped an unhappy adopted home situation to carve out an adventurous new life for himself as a pilot. Han Solo, the handsome rogue, is every girl's dream man, and every boy's hero. The Paradise Snare is another stellar Star Wars production, complete with original music and sound effect

An exploration of the possibilities of hypertext fiction as art form and entertainment

The book talks of strongly held beliefs and how these lead to conflicts. This applies to rivaling nations as well as to individuals in competition. These beliefs have been found to be influenced by the environment in which those who hold these beliefs are brought up or in the circumstances in which they find themselves. A bad legacy of beliefs handed over to a new generation or to an individual in a position of authority, may influence them throughout their lifespan, just as colonizers handed over legacies to their colonies; these subjects used the bad practices they inherited from their superiors to subjugate the individuals they in turn supervised. This trickle-down effect has been a negative practice which has led to enormous conflicts in societies, and this in turn has had a conflictual effect on the subjects they have had to control. Examples are taken from our leaders and those they have had under them. It has become a vicious cycle which turns out to be a snare without an end. We find that there is a civilization struggle resulting from this conflict of beliefs. Overall, whether negative or positive, it is for a survival of the fittest.

The author of the beloved Deverry series ("Dragonspell, Darkspell") turns her hand to a new kind of tale with this epic fantasy of religious pilgrims on a hostile desert planet.

"An utterly compelling novel from a brilliant new voice." --M.L. Stedman, author of The Light Between Oceans For generations they've shared the small Maine island of Seven, but the Hillsingers and the Quicks have always kept apart, even since before Jim Hillsinger and Billy Quick married sisters. When Jim is ousted from the CIA under suspicion of treason, he begins to suspect that he has been betrayed--by his brother-in-law, Billy, and also by his own wife, Lila. In retaliation, he decides to carry out an old threat: to send their twelve-year-old son, Catta, to a neighboring island to test his survival skills. Set over three summer days in 1964, Estep Nagy's debut novel moves among the communities of Seven--the families, the servants, and the children--as longstanding tensions become tactical face-offs in which love, loss, and long-held secrets become brutal ammunition. Vividly capturing the rift between the cold warriors of Jim's generation and the rebellious seekers of Catta's, We Shall Not All Sleep is a richly told story of American class, family, and manipulation, and a compelling portrait of a unique and privileged enclave on the brink of dissolution.

Nedjma is a masterpiece of North African writing. Its intricate plot involves four men in love with the beautiful woman whose name serves as the title of the novel. Nedjma is the central figure of this disorienting novel, but more than the unfortunate wife of a man she does not love, more than the unwilling cause of rivalry among many suitors, Nedjma is the symbol of Algeria. Kateb has crafted a novel that is the saga of the founding ancestors of Algeria through the conquest of Numidia by the Romans, the expansion of the Ottoman Empire, and French colonial conquest. Nedjma is symbolic of the rich and sometimes bloody past of Algeria, of its passions, of its tenderness; it is the epic story of a human quest for freedom and happiness.