Tracy Brown's Single Black Female is a taut, edgy, deftly spun novel about four friends grappling with the dramatic twists and turns of life, love and what it means to “make it” in America. Ivy Donovan is a successful stylist, entrepreneur, and single mom who has been loyal to her sons’ father, Michael, who’s serving a lengthy prison sentence. But life has gotten lonely over the years, and Ivy wants more for herself. Michael, however, isn’t about to lose his family. Coco Norris is well-off, single, childless, and struggling with her allegiance to emotionally unavailable men. When she finds a man who seems like he can give her everything she has ever wanted, Coco soon discovers that she has taken on more than she can possibly handle. Deja Maddox is a real estate agent who is married to Bobby, a police sergeant with the NYPD. They have assimilated, looking down on anything that doesn’t fit their buttoned-up, polished life. But Deja isn’t as satisfied as she would like everyone to believe. When Deja’s past returns with a vengeance, she’s forced to face herself as her “perfect” life begins to crumble. Nikki Diamond is a savvy, self-made businesswoman and social media darling who lives large and with no regrets. She’s also Deja’s little sister and thinks her sister can have so much more than her ho-hum marriage. And Nikki is all too happy to lend a “helping” hand to make that happen. Things come to a head when Ivy’s youngest son, Kingston, is caught up in a polarizing encounter with the NYPD. Everyone must figure out where they stand, including Bobby, who suddenly has to decide if his “blue life” matters more to him than his Black life and the Black lives of those he loves. Single Black Female highlights the nuances of Black love, the often tested bonds of Black families, what it means to face the world as a Black man and the joy and pain of being a Black woman.

A story that explores the lives of two African American professional women as they work through issues of finding love and acceptance in present-day Harlem, New York.

The news is not good for black women when it comes to finding a partner. Where not long ago there were roughly two married women to every single woman, those numbers have gradually reversed over the past few decades--now, more than 60 percent of black women have either never married or are divorced. These numbers are far greater than those of any other social group, and the trend shows no sign of reversing. Mathis brings the skills of an astute veteran journalist and the passions of an attentive and articulate storyteller to uncovering the truths in single black women’s lives today. Sole Sisters is certain to ignite public debate on how and why so many black women remain single and spark discussion as to what semi-permanent singlehood means for so many.

Experiences of Single African-American Women Professors: With this Ph.D., I Thee Wed, edited by Eletra S. Gilchrist, explores the unique lived experiences of single African-American women professors. Gilchrist's contributors are comprised of never-before-married and doctorate degree-holding African-American women professors. The authors and research participants speak candidly about their experiences, exploring a myriad of topics including dating costs and rewards, relationship challenges, work/life balance, multiple intersecting identities, negative perceptions, and identity negotiation. This volume is designed by and for an academic audience. It addresses the dating and mating complexities of the population under study by combining autoethnographic accounts with empirical research and theoretical concepts. As one of the few works to address the intricate interpersonal dynamics surrounding African-American women in the professorate from a scholarly perspective, Eletra S. Gilchrist's Experiences of Single African-American Women Professors: With this Ph.D., I Thee Wed seeks to not only dispel myths and stereotypes, but serve as an instructional tool for other professor hopefuls.

Statistics state that 70 Percent of Black women are single. And many believe that it's because Black women can't find a "good" Black man. However, what's keeping Black women single isn't a shortage of "good" Black men it's the fact that most Black women have learned a life paradigm from her mother that prevents her from having a successful relationship with any man. In this eBook Shawn James explains all the historical, economic, political and social reasons leading to many Black women being single and how many of the approaches Black women have learned growing up from their mothers and grandmothers will keep them single and their daughters single in some cases for the rest of their lives.

A timely and important search for architecture's missing women For a century and a half, women have been proving their passion and talent for building and, in recent decades, their enrollment in architecture schools has soared. Yet the number of women working as architects remains stubbornly low, and the higher one looks in the profession, the scarcer women become. Law and medicine, two equally demanding and traditionally male professions, have been much more successful in retaining and integrating women. So why do women still struggle to keep a toehold in architecture? Where Are the Women Architects? tells the story of women's stagnating numbers in a profession that remains a male citadel, and explores how a new generation of activists is fighting back, grabbing headlines, and building coalitions that promise to bring about change. Despina Stratigakos's provocative examination of the past, current, and potential future roles of women in the profession begins with the backstory, revealing how the field has dodged the question of women's absence since the nineteenth century. It then turns to the status of women in architecture today, and the serious, entrenched hurdles they face. But the story isn't without hope, and the book documents the rise of new advocates who are challenging the profession's boys' club, from its male-dominated elite prizes to the erasure of women architects from Wikipedia. These advocates include Stratigakos herself and here she also tells the story of her involvement in the controversial creation of Architect Barbie. Accessible, frank, and lively, Where Are the Women Architects? will be a revelation for readers far beyond the world of architecture.

At the height of the cocaine-fueled 1980s, Carolyn Wilkins left a disastrous marriage in Seattle and, hoping to make it in the music business, moved with her four-year-old daughter to a gritty working-class town on the edge of Boston. They Raised Me Up is the story of her battle to succeed in the world of jam sessions and jazz clubs—a man’s world where women were seen as either sex objects or doormats. To survive, she had to find a way to pay the bills, overcome a crippling case of stage fright, fend off a series of unsuitable men, and most important, find a reliable babysitter. Alternating with Carolyn’s story are the stories of her ancestors and mentors—five musically gifted women who struggled to realize their dreams at the turn of the twentieth century: Philippa Schuyler, whose efforts to “pass” for white inspired Carolyn to embrace her own black identity despite her “damn near white” appearance and biracial child; Marjory Jackson, the musician and single mother whose dark complexion and flamboyant lifestyle raised eyebrows among her contemporaries in the snobby, color-conscious world of the African American elite; Lilly Pruett, the daughter of an illiterate sharecropper whose stunning beauty might have been her only ticket out of the “Jim Crow” South; Ruth Lipscomb, the country girl who dreamed, against all odds, of becoming a concert pianist and realized her improbable ambition in 1941; Alberta Sweeney, who survived a devastating personal tragedy by relying on the musical talent and spiritual stamina she had acquired growing up in a rough-and-tumble Kansas mining town. They Raised Me Up interweaves memoir with family history to create an entertaining, informative, and engrossing read that will appeal to anyone with an interest in African American or women’s history or to readers simply looking for an intriguing story about music and family.

Twenty-nine-year-old Cinnamon Brown, bored with the single life, is ready for a loving, committed relationship. Searching for excitement and adventure, she plunges into the world of personal ads, living by just one important rule--never date a married man. Cinnamon's search for the right match leads her first to Jojo--a walking bundle of testosterone who is anything but Mr. Wonderful--and later to a man named Roman who has everything Cinnamon needs except for one critical element--chemistry. Just when she begins to get discouraged, Cinnamon has a chance encounter with the charming and irresistible Mitchell Maine. Absolutely smitten, Cinnamon thinks she may have just found her perfect match. There's just one problem with Mitchell--staying with him will break Cinnamon's most personal rule. Cinnamon's passion becomes too powerful to deny, and despite everything, she makes the risky decision to follow her heart. As she searches for happiness, this single black female learns that in the realm of passion, love can touch us in the most beautiful and unexpected ways.

"Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a 'dramatic reversal.' [This book presents a] portrait of contemporary American life and how we got here, through the lens of the single American woman, covering class, race, [and] sexual orientation, and filled with ... anecdotes from ... contemporary and historical figures"--