This anthology, the fourteenth volume in the present series, brings us the work of six leading poets in what has been dubbed 'the Gagarin Generation'. Yuri Gagarin, the first astronaut, was an international celebrity and a hero of the Soviet Bloc. His space journey was subversively interpreted by some as a daring breakout towards freedom. The generation of people born into a transitional era of growing resistance to the strictures of Soviet rule, a generation that challenged entrenched conformity of thought and action, is represented here by a diverse set of voices, each of which speaks out of an experience both personal and collective, giving us a rare insight into a rich cultural and literary heritage that still awaits full discovery in English.

This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set complements the first 68 volume set of Critical Heritage published by Routledge in October 1995.

In this title, 20 young poets, two each from the ten Eastern and Central European countries acceding to the European Union in May 2004, are represented, the 'new poetics' from the 'new Europe'. It is a parallel-text volume, with original language/English translation on facing pages.

This is accessible, readable poetry from a world, a way of life and a culture unfamiliar to most English-language readers and, as such it fascinates and enthralls.

A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. "[A] splendid collection of verse by women" (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets.

Schuchard's critical study draws upon previously unpublished and uncollected materials in showing how Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art.