He was an Ink Boa Python that had cultivated for close to ten thousand years.Waiting until after his ninth Heavenly Tribulation, he would be able to enter the immortal class.He didn't expect that the heavens would actually joke with him at this moment.A woman was thrown down from the sky?This woman was actually the fisherman who he hadn't been able to find for a long time?It looked like he wouldn't be able to reach the Immortal Realm if he didn't repay this kindness!Fine! Then he would grant her a life of wealth and prosperity, a life of 100 years!What? She doesn't want it?Was it his she wanted?

Set against the stunning backdrop of Renaissance France, The Serpent and the Moon is a true story of love, war, intrigue, betrayal, and persecution. At its heart is one of the world's greatest love stories: the lifelong devotion of King Henri II of France to Diane de Poitiers, a beautiful aristocrat who was nineteen years older than her lover. At age fourteen, Henri was married to fourteen-year-old Catherine de' Medici, an unattractive but extremely wealthy heiress who was to bring half of Italy to France as her dowry. When Catherine met Henri on her wedding day, she fell instantly in love, but Henri could see no one but the beautiful Diane. When Henri eventually became king, he and Diane ruled France as one. Meanwhile, Catherine took as her secret motto the words "Hate and Wait" and lived for the day Diane would die and she could win Henri's love and rule by his side. Fate had another plan. Her Royal Highness Princess Michael of Kent, herself a descendant of both Catherine and Diane, imbues this seldom-told story with an insider's grasp of royal life. The Serpent and the Moon is a fascinating love story as well as a richly woven history of an extraordinary time.

Kisari Mohan Ganguli was a translator from South-Asia or possibly from British-India, known for being the first to provide a complete translation of the Sanskrit epic Mahabharata in English. His translation was published as The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose between 1883 and 1896, by Pratap Chandra Roy (1842–1895), a Calcutta bookseller.

Although no one had ever followed North American monarch butterflies on their annual southward journey to Mexico and California, in the 1990s there were well-accepted assumptions about the nature and form of the migration. But to Robert Michael Pyle, a naturalist with long experience in monarch conservation, the received wisdom about the butterflies’ long journey just didn’t make sense. In the autumn of 1996 he set out to uncover the facts, to pursue the tide of “cinnamon sailors” on their long, mysterious flight. Chasing Monarchs chronicles Pyle’s 9,000-mile journey to discover firsthand the secrets of the monarchs’ annual migration. Part road trip, part outdoor adventure, and part natural history study, Pyle’s book overturns old theories and provides insights both large and small regarding monarch butterflies, their biology, and their spectacular migratory travels. Since the book’s first publication, its controversial conclusions have been fully confirmed, and monarchs are better understood than ever before. The Afterword for this volume includes not only updated information on the myriad threats to monarch butterflies, but also various efforts under way to ensure the future of the world’s most amazing butterfly migration.

Too Much Too Young investigates how age and gender have shaped the careers and images of pop music stars, examining the role of youth and youthfulness in pop music through a series of themed case studies. Whiteley begins by investigating the exploitation of child stars such as Brenda Lee and Michael Jackson, offering a psychoanalytic reading of the relationship between child star and oppressive manager, and looks at the current glut of boy- and girl- bands and stars in the mold of Britney Spears to examine the continuing fatal attraction of stardom for adolescents. Whiteley then considers the star images of female singer-songwriters Kate Bush, Tori Amos, and Bjork, whose 'little girl' voices and characterization by the media suggests a girlish feminitity which is often at odds with the intentions of their musical output. She then moves on to explore the rock/pop divide as it affects the image of male performers, considering why male stars usually fall into the category of 'wild boys' such as Kurt Cobain or Jim Morrison, or 'nice boys', like Cliff Richard, The Monkees, and Wham! Whiteley ends by asking what happens to stars who set so much store by manipulations of youthfulness when they begin to age, and points to stars like Robbie Williams, Kylie Minogue and Cher to demonstrate that it is possible to achieve iconic pop status even without dying young.