Edmund White’s charming, funny, telling series of vignettes of the Paris neighborhood where he and his lover, French architect and illustrator Hubert Sorin, lived. In this ode to Pairs, the everyday becomes extraordinary with White’s observations accompanied by Sorin’s illustrations. With characters like Father Pierre Riches, the “kind and elegant” catholic priest whose hair had been stroked by Cavafy, to Billy Boy, the jewelry designer with 16,000 Barbies, there is delightful eccentricity to this collaboration. Written during Sorin’s decline to AIDS, Our Paris is a poignant look at the couple and the city they loved.

A visual exploration of the Paris dining scene, with stories, guides, and recommendations from everyday patrons and famous aficionados alike Paris is a city like no other, beloved by travelers the world over for its incomparable architecture, atmosphere, arts, and, of course, food. The restaurants of Paris are rich with history, culture, and flavor. Whether you're a frequent visitor to the City of Light with memories of your favorite meals or an armchair traveler dreaming of the cuisine you could discover there, A Table in Paris will take you on a delicious visual journey through the arrondissements that you'll never forget. In his signature loose and evocative style, artist John Donohue has rendered an incredible sampling of the iconic institutions, hidden gems, and everything in between that make the Paris dining scene one of a kind. Guided by recommendations from a breadth of locals, visitors, and experts, you’ll discover the places one must visit and the dishes one must sample in pursuit of the perfect Parisian meal. The book also offers space for your Paris dining bucket list, food memories or dreams from each arrondissement, and notes on the establishments featured. Restaurants hold a powerful place in our hearts, and A Table in Paris is a must-have for anyone with epicurean visions of Paris in theirs.

From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.

First published in 1880, same year as Edgar Degas' The Dancing Lesson and Edouard Manet's solo show of brasserie paintings at La Vie Moderne gallery, J.-K. Huysmans' Parisian Sketches shares with these vibrant Impressionist works a fascination with the contemporary life of Paris, an exuberant Paris in the era of the Opera Garnier and the Folies-Bergeres. Like the striking images of the early Impressionists, whom Huysmans championed when it was unfashionable to do so, Parisian Sketches is an all-out assault on the visual senses. Composed of a series of intense, meticulously observed impressions - of cafe concerts and circus performers, of streetwalkers and hot-chestnut sellers, of run-down slums and forgotten quarters in the grimy, shiny 'City of Light'- Parisian Sketches recreates the Paris of the bal masque and the cancan, the brasseries à femme and the buveurs d'absinthe, all captured with an intimacy and an immediacy that confirms Huysmans as one of the masters of 19th century French prose.

Soar over Paris and see the city as it’s never been seen before: from the Eiffel Tower in flight! The Eiffel Tower is bored today Wouldn’t it be nice to fly away? Paris is full of things to do – The Tower would like to see them too The Tower takes off for the day To watch the city work and play . . . The Eiffel Tower is bored … so it decides to cut loose and fly over Paris! Sailing through the night air, it glides over the Seine; a short hop away, it finds the Opéra. It weaves through crowds on the streets and in the department stores, falls asleep in the sun, and wakes up to the jangling bells of Notre Dame. This beautifully crafted book, brought to intricate, magical life by He´le`ne Druvert’s ornate lasercuts, is a wonderfully imaginative introduction to Paris and its monuments for young children.

A sumptuous artistic tribute to the city of lights, this hardcover, slipcased volume brings Paris to life in paintings that range from the medieval to the modern. “Paris is a moveable feast,” Ernest Hemingway once proclaimed. The city of lights, or the city of love, Paris is indeed a feast for the senses. Paris’s rich history has been justly captured by the many artists sheltered by its garrets and supported by its patrons for centuries. Finally the story and grandeur of this beautiful city are revealed in this luxurious slipcased volume. The over 300 full-color illustrations, including four breathtaking gatefolds, present Paris from its days as a medieval city on the Ile de la Cité, in the middle of the Seine River, through the tumultuous days of the French Revolution, to the “Haussmannization” of Paris, when much of the city was razed to make way for broad boulevards emanating from the Arc de Triomphe. The rich heritage of painting in Paris is broadly represented in this collection. Home of the Académie des Beaux-Arts, Paris nurtured generations of French artists and displayed their work in the Salon. As the Impressionists broke with the authoritarian standards of the Academy, Parisian art became even more diverse and increasingly abstract—a trend that continued through the twentieth century. The History of Paris in Painting honors this celebrated city and its famous monuments by presenting readers with an artistic feast that will make anyone fall in love with Paris again and again.

The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in Illuminated Paris, Hollis Clayson shows that there’s more to these clichés than meets the eye. In this richly illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies. While older gas lighting produced a haze of orange, new electric lighting was hardly an improvement: the glare of experimental arc lights—themselves dangerous—left figures looking pale and ghoulish. As Clayson shows, artists’ representations of these new colors and shapes reveal turn-of-the-century concerns about modernization as electric lighting came to represent the harsh glare of rapidly accelerating social change. At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle Époque.

As one of Australia’s leading architects, David Holm is passionate about drawing, the built environment and travel. His first book 'Drawing Italy' was published to great acclaim in 2009.His follow-up, 'Drawing Paris' is an architectural guide to the most beautiful (and planned) city in the world.Why Paris?The history of Parisian Architecture is the history of Europe – from the medieval origins of the Louvre palace, through to Napoleon’s grand designs, Hausmann’s great visionary boulevards and IM Pei’s controversial pyramid. Paris is an architect’s dream.David explains the history of Paris as he takes us on a grand tour of the city through her 12 arrondissement. With his trademark exquisite drawings of the major buildings, clear explanatory text and all new supporting photographs, this book distils the history and beauty of Paris into one very special guide book.Designed for use on the ground (hence the flexi-bound paperback format) as well as in the armchair, Drawing Paris shows us all the major sites.

A fascinating, lavishly illustrated history of the art and architecture of Paris has been expanded to encompass more than eight hundred illustrations and detailed descriptions to capture the diverse beauty of Notre Dame's Gothic splendor, the French Impressionist paintings housed at the Musée d'Orsay, the Louvre, new architectural landmarks, and designs for works in progress.