To find more information on Rowman & Littlefield titles, please visit us at www.rowmanlittlefield.com.

The current revival of interest in the rich and varied literature of early Scandinavia has prompted a corresponding interest in its background: its origins, social and historical context, and relationship to other medieval literatures. Even readers with a knowledge of Old Norse and Icelandic have found these subjects difficult to pursue, however, for up-to-date reference works in any language are few and none exist in English. To fill the gap, six distinguished scholars have contributed ambitious new essays to this volume. The contributors summarize and comment on scholarly work in the major branches of the field: Eddie and skaldic poetry, family and kings' sagas, courtly writing, and mythology. Taken together, their judicious and attractively written essays-each with a full bibliography-make up the first book-length survey of Old Norse literature in English and a basic reference work that will stimulate research in these areas and help to open up the field to a wider academic readership.

To find more information on Rowman & Littlefield titles, please visit us at www.rowmanlittlefield.com.

Contains a collection of translations from Old Icelandic. Includes four sagas and five shorter narratives, most of which appear for the first time in English. Contents: The Saga of Clever Ref; The Story of Thorstein of the East Fjords; The Saga of Valla Ljot; The Story of Thorvard Crow-Noes; The Story of Shuttle-Halli; The Story of Gold Asa-Thord; The Saga of Oath-Bound Men; The Story of Gisl Illugason; The Saga of Bjorn, Champion of Hitardale; Bibliography

Huge in stature; living in far-distant wastelands; sometimes comically stupid or crude; but possessing vast wealth and knowledge-such are the giants of Norse myth and legend. Four Icelandic sagas and six tales, spanning five centuries, are brought together for the first time in all-new English translations. All tell of mighty giants, and of the heroes who dared to face them, fight them, and sometimes befriend them. The giants and trolls of old still live on in these legendary sagas of old times. These tales of epic voyages, wars, and romance will appeal to both scholars of Norse mythology and fans of Viking adventure. The sagas include the Saga of the Kjalarnes People, the Saga of Halfdan Brana's Fosterling, the Saga of Sorli the Strong, and the Saga of Illugi Grid's Fosterling. The six shorter tales are: the Tale of Halfdan the Black, the Tale of Hauk High-Breeches, the Tale of Jokul Buason, the Tale of Brindle-Cross, an excerpt from the Saga of the Fljotsdal People, and the Tale of Asmund Ogre-Lucky.

The medieval Norse-Icelandic saga is one of the most important European vernacular literary genres of the Middle Ages. This Introduction to the saga genre outlines its origins and development, its literary character, its material existence in manuscripts and printed editions, and its changing reception from the Middle Ages to the present time. Its multiple sub-genres - including family sagas, mythical-heroic sagas and sagas of knights - are described and discussed in detail, and the world of medieval Icelanders is powerfully evoked. The first general study of the Old Norse-Icelandic saga to be written in English for some decades, the Introduction is based on up-to-date scholarship and engages with current debates in the field. With suggestions for further reading, detailed information about the Icelandic literary canon, and a map of medieval Iceland, this book is aimed at students of medieval literature and assumes no prior knowledge of Scandinavian languages.

The Viking North Atlantic differs significantly from the popular image of violent raids and destruction characterizing the Viking Age in Northern Europe. In Iceland, Scandinavian seafarers discovered and settled a large uninhabited island. In order to survive and succeed, they adapted lifestyles and social strategies to a new environment. The result was a new society, the Icelandic Free State. This volume examines the Viking Age in Iceland through the discoveries and excavations of the Mosfell Archaeological Project (MAP) in Iceland's Mosfell Valley. Directed by Professor Jesse Byock, with Field Director Davide Zori, MAP brings together scholars and researchers from Iceland, Britain, Canada, Denmark, Norway, Sweden, Germany, and the United States. The Project incorporates the disciplines of archaeology, history, saga studies, osteology, zoology, paleobotany, genetics, isotope studies, place names studies, environmental science, and historical architecture. The decade-long research of MAP has led to the discovery of an exceptionally well-preserved Viking chieftain's farmstead, including a longhouse, pagan cremation site, a conversion-era stave church, and a Christian graveyard. The research results presented here tell the story of how the Mosfell Valley developed from a ninth-century settlement of Norse seafarers into a powerful Icelandic chieftaincy of the Viking Age.

The world's longest lasting republic between ancient Rome and modern Switzerland, medieval Iceland (c. 870-1262) centered its national literature, the great family sagas, around the problem of can a republic survive and do justice to its inhabitants. The Conflict of Law and Justice in the Icelandic Sagas takes a semiotic approach to six of the major sagas which depict a nation of free men, abetted by formidable women, testing conflicting legal codes and principles - pagan v. Christian, vengeance v. compromise, monarchy v. republicanism, courts v. arbitration. The sagas emerge as a body of great literature embodying profound reflections on political and legal philosophy because they do not offer simple solutions, but demonstrate the tragic choices facing legal thinkers (Njal), warriors (Gunnar), outlaws (Grettir), women (Gudrun of Laxdaela Saga), priests (Snorri of Eyrbyggja Saga), and the Icelandic community in its quest for stability and a good society. Guest forewords by Robert Ginsberg and Roberta Kevelson, set the book in the contexts of philosophy, semiotics, and Icelandic studies to which it contributes.

So begins Sabine Baring-Gould's account of his journey on horseback around Iceland in 1862. Aged twenty-eight, the young writer and teacher was fascinated by the tradition of the Icelandic sagas, and this was the catalyst for his adventure and the book that emerged from it. His voyage took him from the then tiny settlement of Reykjavik through remote and hostile terrain, passing through the empty expanse of Iceland's countryside. He observed mountains and glaciers, volcanoes and geysers, wondering at the wild beauty of the landscape. He also recorded the rich flora and fauna that he saw-and, to his chagrin, that his companions shot.