Foreword /Leigh Davids --South Africa's mixed messages: a short introduction --Introducing the Royal Family --Celine Dion --Cleopatra --Coco --Flavirina --Gabby --Joan Collins --Sulaiga --Netta.

Lady GaGa, Diane Arbus, Vincent van Gogh, Kurt Cobain - the list of geniuses with mental health issues is long and well known. But how do the two relate to one another? Or, to rephrase the question, can a mental illness also be seen as a superpower? To answer this question Jan Hoek spent three months living in a psychiatric hospital in Brooklyn, collaborating with the hospital's clients and other unique individuals he met in New York. This comic book, Mental Superpowers, is the result.

The role played by R.D.E. ('Ootje') Oxenaar in the development of Dutch graphic design is a fascinating one. In 1970 he joined the Department of Art and Design at what was then the Dutch Postal and Telecommunications Service (PTT). He was deputy head from then until 1976, when he took over as head of the department until 1994. It would be hard to overstate his importance as one of the key public principals of Dutch graphic design during those years. That success can be attributed to Oxenaar's own visual production from the early 1950s onward, and the position this earned him in the design field as a front-rank graphic designer, which enabled him to enlist the services at the PTT of many a prominent designer. This book relates these two capacities as the commissioning and the commissioned party by assessing precisely how graphic design functions in the community. In so doing, it does justice to the exceptional personal talent of the designer-artist Oxenaar as well as to the particular cultural and socio-economic circumstances that helped to inform his career. It therefore avoids the one-sidedness of either a formalist or a determinist approach to Oxenaar's visual production. Accordingly, this book is also a potted history of Dutch graphic design and its turbulent development into a primary creative industry of significance during the 50 years since the Second World War.

The Burlesque Handbook is the essential manual to understanding and performing both classic and neo-burlesque. Written by Jo Weldon, award-winning founder of the New York School of Burlesque, this book features easy-to-follow suggestions and exercises for developing stage-worthy confidence, presence, and sexiness. You'll learn about the fabulous makeup, costumes—including pasties!—moves, grooves, and attitudes of burlesque. The Burlesque Handbook is the must-have guide for everyone interested in this vibrant and wildly popular performance art, providing inspiration and practical information that readers can take straight from the page to the stage!

How the law harms sex workers—and what they want instead Do you have to endorse prostitution in order to support sex worker rights? Should clients be criminalized, and can the police deliver justice? In Revolting Prostitutes, sex workers Juno Mac and Molly Smith bring a fresh perspective to questions that have long been contentious. Speaking from a growing global sex worker rights movement, and situating their argument firmly within wider questions of migration, work, feminism, and resistance to white supremacy, they make it clear that anyone committed to working towards justice and freedom should be in support of the sex worker rights movement.

Many designs that appear in today's society will circulate and encounter audiences of many different cultures and languages. With communication comes responsibility; are designers aware of the meaning and impact of their work? An image or symbol that is acceptable in one culture can be offensive or even harmful in the next. A typeface or colour in a design might appear to be neutral, but its meaning is always culturally dependent. If designers learn to be aware of global cultural contexts, we can avoid stereotyping and help improve mutual understanding between people. Politics of Design is a collection of visual examples from around the world. Using ideas from anthropology and sociology, it creates surprising and educational insight in contemporary visual communication. The examples relate to the daily practice of both online and offline visual communication: typography, images, colour, symbols, and information. Politics of Design shows the importance of visual literacy when communicating beyond borders and cultures. It explores the cultural meaning behind the symbols, maps, photography, typography, and colours that are used every day. It is a practical guide for design and communication professionals and students to create more effective and responsible visual communication.

In the Vale of Cashmeremarks the culmination of acclaimed photographer Thomas Roma'sfour-year odyssey into a densely wooded, secluded corner of Brooklyn's Prospect Park, where gay cruising dominates the footpaths and trails. The Vale ofCashmere, a name that dates back to the 1890s, has long been a meeting place for gay men. and currently, mostly Black men. However, encounters occur between men of all walks of life, as well as gender and sexual identities. With his large, tripod-mounted, hand-made camera, Roma stepped into the center of this community, an obvious but mostly ignored presence. Understandably, many of the menRoma approached to photograph in a formal portrait were not interested, butsurprisingly, many were. After they agreed to be photographed, Roma would offer themen time and the opportunity to show him something of themselves they might nothave the chance to otherwise. Although originally conceived solely as a portrait project, the more time Romaspent in the Vale of Cashmere, the more the physical beauty of the Vale becameinseparable from the portraits, and many landscape photographs were made to beincluded in the book. In addition to the landscapes, Roma utilized a custom modified miniaturecamera to provide sequential pictures depicting the steady march of themostly solitary men as they cruised the paths and roadways of the Vale. These candidphotographs, which run along the bottom of the pages of landscape photographs, arereproduced in small scale so as to make it impossible to identify any individual. Roma's motivation for doing the project camefrom his wish to honor the memory of a dear friend who died of AIDS in 1991, andwho introduced him to the Vale of Cashmere.

In this lush compendium illustrated with full-color images, the author of The Burlesque Handbook chronicles the history of one of the world’s most beloved fashion patterns—leopard print—celebrating its beauty and place in couture, and the women who have dared to wear it. In nature, the distinctive markings on big cats served as camouflage, helping them to blend into their surroundings when hunting prey. Unlike these magnificent predators, humans have donned this distinctive animal pattern to be noticed; leopard print demands an audience. Jo Weldon, an expert in the world of burlesque, reveals how this sexy, playful, decadent, and vibrant pattern once reserved for royalty came into vogue and became a staple of fashion. With the revolution in technology and the rise of mass production in the early 1900s, textiles could be produced quickly and inexpensively, transforming every industry. Couture experienced a creative awakening: colors, prints, and patterns never seen before became ubiquitous. A greater freedom of choice in ready-to-wear clothing gave women the opportunity to express themselves in new styles. From its inception in textile, leopard print—long used as a symbol of a warrior’s power or a ruler’s wealth—became a sensation, adopted by daring trendsetters and members of the avant-garde, including film stars and celebrities such as Carole Lombard and Josephine Baker, who walked her pet Cheetah, Chiquita, on a diamond-encrusted leash. The desire for leopard print continues today as Nicki Minaj, Rihanna and other stars flaunt their feline-inspired spots on film and stage, the catwalk and the red carpet. With a lively narrative, informative sidebars, and stunning images, Fierce is a must have collection for designers and fashionistas of all kinds.

On the islands in the Strait of Hormuz, off the southern coast of Iran, there is a common belief that the winds can possess a person, bringing illness and disease. The existence of similar convictions in some African countries suggests that the cult may have been brought to Iran from southeast Africa through the Arab slave trade. This history is rarely spoken about but these winds and the traces they have left on the islands and their inhabitants are the touchstone for Hoda Afshar's Speak The Wind. Through her subtle and perceptive images of the extraordinary landscapes, the people and their rituals, Afshar's beautiful and complex book attempts to picture the wind and its psychic entanglements, to form a visible record of the invisible.