Skid is an imaginative science fiction novel of considerable skill that pokes fun at all forms of political correctness, while also indicating there are dangerous signs of a disintegrating world that is not adequately taken care of. The plot addresses some serious themes, touching on issues as wide as the survival of any planet in the universe - from pollution, to the exploitation of natural resources - the pros and cons of collective versus individual action - organic versus synthetic food - survival with humour versus the alienating aspects of a form of political correctness. The use of humour makes the book work effectively - mainly through the reactions of the "offworlders", Bruce (from New Zealand) and Sue (from the USA). Both Bruce and Sue react in stereotypical ways as caricatures of the cultures they come from - the skilful and amusing portrayal of their characteristics allows readers to laugh at their own attitudes. Unlike many science fiction books, skid doesn't get bogged down in detail or stray so far from known worlds that you lose the plot. Aficionados of science fiction and anyone who enjoys a good read will enjoy this novel

She might be small, but she's got it all—she's Kid McGear, Skid Steer! Kid McGear is the newest truck to join the Goodnight, Goodnight, Construction Site crew, and she's eager to help with even the roughest and toughest construction work. But when a steep cliff puts the other trucks in danger, can the new Kid on the site prove she's big enough for even this big, big job? Playful rhyming text from the bestselling team behind Construction Site on Christmas Night makes this thrilling tale of teamwork and the BIG potential in the littlest readers a must-have read-aloud for construction fans both big and small.

The Colonists is the long-awaited sequel to The Lifeboat. The MFY program is now sending astronauts on a one-way trip to Mars funded by a reality television show documenting their every move. The few people who begin to question how an organisation starting life as a Ponzi scheme could suddenly develop the capability to send people into space and develop a settlement in the harsh Martian environment find themselves transported to the other side of the galaxy to a very different world. Ultimately, the MFY program is a front for a project initiated by the Transcendents who inhabit a galactic version of the cloud to supply human bodies to meet their species continuity requirements. Sometimes the Transcendents decide to cut their own track which threatens to derail the entire project.

The Second Coming is the sequel to the First Skidian Chronicle. The second novel deals with the aftermath of the breakdown in food supplies and the resulting famine which almost brings the most sophisticated and powerful civilization in the known universe to its knees. The key offworld characters have returned to earth and Skid is slowly recovering from the disaster that not for the first time has all but destroyed the most powerful and sophisticated civilization in the known universe. But all is not lost and not all is as it seems and there are other forces at work.

The Lifeboat is the third novel in the Skidian Chronicles series. In The Lifeboat an asteroid is on a collision course with earth. It soon transpires the asteroid has been sent on its way by the Skidian first people who have uploaded themselves to a celestial version of the cloud and now define themselves as Transcendents. The Transcendents have a plan for humanity which doesn't include an asteroid strike killing us all off. The plot contains plenty of parallels with current world politics, including the introduction of a character based on a certain ginger haired world leader. The Lifeboat goes further in explaining our world history and continues the theme of the risk to humanity if we continue to ignore the dangerous degradation of our environment.

The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.

Brother's Keeper -- Skid Road -- The Sisters -- Ark of Refuge -- Shacktown -- Threshold -- State of Emergency -- Epilogue.

“A luminous, moving and visual record of fleeting moments of connection.” —New York Times Book Review, Editors’ Choice A visionary work of radical empathy. Known for immersion journalism that is more immersed than most people are willing to go, and for a prose style that is somehow both fierce and soulful, Jeff Sharlet dives deep into the darkness around us and awaiting us. This work began when his father had a heart attack; two years later, Jeff, still in his forties, had a heart attack of his own. In the grip of writerly self-doubt, Jeff turned to images, taking snapshots and posting them on Instagram, writing short, true stories that bloomed into documentary. During those two years, he spent a lot of time on the road: meeting strangers working night shifts as he drove through the mountains to see his father; exploring the life and death of Charley Keunang, a once-aspiring actor shot by the police on LA’s Skid Row; documenting gay pride amidst the violent homophobia of Putin’s Russia; passing time with homeless teen addicts in Dublin; and accompanying a lonely woman, whose only friend was a houseplant, on shopping trips. Early readers have called this book “incantatory,” the voice “prophetic,” in “James Agee’s tradition of looking at the reality of American lives.” Defined by insomnia and late-night driving and the companionship of other darkness-dwellers—night bakers and last-call drinkers, frightened people and frightening people, the homeless, the lost (or merely disoriented), and other people on the margins—This Brilliant Darkness erases the boundaries between author, subject, and reader to ask: how do people live with suffering?