Winner of the James H. Broussard First Book Prize PROSE Award in U.S. History (Honorable Mention) A major new interpretation recasts U.S. history between revolution and civil war, exposing a dramatic reversal in sympathy toward Latin American revolutions. In the early nineteenth century, the United States turned its idealistic gaze southward, imagining a legacy of revolution and republicanism it hoped would dominate the American hemisphere. From pulsing port cities to Midwestern farms and southern plantations, an adolescent nation hailed Latin America’s independence movements as glorious tropical reprises of 1776. Even as Latin Americans were gradually ending slavery, U.S. observers remained energized by the belief that their founding ideals were triumphing over European tyranny among their “sister republics.” But as slavery became a violently divisive issue at home, goodwill toward antislavery revolutionaries waned. By the nation’s fiftieth anniversary, republican efforts abroad had become a scaffold upon which many in the United States erected an ideology of white U.S. exceptionalism that would haunt the geopolitical landscape for generations. Marshaling groundbreaking research in four languages, Caitlin Fitz defines this hugely significant, previously unacknowledged turning point in U.S. history.

Experts on the French, Batavian, Helvetic, Cisalpine, and Neapolitan revolutions bridge the gap here between the so-called 'Sister' Republics. They explore political culture as a set of discourses or political practices. Parliamentary practices, the comparability of 'universal' political concepts, late-eighteenth century Republicanism, the relationship between press and politics, and the interaction between the Sister Republics and France are studied from a comparative, transnational perspective.

Spanish Dollars and Sister Republics traces the linked history of the new nations of Mexico and the United States from the 1770s to the 1860s. Tatiana Seijas and Jake Frederick highlight the common challenges facing both countries in their early decades of independence by exploring the creation of coin money. The remarkable story begins when both countries chose the Spanish piece of eight (silver coin) as their monetary standard. The authors examine how each nation instituted its own currency, designed coins to represent its national ideals, and then spent decades trying to establish the legitimacy of its money. Readers learn about the creation and circulation of money through the stories of a banker in Philadelphia, a Mexican general in Texas, a surveyor in Sonora, and others. The focus on individuals provides an engaging window into the economic history of Mexico and the United States. Seijas and Frederick show how the creation of U.S. dollars and Mexican pesos paralleled these countries’ efforts to establish enduring political and economic systems, illustrating why these nations closed the nineteenth century on very different historical trajectories.

Exploring the backgrounds of the American and French revolutions, Higonnet finds that dominant American ideology welded together strands of individualist and communitarian thought under an umbrella of virtue, while most Frenchmen, by contrast, were still suspicious of economic individualism. Whereas in America both the rights of the individual and the interests of the community were protected in a pluralistic Federal system, in France these two forces remained at loggerheads. This resulted in politics of consensus in America and generated political conflict in France. ISBN 0-674-80982-3: $27.50.

This book argues that the introduction of popular sovereignty as the basis for government in France facilitated a dramatic transformation in international law in the eighteenth century.

Image, History, and Politics: The Coinage of Modern Europe examines money as a medium of communication laden with artistic and political meaning by studying the last two hundred years of European coinage. This book explores the political, economic, and aesthetic messages carried by coinage, therefore providing a special realm in which to view and constantly reevaluate major political and economic developments from the French Revolution through the Cold War, with occasional comparative references to earlier time periods. The study generally focuses on the pre-1914 'Great Powers' of Europe: France, Germany, Britain, Russia, the Hapsburg Monarchy, and Italy; along with a brief comparative examination of the coinage of Spain, Switzerland and Belgium. The author demonstrates how every political system, consciously or unconsciously, constructs a set of symbols as an expression of itself with its coinage, enabling historians and social scientists to synthesize political, economic, and artistic meaning in a historical context.

Celebrating its 30th anniversary in 2024, internationally bestselling author and literary icon Julia Alvarez's In the Time of the Butterflies is "beautiful, heartbreaking and alive ... a lyrical work of historical fiction based on the story of the Mirabal sisters, revolutionary heroes who had opposed and fought against Trujillo." (Concepción de León, New York Times) Alvarez’s new novel, The Cemetery of Untold Stories, is coming April 2, 2024. Pre-order now! It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leónidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas—the Butterflies. In this extraordinary novel, the voices of all four sisters--Minerva, Patria, María Teresa, and the survivor, Dedé--speak across the decades to tell their own stories, from secret crushes to gunrunning, and to describe the everyday horrors of life under Trujillo’s rule. Through the art and magic of Julia Alvarez’s imagination, the martyred Butterflies live again in this novel of courage and love, and the human costs of political oppression. "Alvarez helped blaze the trail for Latina authors to break into the literary mainstream, with novels like In the Time of the Butterflies and How the García Girls Lost Their Accents winning praise from critics and gracing best-seller lists across the Americas."—Francisco Cantú, The New York Times Book Review "This Julia Alvarez classic is a must-read for anyone of Latinx descent." —Popsugar.com "A gorgeous and sensitive novel . . . A compelling story of courage, patriotism and familial devotion." —People "Shimmering . . . Valuable and necessary." —Los Angeles Times "A magnificent treasure for all cultures and all time.” —St. Petersburg Times "Alvarez does a remarkable job illustrating the ruinous effect the 30-year dictatorship had on the Dominican Republic and the very real human cost it entailed."—Cosmopolitan.com

Citizenship in a Republic is the title of a speech given by Theodore Roosevelt, former President of the United States, at the Sorbonne in Paris, France, on April 23, 1910. One notable passage from the speech is referred to as "The Man in the Arena": It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better.

Few figures in modern German history are as central to the public memory of radical protest than Ulrike Meinhof, but she was only the most prominent of the countless German women—and militant male feminists—who supported and joined in revolutionary actions from the 1960s onward. Sisters in Arms gives a bracing account of how feminist ideas were enacted by West German leftist organizations from the infamous Red Army Faction to less well-known groups such as the Red Zora. It analyzes their confrontational and violent tactics in challenging the abortion ban, opposing violence against women, and campaigning for solidarity with Third World women workers. Though these groups often diverged ideologically and tactically, they all demonstrated the potency of militant feminism within postwar protest movements.

David G. Haglund’s Sister Republics tells the story of the unique relationship between the United States and its first ally, France. Historians and political scientists have characterized interactions between the two countries in the spheres of security and defense policy in radically different ways: either the two comport themselves in a highly cooperative fashion, befitting their status as old allies and steadfast friends, or they act as bitter rivals, revealing their alliance to be at best dysfunctional and at worst destructive. Haglund uses a fresh approach to reconcile these divergent positions, examining the Franco-American bond through the prism of strategic culture. In doing so, he reveals the cultural factors that have contributed to the suboptimal relationship between the two nations.