"Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a 'dramatic reversal.' [This book presents a] portrait of contemporary American life and how we got here, through the lens of the single American woman, covering class, race, [and] sexual orientation, and filled with ... anecdotes from ... contemporary and historical figures"--

The authors share the stories of single women in midlife as well as their practical advice on managing the mechanics of being single, transforming loneliness, redefining the place of work, developing friendship and support networks, living with and without intimacy, and choosing to have and raise children. In the process they define a new American lifestyle.

When we think about the European past, we tend to imagine villages, towns, and cities populated by conventional families—married couples and their children. Although most people did marry and pass many of their adult years in the company of a spouse, this vision of a preindustrial Europe shaped by heterosexual marriage deceptively hides the well-established fact that, in some times and places, as many as twenty-five percent of women and men remained single throughout their lives. Despite the significant number of never-married lay women in medieval and early modern Europe, the study of their role and position in that society has been largely neglected. Singlewomen in the European Past opens up this group for further investigation. It is not only the first book to highlight the important minority of women who never married but also the first to address the critical matter of differences among women from the perspective of marital status. Essays by leading scholars—among them Maryanne Kowaleski, Margaret Hunt, Ruth Mazo Karras, Susan Mosher Stuard, Roberta Krueger, and Merry Wiesner—deal with topics including the sexual and emotional relationships of singlewomen, the economic issues and employment opportunities facing them, the differences between the lives of widows and singlewomen, the conflation of singlewomen and prostitutes, and the problem of female slavery. The chapters both illustrate the roles open to the singlewoman in the thirteenth through eighteenth centuries and raise new perspectives about the experiences of singlewomen in earlier times.

Smart, strong, independent—single women can live a fabulous life. Husband not required. Mandy Hale, also known by her many blog readers and Twitter fans as The Single WomanTM, shares her stories, advice, and enthusiasm for living life as an empowered, confident, God-centered woman who doesn’t just resign herself to being single—she enjoys it! Being single has had its stigmas, but Mandy proves it has its advantages too, and she uses wisdom and wit to inspire her fellow single ladies to celebrate and live fully in the life God has given them. Mandy encourages her readers on subjects such as taking chances, building friendships, letting go, and finding a greater purpose. With her help, readers can stop worrying about happily ever after and discover a happy life instead.

Featured in multiple “must-read” lists, No One Tells You This is “sharp, intimate…A funny, frank, and fearless memoir…and a refreshing view of the possibilities—and pitfalls—personal freedom can offer modern women” (Kirkus Reviews). If the story doesn’t end with marriage or a child, what then? This question plagued Glynnis MacNicol on the eve of her fortieth birthday. Despite a successful career as a writer, and an exciting life in New York City, Glynnis was constantly reminded she had neither of the things the world expected of a woman her age: a partner or a baby. She knew she was supposed to feel bad about this. After all, single women and those without children are often seen as objects of pity or indulgent spoiled creatures who think only of themselves. Glynnis refused to be cast into either of those roles, and yet the question remained: What now? There was no good blueprint for how to be a woman alone in the world. It was time to create one. Over the course of her fortieth year, which this ​“beguiling” (The Washington Post) memoir chronicles, Glynnis embarks on a revealing journey of self-discovery that continually contradicts everything she’d been led to expect. Through the trials of family illness and turmoil, and the thrills of far-flung travel and adventures with men, young and old (and sometimes wearing cowboy hats), she wrestles with her biggest hopes and fears about love, death, sex, friendship, and loneliness. In doing so, she discovers that holding the power to determine her own fate requires a resilience and courage that no one talks about, and is more rewarding than anyone imagines. “Amid the raft of motherhood memoirs out this summer, it’s refreshing to read a book unapologetically dedicated to the fulfillment of single life” (Vogue). No One Tells You This is an “honest” (Huffington Post) reckoning with modern womanhood and “a perfect balance between edgy and poignant” (People)—an exhilarating journey that will resonate with anyone determined to live by their own rules.

With a unique blend of biblical principles, psychological insight, practical advice, and humor, this book shows the reader how to be a man, date like a man, and get that relationship off to a great start.

contentsIntroduction1: Longing for Love2: Accepting God's Sovereignty3: Viewing Reality Correctly4: Being Thankful5: Living in Reality6: Understanding Your Unique Advantages7: Living a Christ-Centered LifeEpilogueQuestions for Further Insight

The single woman is mistakenly seen to be a product of the twentieth century. Drawing on figures as diverse as Joan of Arc, Elizabeth I, and the Amazons, Gordon brings to light a powerful tradition of single womanhood and calls the "marginality" of single women into question.

Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.