Fixed on her ambitions, law student Cara is convinced she's better off avoiding romantic pursuits, but after a one-night stand with a certain blunt solicitor by the name William, her convictions are put on trial.

Explosions are easily triggered when two headstrong individuals try to manoeuvre around each other's flaws. Then again, only another fire would know how to read the dance of one's flames. After a turbulent start, Cara and William give their chemistry a chance to manifest. Between secret kisses at work and lustful grazes after dark, they hardly have the mind for anything but each other. As they dive deeper, William's love grows darker and graver. When his most dreaded vice returns, threatening to wreak havoc, Cara is forced to make a choice. She can't have it all. If she means to keep William, she must be willing to compromise. While they try to find their footing, an ominous past looms, just waiting to strike. A moment is all it takes - everything they've fought so hard to build, lost. This time, Cara may be too late. This book contains several sexually explicit scenes. It is intended for mature audiences. Into the Night is the second book in The Night series.

Bristling with intelligence and shimmering with romance, this novel tests the boundary between history and myth. Patrick Lewis arrives in Toronto in the 1920s and earns his living searching for a vanished millionaire and tunneling beneath Lake Ontario. In the course of his adventures, Patrick's life intersects with those of characters who reappear in Ondaatje's Booker Prize-winning The English Patient. 256 pp.

From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.

What if your identical twin sister was a murderer? Does that make you a monster too? A profound, intense, heartbreaking fantasy that tackles issues of fate versus free will, and whether you can ever truly know someone. WINNER: 2015 Aurealis Award, Best Young Adult Novel 'One of the most original novels I've read for a long while. Great voices. Complex relationships. Just what I love to read.' - Melina Marchetta Caught in a dreamscape, mistaken for a killer. Will Alice find a way home? Three years ago, Alice's identical twin sister took a gun to school and killed seven innocent kids; now Alice wears the same face as a monster. She's struggling with her identity, and with life in the small Australian town where everyone was touched by the tragedy. Just as Alice thinks things can't get much worse, she encounters her sister on a deserted highway. But all is not what it seems, and Alice soon discovers that she has stepped into a different reality, a dream world, where she's trapped with the nightmares of everyone in the community. Here Alice is forced to confront the true impact of everything that happened the day her twin sister took a gun to school . and to reveal her own secret to the boy who hates her most.

The powerful and long-anticipated companion to The Skin I'm In, Sharon Flake's bestselling modern classic, presents the unflinching story of Char, a young woman trapped in the underworld of human trafficking. My feet are heavy as stones when I walk up the block wondering why I can't find my old self.In The Skin I'm In, readers saw into the life of Maleeka Madison, a teen who suffered from the ridicule she received because of her dark skin color. For decades fans have wanted to know the fate of the bully who made Maleeka's life miserable, Char.Now in Sharon Flake's latest and unflinching novel, The Life I'm In, we follow Charlese Jones, who, with her raw, blistering voice speaks the truths many girls face, offering insight to some of the causes and conditions that make a bully. Turned out of the only home she has known, Char boards a bus to nowhere where she is lured into the dangerous web of human trafficking. Much is revealed behind the complex system of men who take advantage of vulnerable teens in the underbelly of society. While Char might be frightened, she remains strong and determined to bring herself and her fellow victims out of the dark and back into the light, reminding us why compassion is a powerful cure to the ills of the world.Sharon Flake's bestselling, Coretta Scott King Award-winning novel The Skin I'm In was a game changer when it was first published more than twenty years ago. It redefined young adult literature by presenting characters, voices, and real-world experiences that had not been fully seen. Now Flake offers readers another timely and radical story of a girl on the brink and how her choices will lead her to either fall, or fly.

#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.

Meet Molly Sue. Once she's under your skin there's no getting rid of her... Seventeen-year-old Sally Feather is not exactly a rebel. Her super-conservative parents and her treatment at the hands of high school bullies means that Sally's about as shy and retiring as they come - but all that's about to change. Accidentally ending up in the seedier side of town one day, Sally finds herself mysteriously lured to an almost-hidden tattoo parlour - and once inside, Sally is quickly seduced by its charming owner, Rosita, and her talk of how having a secret tattoo can be as empowering as it is thrilling. Almost before she knows what she is doing, Sally selects sexy pin-up Molly Sue, and has her tattooed on her back - hoping that Molly Sue will inspire her to be as confident and popular as she is in her dreams. But things quickly take a nightmareish turn. Almost immediately, Sally begins to hear voices in her head - or rather, one voice in particular: Molly Sue's. And she has no interest in staying quiet and being a good girl - in fact, she's mighty delighted to have a body to take charge of again. Sally slowly realises that she is unable to control Molly Sue... and before long she's going to find out the hard way what it truly means to have somebody 'under your skin'.

Zoe. Jenny. Nadia. Three women of varying ages and backgrounds with little else in common but for one thing: Someone has sent them each a note informing them that they will be killed. A cruel joke? A hoax? The police don't seem to think so. Now, with no clear suspect and amid the growing threat of violence, the victims become the accused as authorities dig into their backgrounds for clues as to why they might have attracted the unrelenting attention of a killer. As Zoe, Jenny, and Nadia find themselves being victimized twiceover, once by the faceless stalker and again by the police, each must ultimately face the question of which is stronger: the instinct to survive, or the desire to destroy?

“A lyrical and erotic reimagining of the gay Greek-Alexandrian poet C.P. Cavafy’s three-day trip to Paris in 1897 . . . dizzying, fevered and beautiful.” —The Millions Winner of the 2019 National Translation Award In June 1897, the young Constantine Cavafy arrives in Paris on the last stop of a long European tour, a trip that will deeply shape his future and push him toward his poetic inclination. With this lyrical novel, tinged with a hallucinatory eroticism that unfolds over three unforgettable days, celebrated Greek author Ersi Sotiropoulos depicts Cavafy in the midst of a journey of self-discovery across a continent on the brink of massive change. He is by turns exhilarated and tormented by his homosexuality; the Greek-Turkish War has ended in Greece’s defeat and humiliation; France is torn by the Dreyfus Affair, and Cavafy’s native Alexandria has surrendered to the indolent rhythms of the East. A stunning portrait of a budding author—before he became one of the 20th century’s greatest poets—that illuminates the complex relationship of art, life, and the erotic desires that trigger creativity. “A perfect book.” ―Edmund White, author of A Boy’s Own Story “The novel is as sen­sual as it is eru­dite, a stir­ringly in­ti­mate ex­plo­ration of the pri­vate, earthy place where cre­ation commences.” ―The Wall Street Journal “A remarkable novel . . . both a radiant work of the imagination and a fitting tribute to the greatest Greek poet of the twentieth century.” ―The Times Literary Supplement “Engaging and original . . . powerfully erotic . . . This is a hallucinatory work of art, in every sense.” ―The Literary Review