Works by African-American women. In an excerpt from Marita Golden's novel, And Do Remember Me, a one- breasted woman is convinced by the man she loves not to wear a prosthesis, in J. California Cooper's Vanity, a woman is driven to destruction by an obsession with her looks.

This is the final volume of nine in a series on Gay and Lesbian studies. Originally published in 1993, Lesbian Sources is a cross-referenced bibliography of articles written by and/or about lesbians and published in nationally- or internationally-distributed periodicals between 1970 and 1990.

Delia Ephron brings her trademark wit and effervescent prose to a series of unforgettable, moving and provocative essays. The emotional lynchpin is the author's stirring, eloquent response to the death of Nora Ephron, her older sister and frequent writing companion. In 'Sister', she deftly captures the love, rivalry, respect and intimacy that made up her relationship with her sister in a way that is at once deeply personal and comfortingly universal. Other essays in the collection run the gamut from a hysterical piece about love and the movies - how romantic comedies completely destroyed her twenties - to the joy of girlfriends and best friendship, the magical madness and miracle of dogs, keen-eyed observations about urban survival, and a serious and affecting memoir of life with her mother - growing up the child of alcoholics. Ephron's sparkling wit and humanity is present on every emotionally resonant page.

"Ronnie Gilbert has had a long and colorful career as a singer, actor, activist, therapist, and independent woman of her times. She is best known for her time with the Weavers in the 1940s and '50s, but she went on to collaborate with many other musicians--notably Holly Near and Arlo Guthrie--as well as to write and appear on stage in numerous productions, including her own play, Mother Jones. Ronnie Gilbert traverses sixty years of the twentieth century, sharing her take on the folk-music revival, the Cold War blacklist, the 1960s music scene, and primal therapy. Ronnie Gilbert is a unique historical document for readers interested in music, American politics, and the history of the women's movement and the Left."--Provided by publisher.

After a harrowing escape from the Gray Elite, everything is in shambles: Zander’s lost his arm, General Deacon will hunt Raven at any cost, and an unexpected ally seeks asylum on their airship. But one thing is going right for Raven—she has magic, thanks to the centrum, and now she needs to learn how to use it. When Raven and her friends seek information about her strange power, she is offered a chance to become a Wraith like Zander. The journey brings more answers than Raven has ever dreamed of as she discovers as much about her own heart as her magic. Will the truth behind her power be enough to change the world or protect the ones she loves? Authors 4 Authors Content Rating This title has been rated 17+, appropriate for older teens and adults, and contains: -Strong language -Intense violence -Brief sex -Mild alcohol use -Moderate negative fantasy drug use For more information on our rating system, please, visit Authors4AuthorsPublishing.com/books/ratings

In this joyous collection of essays about historically Black colleges and universities—edited by the host of NPR's Weekend Edition Sunday, Ayesha Rascoe—alumni both famous and up-and-coming write testimonials about the schools and experiences that shaped their lives and made them who they are today. With a distinguished and diverse set of contributors, including Oprah Winfrey, Stacey Abrams, and Branford Marsalis, HBCU Made is the only book of its kind, illuminating and celebrating the experience of going to a historically Black college or university—for proud alumni, their loved ones, current students, and anyone considering an HBCU. In moving and candid essays about the schools that nurtured and educated them, a wide range of famous alums share their accounts of how they chose their HBCU, their first days on campus, the dynamic atmosphere of classes where students were constantly challenged to do their best, the professors who devoted themselves to the students, the marching bands and majorettes and how they were shaped by their rigorous training. For some contributors, the choice to attend an HBCU was an easy one as they followed in the footsteps of their parents or siblings. For others, it was a carefully considered step away from a predominantly white institution to be educated in a place where they would never have to justify their presence. And for all, it was an HBCU that took them in and cared for them like family, often helping them to overcome a rough patch. A collection that brims with insight and school spirit, HBCU Made is a perfect gift for each generation of prospective students and graduates to come.

"An ethnographic study of the emergence of a pan-ethnic style of music in Israel between the mid-1970s and mid-1990s. This two-decade period encompasses the coming of age of the Middle Eastern and North African creators of the grassroots music network in the 1970s and the sea change in the music's reception by mainstream Israeli society in the 1990s.