"Howard Miner was a student in a small midwestern college when the War broke out. His journey through training and tours of duty as a PBY pilot in the South Pacific are skillfully captured in his art and narratives, framing a wartime drama with a personal coming of age story. The Black Cats flew at night in seaplanes painted entirely black. Their assignments were varied, from patrols and bombing raids to rescues and missions that took them over thousands of miles of water and countless islands. This is a tale of ordinary people navigating through exceptional circumstances -- the friendships made, the cultures discovered, and the constant threat of enemy engagements. Sketches of a Black Cat is a memoir reconstructed by his son, Ron, from a small library of artwork, journal entries, and writing. Through his father's eyes and first hand accounts, we explore the behind the scenes life and idiosyncracies of the military, the antithetical humor, and very real dangers, and the poetic imagery of these tropical places from the air. The descriptive verse and the artist's viewpoint provides us a creatively told and intriguing portrayal of World War II's Pacific Theater"--Page 4 of cover.

A 2018 Caldecott Honor book There was a cat who lived alone. Until the day a new cat came . . . And so a story of friendship begins, following the two cats through their days, months, and years until one day, the older cat has to go. And he doesn’t come back. This is a poignant story, told in measured text and bold black-and-white illustrations about the act of moving on.

The black cat is--and you will know At least as much as that--A pleasant, purry, furry beast, In fact he is a--cat. This classic children's book, first published in 1905, combines charming rhymes by Walter Copeland with beautiful illustrations by Charles Robinson. The little black cats of the title are shown at play in many delightful scenes: at the doctor's; going shopping; having a Christmas party; learning to spell; and playing havoc at bath-time.

Collects the tales of Edgar Allan Poe. This book includes Ms Found in a Bottle, the horrific Berenice, Ligeia (which Poe considered his finest tale), The Murders in the Rue Morgue, and one of his most famous stories, The Fall of the House of Usher.

Reprint of the original, first published in 1882.

Few, if any, U.S. writers are as important to the history of world literature as Edgar Allan Poe, and few, if any, U.S. authors owe so much of their current reputations to the process of translation. Translated Poe brings together 31 essays from 19 different national/literary traditions to demonstrate Poe’s extensive influence on world literature and thought while revealing the importance of the vehicle that delivers Poe to the world—translation. Translated Poe is not preoccupied with judging the “quality” of any given Poe translation nor with assessing what a specific translation of Poe must or should have done. Rather, the volume demonstrates how Poe’s translations constitute multiple contextual interpretations, testifying to how this prolific author continues to help us read ourselves and the world(s) we live in. The examples of how Poe’s works were spread abroad remind us that literature depends as much on authorial creation and timely readership as on the languages and worlds through which a piece of literature circulates after its initial publication in its first language. This recasting of signs and symbols that intervene in other cultures when a text is translated is one of the principal subjects of the humanistic discipline of Translation Studies, dealing with the the products, functions, and processes of translation as both a cognitive and socially regulated activity. Both literary history and the history of translation benefit from this book’s focus on Poe, whose translated fortune has helped to shape literary modernity, in many cases importantly redefining the target literary systems. Furthermore, we envision this book as a fountain of resources for future Poe scholars from various global sites, including the United States, since the cases of Poe’s translations—both exceptional and paradigmatic—prove that they are also levers that force the reassessment of the source text in its native literature.